Pierre Parrocel

French, 1670 - 1739

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The image shows a group of people gathered outdoors. Some are sitting on the ground, while others are standing or leaning against trees. Three central figures are seated; two are leaning on each other while the third is hooded and faces away. The standing individuals vary in posture; one kneels with a hand to the face, while another, wearing a hat with a feather, stands nearby. Their facial features suggest a mix of contemplative and relaxed expressions. All the figures are dressed in long robes or simple clothing fitting the pastoral setting, and there are no visible pieces of jewelry. A couple of dogs stand near the group, and three orbs rest on the ground. The background is filled with dense foliage of trees, creating an intimate and shaded atmosphere in a natural setting.
Pierre Parrocel, Children with Donkey and Dog in a Clearing, 1825, etching, Rosenwald Collection, 1980.45.1761

Children with Donkey and Dog in a Clearing

Pierre Parrocel · 1825 · etching ·  Accession ID  1980.45.1761
The artwork is a detailed engraving depicting a scene with a horizontal orientation. At the top, Jupiter and Juno are seated on clouds surrounded by figures with flowing drapery. Jupiter holds a scepter, and Juno has an aura around her head. Below them, a scene unfolds with figures interacting in a natural setting. On the left, a group of people, including women and children, are engaged in activities, some seated and others in motion. In the foreground, a reclining female figure draped in cloth gestures upwards, accompanied by a lion. The background includes dense foliage and rocky formations, adding depth to the composition. The artwork is intricately detailed with careful shading to emphasize the textures and forms.
Pierre Parrocel, The Seconda Macchina for the Chinea of 1740: Jupiter and Juno Lucina, 1740, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.28

The Seconda Macchina for the Chinea of 1740: Jupiter and Juno Lucina

Pierre Parrocel · 1740 · etching ·  Accession ID  2016.121.67.28
The artwork is a detailed engraving with a complex composition, depicting a scene filled with numerous figures and dynamic movement. At the center, various figures are arranged, with some seated on clouds. The figures are intricately detailed, showcasing a range of postures and gestures, such as holding objects or instruments, while their garments flow. The scene is framed by trees and foliage on either side, adding depth and texture to the composition. The lower portion includes additional figures interacting with each other. The artwork features an inscription at the bottom. The use of line and shading techniques creates a contrast, highlighting the figures against the background.
Pierre Parrocel, The Seconda Macchina for the Chinea of 1739: An Allegory of Public Happiness, 1739, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.27

The Seconda Macchina for the Chinea of 1739: An Allegory of Public Happiness

Pierre Parrocel · 1739 · etching ·  Accession ID  2016.121.67.27
This is a drawing of a mythical scene with numerous figures and a chariot. The detailed artwork depicts a grand mythological scene in which a chariot led by lions and a regal figure is positioned in the sky, surrounded by clouds and other mythical characters playing instruments. Below, there are various figures engaged in dynamic poses, some working with tools or instruments and others interacting, amidst a rocky, mountainous terrain. To the left, more individuals appear in industrious action, using tools, while below them, figures with horses suggest further motion. The detailed etching showcases fine line work, creating a sense of movement and drama through the composition.
Pierre Parrocel, The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence, 1738, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.3

The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence

Pierre Parrocel · 1738 · etching ·  Accession ID  2016.121.3
The artwork is an intricately detailed engraving with a vertical orientation, depicting a scene. At the center top, a figure is seated on a throne, flanked by lions. This figure is surrounded by a halo of radiant light. Below, various figures are positioned on rocky ledges. To the left, a group of people are engaged in labor, wielding tools and interacting with a large cave-like structure. On the right, a group of figures are in more relaxed postures, accompanied by a variety of animals, including horses. The background features dramatic clouds and mountainous elements. The composition is rich with classical motifs and elaborate detailing.
Pierre Parrocel, The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence, 1738, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.25

The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence

Pierre Parrocel · 1738 · etching ·  Accession ID  2016.121.67.25
This is a drawing of a scene on Mount Parnassus. Various figures are depicted on rocky cliffs with a backdrop of trees and clouds. At the top, there is a figure with a radiant aura, alongside mythical creatures like a winged horse. The scene is dynamic and dramatic, with figures in various poses, some gesturing upwards, others seated or leaning on rocks. The foreground shows figures in contemplative postures, gazing upwards towards the gathering above. The detailed line work conveys depth and texture, typical of classical mythological illustrations.
Miguel de Sorellò, The Prima Macchina for the Chinea of 1739: Mount Parnassus with Apollo, the Muses, and Pegasus, 1739, etching, Gift of Vincent Buonanno in honor of Andrew Robison, 2017.46.1

The Prima Macchina for the Chinea of 1739: Mount Parnassus with Apollo, the Muses, and Pegasus

Miguel de Sorellò · 1739 · etching ·  Accession ID  2017.46.1