Boussod et Valadon

Boussod et Valadon
Boussod, Valladon & Cie
Galerie Boussod et Valadon

French, est. 1884 - closed 1919

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The image shows an older man with distinctive facial features, long white hair and beard, standing inside a wooden structure. The man wears a dark brown jacket and striped pants, and is depicted reaching forward with his left hand while the right hand rests at his side. In the background, there is text in French in an ornate font that reads "Les Programmes du Théâtre Libre" and "Silhouette d’Antoine dans les Tisserands." The overall color scheme of the image is muted and earthy, with a cream-colored background.
Henri-Gabriel Ibels, Eugène Verneau, Boussod et Valadon, Les Programmes du Théâtre Libre, c. 1893, color lithograph on wove paper, Gift of the Cafritz Foundation in memory of Martin Atlas, 1999.46.2

Les Programmes du Théâtre Libre

Henri-Gabriel Ibels, Eugène Verneau, Boussod et Valadon · c. 1893 · color lithograph on wove paper ·  Accession ID  1999.46.2

Albert Bierstadt, Boussod et Valadon, The Last of the Buffalo, 1891, photogravure in black with chine collé on wove paper, Corcoran Collection (Gift of the Women's Committee of the Corcoran Gallery of Art), 2015.19.3216

The Last of the Buffalo

Albert Bierstadt, Boussod et Valadon · 1891 · photogravure in black with chine collé on wove paper ·  Accession ID  2015.19.3216

Georges William Thornley, Edgar Degas, Boussod et Valadon, L. de Becquet, Jockeys, 1889, transfer lithograph in reddish brown on chine collé, laid down, Gift of Faya Causey in memory of Philip Conisbee, 2013.184.4

Jockeys

Georges William Thornley, Edgar Degas, Boussod et Valadon, L. de Becquet · 1889 · transfer lithograph in reddish brown on chine collé, laid down ·  Accession ID  2013.184.4

This is a drawing of mythical figures in a natural and architectural setting. The central figure is a winged being resting against a column, surrounded by columns with intricate designs and sculptures. The being looks relaxed, with a serene expression on its face. The setting includes an elaborate structure adorned with classical elements such as a frieze with the word "HYMEN" inscribed, alongside angelic figures and cherubs engaging with the central figure. To the left, the landscape includes tall trees and a distant sky. The composition is rich with symbolic elements associated with mythology and romance. The details and textures suggest a classic and ethereal atmosphere.
Félix Bracquemond, Boussod et Valadon, The Goddess Discord [La Discord], 1886, etching on parchment, Gift of the Estate of Leo Steinberg, 2011.139.10

The Goddess Discord [La Discord]

Félix Bracquemond, Boussod et Valadon · 1886 · etching on parchment ·  Accession ID  2011.139.10

This is a painting of amorphous dark forms, a serpent, and abstract humanoid figures in a mysterious landscape. The scene is dominated by a serpentine creature in the foreground, with shadowy shapes in the background suggesting cliffs or ancient ruins. Elements of surrealism are present, with figures and shapes that are partially defined, creating a dreamlike setting. Monochrome tones enhance the mood of the scene. This painting is in the style of Gustave Moreau.
Félix Bracquemond, Boussod et Valadon, Untitled (The Dream of the Mogul?), 1886, etching on vellum, Rosenwald Collection, 1980.45.212

Untitled (The Dream of the Mogul?)

Félix Bracquemond, Boussod et Valadon · 1886 · etching on vellum ·  Accession ID  1980.45.212

The image displays a woman standing in a relaxed pose with a staff. She has soft features, flowing hair, and a wide-brimmed hat. She is partially covered in patterned fabric and is accompanied by a lion. The background features a textured landscape with trees, rocks, and distant towers under a cloudy sky.
Félix Bracquemond, Boussod et Valadon, The Amorous Lion [Le lion amoureux], 1886, etching on parchment, Gift of the Estate of Leo Steinberg, 2011.139.11

The Amorous Lion [Le lion amoureux]

Félix Bracquemond, Boussod et Valadon · 1886 · etching on parchment ·  Accession ID  2011.139.11

Georges William Thornley, Boussod et Valadon, L. de Becquet, The Bath, 1889, transfer lithograph in reddish brown on chine collé, laid down, Gift of Faya Causey in memory of Philip Conisbee, 2013.184.3

The Bath

Georges William Thornley, Boussod et Valadon, L. de Becquet · 1889 · transfer lithograph in reddish brown on chine collé, laid down ·  Accession ID  2013.184.3

Bibliography

1973

  • Rewald, John. "Theo van Gogh, Goupil, and the Impressionists (part two)." Gazette des Beaux-Arts VIe périod, no. 81 (February 1973):65-100

1978

  • Monneret, Sophie, L'Impressionnisme et son Époque 4 vols. Paris, 1978-1981:I:89-90