Tom Marioni

American, born 1937

Explore selected works

See all 94 works of art
The image shows a circular arrangement of fine, sweeping lines and dots on a green background. The lines create swirls and patterns that suggest movement and flow.
Tom Marioni, Crown Point Press, Ianne Kjorlie, Asa Muir-Harmony, It's Not Easy Being Green, 2008, color drypoint with aquatint and flatbite etching on wove Somerset paper, Gift of Kathan Brown, 2011.119.50

It's Not Easy Being Green

Tom Marioni, Crown Point Press, Ianne Kjorlie, Asa Muir-Harmony · 2008 · color drypoint with aquatint and flatbite etching on wove Somerset paper ·  Accession ID  2011.119.50

The image shows a vertical cluster of dark, fine lines against a muted, abstract backdrop. The background consists of soft blends of pale blues, faint yellows, and washed-out reds.
Tom Marioni, Dena Schuckit, New Growth [working proof 2], 2006, color drypoint and flat bite etching on wove Somerset paper [working proof 2], Gift of Kathan Brown, 2024.132.454

New Growth [working proof 2]

Tom Marioni, Dena Schuckit · 2006 · color drypoint and flat bite etching on wove Somerset paper [working proof 2] ·  Accession ID  2024.132.454

The image shows a cluster of vertical dark lines converging towards the center on a pale off-white background with hints of yellow and burnt sienna, reminiscent of a sunlit field at dusk.
Tom Marioni, Crown Point Press, Dena Schuckit, Ianne Kjorlie, New Growth, 2006, color drypoint with flatbite etching on wove Somerset paper, Gift of Kathan Brown, 2011.119.51

New Growth

Tom Marioni, Crown Point Press, Dena Schuckit, Ianne Kjorlie · 2006 · color drypoint with flatbite etching on wove Somerset paper ·  Accession ID  2011.119.51

The image features a single vertical cluster of thin black lines against a white background with subtle grayish textured patterns. The color palette is mostly monochrome, with shades of black, white, and gray. The dark cluster is centrally positioned vertically and slightly to the right horizontally within the image, surrounded by light gray textures forming an abstract backdrop.
Tom Marioni, Dena Schuckit, New Growth [working proof 1], 2006, drypoint and flat bite etching in black and grey on wove Somerset paper [working proof 1], Gift of Kathan Brown, 2024.132.453

New Growth [working proof 1]

Tom Marioni, Dena Schuckit · 2006 · drypoint and flat bite etching in black and grey on wove Somerset paper [working proof 1] ·  Accession ID  2024.132.453

Thin, vertical lines converge in the center of the image to form a pointed, elongated shape. The surrounding abstract expanse features soft, muted colors blending in organic patterns.
Tom Marioni, Dena Schuckit, New Growth [working proof 3], 2006, color drypoint and flat bite etching on wove Somerset paper [working proof 3], Gift of Kathan Brown, 2024.132.455

New Growth [working proof 3]

Tom Marioni, Dena Schuckit · 2006 · color drypoint and flat bite etching on wove Somerset paper [working proof 3] ·  Accession ID  2024.132.455

The image displays geometric shapes and lines in warm yellow and orange tones, mainly rectangular and triangular. The arrangement resembles a stylized cityscape or modern architectural structure.
Tom Marioni, Dena Schuckit, Rachel Fuller, Catherine Brooks, Crown Point Press, Golden Rectangle, 2003, color aquatint with drypoint on Somerset paper, Gift of Kathan Brown, 2006.122.53

Golden Rectangle

Tom Marioni, Dena Schuckit, Rachel Fuller, Catherine Brooks, Crown Point Press · 2003 · color aquatint with drypoint on Somerset paper ·  Accession ID  2006.122.53

The image shows a large, sweeping shape resembling the Greek letter pi (π) painted in gray with a subtle yellow aura. The curving lines and flowing tail of the shape evoke motion, resembling a brushstroke or stylized letter form. The form occupies the right side of the canvas with an open, light background.
Tom Marioni, Dena Schuckit, Rachel Fuller, Crown Point Press, Ghost Pi, 2003, color drypoint on gampi chine collé on Somerset paper, Gift of Kathan Brown, 2006.122.52

Ghost Pi

Tom Marioni, Dena Schuckit, Rachel Fuller, Crown Point Press · 2003 · color drypoint on gampi chine collé on Somerset paper ·  Accession ID  2006.122.52

The image displays white lines and curves on a deep blue background. The lines create tangled, looping shapes, along with circular shapes and numerical annotations.
Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press, Leonardo IKB, 2002, direct gravure in blue on Somerset paper, Gift of Kathan Brown, 2006.122.54

Leonardo IKB

Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press · 2002 · direct gravure in blue on Somerset paper ·  Accession ID  2006.122.54

The image shows intersecting lines and shapes, with a central vertical yellow trapezoid surrounded by black lines forming geometric shapes. The design resembles a stylized doorway or folded paper. The composition features simple geometric forms and a single splash of color, creating an abstract and minimalist artwork.
Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press, A Door Must Be Either Open or Closed, 2002, drypoint printed in black ink with aquatint printed in yellow ink on Somerset paper, Gift of Kathan Brown, 2006.122.50

A Door Must Be Either Open or Closed

Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press · 2002 · drypoint printed in black ink with aquatint printed in yellow ink on Somerset paper ·  Accession ID  2006.122.50

The image shows an abstract composition with a rectangular shape having rounded corners. In the center, there are densely packed vertical and slightly curved lines forming a dark vertical band. Surrounding this central element are scattered, smudged, and sparse horizontal lines and shapes. The overall composition maintains balance between the central vertical element and the lighter surrounding areas.
Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press, Drawing a Line (An Ounce of Gold), 2002, color drypoint with aquatint on Somerset paper, Gift of Kathan Brown, 2006.122.51

Drawing a Line (An Ounce of Gold)

Tom Marioni, Rachel Fuller, Catherine Brooks, Crown Point Press · 2002 · color drypoint with aquatint on Somerset paper ·  Accession ID  2006.122.51