Flemish 17th century

Anonymous Flemish 17th Century

Flemish, 1600 - 1699

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Shown from the hips up, a pale-skinned man with a Van Dyck beard stands with one hand on his hip in this vertical portrait painting. The man’s body faces our right almost in profile, but he turns his head to look at us from the corners of his brown eyes under lifted, black brows. The bridge of his nose is slightly flattened, and he has full pink lips, a pointed chin, and chin-length, wavy black hair. His mustache flares upward at the ends, and a line of hair grows down his chin. The wide brim of his hat would nearly have reached his shoulders, but it sits angled on the back of his head. Layers of white lace create a round collar resting on his chest over a black jacket. The coat is slashed over the chest and upper arms of the sleeves so the white shirt underneath is visible. The jacket is also partially unbuttoned over his torso. The cuff we can see reaches from his wrist along his forearm and is edged in lace. The back of that hand rests against that hip, and the cloth of a black cloak is bunched up around that hand. Black drapery fills most of the background but is pulled back to our right to reveal a landscape with a sunset-streaked sky.
Flemish 17th century, Jan Cossiers, Portrait of a Man in a Wide-Brimmed Hat, early 1630s, oil on panel, Ailsa Mellon Bruce Fund, 1969.2.1

Portrait of a Man in a Wide-Brimmed Hat

Flemish 17th century, Jan Cossiers · early 1630s · oil on panel ·  Accession ID  1969.2.1

It appears that a piece of paper printed in black and gray, showing a portrait of an older, bearded man, has been stuck to a wood panel using a red wax seal in this vertical composition. The cream-colored paper is crinkled and creased with wide margins around the portrait. The printed portrait shows a man from the chest up, angled to our right but looking out at us. The inner corners of his eyes are in deep shadow and he has a bulbous nose over a long, full beard. He wears a wide, soft hat tipped down to our right. He wears a heavy coat or jacket, possibly fur. His hands rest on the top of a cane, suggesting he is seated. A cross hangs from a long chain around his neck. The print is signed at dated at the top right corner of the printed image: “F. Bol. F 1642.” The glimmering red wax seal holding the paper to the wood board is imprinted with a shield. The wood itself is light tan almost with a greenish tint, and it has a dark knot near the lower left corner. Only upon closer inspection do we realize that the entire work is a single painting, and is not an actual print affixed to a wooden board.
Dutch 17th Century, Flemish 17th century, Trompe l'Oeil of an Etching by Ferdinand Bol, c. 1675, oil on panel, Fund given in honor of Derald Ruttenberg's Grandchildren, 2016.3.1

Trompe l'Oeil of an Etching by Ferdinand Bol

Dutch 17th Century, Flemish 17th century · c. 1675 · oil on panel ·  Accession ID  2016.3.1

Flemish 17th century, A Scholar Writing, red and graphite on tan laid paper, Joseph F. McCrindle Collection, 2009.70.246

A Scholar Writing

Flemish 17th century · · red and graphite on tan laid paper ·  Accession ID  2009.70.246

German 17th Century, Flemish 17th century, Battle Scene, mid 17th century, gilded bronze, Gift of Lisa and Leonard Baskin, 1999.109.13

Battle Scene

German 17th Century, Flemish 17th century · mid 17th century · gilded bronze ·  Accession ID  1999.109.13

Flemish 17th century, Judgment of Paris, mid 17th century, lead, Samuel H. Kress Collection, 1957.14.589

Judgment of Paris

Flemish 17th century · mid 17th century · lead ·  Accession ID  1957.14.589

Flemish 17th century, The Flagellation of Christ, c. 1620, pen and brown ink with brown wash on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.77

The Flagellation of Christ

Flemish 17th century · c. 1620 · pen and brown ink with brown wash on laid paper ·  Accession ID  1991.150.77

Flemish 17th century, Joannes Galle, The Thin Kitchen, 1610/1630, engraving, Rosenwald Collection, 1964.8.404

The Thin Kitchen

Flemish 17th century, Joannes Galle · 1610/1630 · engraving ·  Accession ID  1964.8.404

Flemish 17th century, Forest Interior, c. 1610, pen and brown ink and wash over graphite with white heightening on laid paper, Ailsa Mellon Bruce Fund, 2001.12.1

Forest Interior

Flemish 17th century · c. 1610 · pen and brown ink and wash over graphite with white heightening on laid paper ·  Accession ID  2001.12.1

Flemish 17th century, Frans Rubens, engraving, Rosenwald Collection, 1951.11.810

Frans Rubens

Flemish 17th century · · engraving ·  Accession ID  1951.11.810

Flemish 17th century, The Entombment, early 17th century, engraving on laid paper, Gift of Ruth B. Benedict, 1994.60.67

The Entombment

Flemish 17th century · early 17th century · engraving on laid paper ·  Accession ID  1994.60.67