Tony Cragg

British, born 1949

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The image displays irregular, flowing shapes and blotches in a warm, sepia tone. The shapes are reminiscent of various forms like elongated drips of paint or wisps of smoke against a light background. Some areas suggest vague outlines resembling figures or floating objects, like cloud formations in a golden sky. The arrangement of shapes invites interpretation as an abstract portrayal of natural phenomena.
Tony Cragg, Crown Point Press, Suburbs (Spitbite Series) II, 1990, aquatint and spitbite aquatint in yellow on Somerset Textured paper, Gift of Kathan Brown, 1998.40.144

Suburbs (Spitbite Series) II

Tony Cragg, Crown Point Press · 1990 · aquatint and spitbite aquatint in yellow on Somerset Textured paper ·  Accession ID  1998.40.144

The image shows round, bubble-like shapes in the foreground linked with textured lines and splatters. The composition consists of layers of spherical forms in overlapping patterns. Above them, a large, reddish-brown circular form with a faintly detailed surface is present. The background features swirling, earthy colors, creating a sense of movement and depth.
Tony Cragg, Crown Point Press, Fruit Juice Bottles II, State 1, 1990, color aquatint and spitbite aquatint on Somerset Textured paper, Gift of Kathan Brown, 1998.40.116

Fruit Juice Bottles II, State 1

Tony Cragg, Crown Point Press · 1990 · color aquatint and spitbite aquatint on Somerset Textured paper ·  Accession ID  1998.40.116

The image shows an intricate composition of lines and shapes forming an abstract design. The arrangement consists of wavy, ribbon-like forms interspersed with oval and rectangular elements that overlap and intertwine, creating a sense of depth and motion.
Tony Cragg, Crown Point Press, Suburbs (Softground Series) IV, 1990, softground etching and aquatint in red and gray on Somerset Textured paper, Gift of Kathan Brown, 1998.40.141

Suburbs (Softground Series) IV

Tony Cragg, Crown Point Press · 1990 · softground etching and aquatint in red and gray on Somerset Textured paper ·  Accession ID  1998.40.141

The image displays irregular and organic shapes with soft-edged forms interspersed throughout the composition. The abstract artwork resembles a textured landscape, similar to a field of stones or coral formations under the sea. The shapes are primarily in shades of soft pink and coral, merging and overlapping in a fluid manner that evokes natural patterns, such as scattered leaves or petals.
Tony Cragg, Crown Point Press, Suburbs (Spitbite Series) III, 1990, aquatint and spitbite aquatint in red on Somerset Textured paper, Gift of Kathan Brown, 1998.40.145

Suburbs (Spitbite Series) III

Tony Cragg, Crown Point Press · 1990 · aquatint and spitbite aquatint in red on Somerset Textured paper ·  Accession ID  1998.40.145

The image shows a complex array of wavy lines and undulating patterns forming abstract shapes on a canvas. The design resembles a cluster of organic forms, without resembling any specific objects. The intricate patterns give the impression of ridges and grooves seen on textures like fungi or underwater life. Each section is filled with small, repetitive textural details that enhance the complexity of the piece.
Tony Cragg, Crown Point Press, Listeners, State 2, 1990, softground etching and aquatint in green on Somerset Textured paper, Gift of Kathan Brown, 1998.40.131

Listeners, State 2

Tony Cragg, Crown Point Press · 1990 · softground etching and aquatint in green on Somerset Textured paper ·  Accession ID  1998.40.131

The image shows swirling and overlapping shapes primarily in pink and yellow-green hues. A large central pink form is surrounded by smaller circular and fluid green shapes. The background is a blend of the same colors, creating a sense of depth and movement.
Tony Cragg, Crown Point Press, Fruit Juice Bottles III, State 1, 1990, color aquatint and spitbite aquatint on Somerset Textured paper, Gift of Kathan Brown, 1998.40.118

Fruit Juice Bottles III, State 1

Tony Cragg, Crown Point Press · 1990 · color aquatint and spitbite aquatint on Somerset Textured paper ·  Accession ID  1998.40.118

The image consists of organic shapes and soft lines forming an undulating pattern. The shapes could be interpreted as flattened floral petals or foliage. The pale peach color palette gives the appearance of a delicate fabric with gentle folds. The shapes resemble leaves or coral structures, suggesting the interplay of natural elements in an abstract manner.
Tony Cragg, Suburbs (Spitbite Series) III, 1990, spitbite etching in red on wove paper, Gift of the Collectors Committee, 1991.188.9

Suburbs (Spitbite Series) III

Tony Cragg · 1990 · spitbite etching in red on wove paper ·  Accession ID  1991.188.9

The image depicts a row of vertical lines and shapes resembling elongated tubes with inscribed lines indicating a rack holding the forms. It also features bright blue blobs and drips scattered on the tubes, similar to test tubes in a laboratory setting filled with vibrant liquid substances. The composition can be compared to a test tube holder, evoking scientific imagery with its depiction of cylindrical shapes.
Tony Cragg, Crown Point Press, Test Tubes I, 1990, color aquatint, spitbite aquatint, and drypoint on Somerset Textured paper, Gift of Kathan Brown, 1998.40.150

Test Tubes I

Tony Cragg, Crown Point Press · 1990 · color aquatint, spitbite aquatint, and drypoint on Somerset Textured paper ·  Accession ID  1998.40.150

The image shows swirling, curvy lines across the canvas. The abstract forms resemble rippling water or winding pathways, with a red and white color scheme. The intricate patterns and undulating lines may also bring to mind the appearance of a flowing river or the intricate patterns of a fingerprint.
Tony Cragg, Crown Point Press, Meandering River III, 1990, softground etching and aquatint in red on Somerset Textured paper, Gift of Kathan Brown, 1998.40.134

Meandering River III

Tony Cragg, Crown Point Press · 1990 · softground etching and aquatint in red on Somerset Textured paper ·  Accession ID  1998.40.134

The image shows overlapping cylindrical forms transitioning into conical shapes with rounded and smooth top surfaces. The arrangement resembles oversized goblets or vases on block-like pedestals. The repeated outlines and varying densities of line work suggest a gallery of sculptural forms, interlocking seamlessly in a surreal, artistic style.
Tony Cragg, Crown Point Press, Suburbs (Softground Series) II, 1990, softground etching and aquatint in red and gray on Somerset Textured paper, Gift of Kathan Brown, 1998.40.139

Suburbs (Softground Series) II

Tony Cragg, Crown Point Press · 1990 · softground etching and aquatint in red and gray on Somerset Textured paper ·  Accession ID  1998.40.139