Robert Creeley

American, 1926 - 2005

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Artwork

This is a photograph of a cover with textual elements. The image features bold typography centered on a white background, with the names "Baselitz" and "Creeley" prominently displayed in contrasting black and green colors both in standard and inverted orientations. The layout is framed by green vertical borders on both sides, providing a visual boundary that emphasizes the simplicity and clarity of the design. The overall composition suggests a formal and modern style, focusing on direct text presentation.

Signs

Georg Baselitz, Robert Creeley, Graphicstudio

1999

Portfolio of ten prints in drypoint and aquatint, a poem in eight sections, title page and colophon on somerset paper Accession ID 2002.111.35.1-10

Not on view

Artwork

The image shows swirling black lines in an abstract shape resembling a face with exaggerated features. Above are red circular forms with jagged edges and green lines suggesting stems and leaves. The abstract face is intertwined with elements resembling hair or facial features.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black and color aquatint on somerset paper Accession ID 2002.111.35.7

Not on view

Artwork

The image shows bold, sweeping black lines forming an abstract composition. There are curved lines and loops at the top, resembling eye-like shapes. Below them are two forms resembling clenched fists.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

1999

Drypoint in black on somerset paper Accession ID 2002.111.35.6

Not on view

Artwork

The image showcases a collection of intertwined lines and shapes forming an abstract composition. Bold black lines create contours resembling hands and arms, with red circular shapes resembling flowers and green pointed lines suggesting leaves and stems. The overall effect is a visual representation blending human-like forms with floral elements in an abstract and striking manner.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black and color aquatint on somerset paper Accession ID 2002.111.35.5

Not on view

Artwork

The image shows bold, black lines forming two leg-like shapes with feet positioned upwards. Below these forms, a red, textured shape with a green top is present.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black and color aquatint on somerset paper Accession ID 2002.111.35.4

Not on view

Artwork

The image shows a pair of feet in a black line drawing on a white background. The feet are depicted with intricate details and minimalistic line work, positioned so the soles face each other with toes pointing slightly inward. There are no additional elements in the image.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Robert Hanning, Jennifer Melko, Graphicstudio

1999

Drypoint in black on somerset paper Accession ID 2002.111.35.8

Not on view

Artwork

The image contains distinct shapes and lines in two contrasting sections. On the left are abstract outlines resembling a human form on a white background. On the right, there is a dense area of overlapping lines creating abstract patterns on a white background. These sections highlight the contrast between soft shapes and intricate patterns.

Title Page

Robert Creeley, Georg Baselitz, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black on somerset paper Accession ID 2002.111.35.1

Not on view

Artwork

The image shows a dense network of thin black lines on the left side, forming an intricate web-like pattern. On the right side, the lines are sparser and more curvilinear, outlining a human arm and hand, with a hint of a torso and head. This juxtaposes the abstract and representational elements in the image.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black on somerset paper Accession ID 2002.111.35.10

Not on view

Artwork

Curving lines intersect with bold, red circular shapes. The shapes resemble large roses with detailed green leaves. Black lines are intertwined with the floral elements, suggesting a tactile connection to the abstract composition.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black and color aquatint on somerset paper Accession ID 2002.111.35.3

Not on view

Artwork

Black linear shapes resembling two human forearms and hands are elevated upwards against a vivid backdrop. These lines curve and bend, while below them, two red circular forms with green appendages suggest tomatoes with leafy tops.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Jill Lerner, Tim Baker, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black and color aquatint on somerset paper Accession ID 2002.111.35.9

Not on view

Artwork

The image displays bold, black swirling lines creating abstract shapes resembling a human figure. The top features circular lines twisting into spiral forms. Below, dense lines construct a form possibly connected to the human body, suggesting a torso, foot, or leg. The intricate, overlapping lines convey movement and complexity, alluding to familiar anatomical elements in an abstract way.

Untitled

Georg Baselitz, Robert Creeley, Erika Greenberg-Schneider, Hank Hine, Tim Baker, Jill Lerner, Jennifer Melko, Robert Hanning, Graphicstudio

1999

Drypoint in black on somerset paper Accession ID 2002.111.35.2

Not on view

Artwork

""

Mabel: A Story

Jim Dine, Robert Creeley

published 1977

1 vol: ill: 12 etchings (the frontispiece hand-colored) on d'auvergne paper Accession ID 1991.114.2

Not on view