Thomas Hart Benton

American, 1889 - 1975

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  • The image depicts an older man standing in an artist's workspace. He is positioned slightly angled to the left, with his head facing forward. His facial features are defined, with lines, bushy brows, and some scruff on his chin. He has gray unruly hair. He is wearing a buttoned shirt under a jacket, with the shirt appearing creased and untidy. He holds a brush over a palette in his left hand. On the table are an easel, a cup, and a tube of paint. The background shows a room with wooden paneling and a slanted ceiling.

    Self-Portrait

    Thomas Hart Benton

    1972

    Lithograph in black on wove paper  Accession ID  2013.8.1

    Not on view
  • From a high vantage point, we look across a valley that rises gently to either side in front of a tall, snowy mountain peak flanked by looming ridges in this horizontal, landscape painting. The curve of the land, the tree branches, and the sinewy lines of the snow along the crevices of the ridges are exaggerated, giving the scene a slightly stylized look. Tiny in scale, three widely spaced horses, two with riders, move from left to right along the valley. The ridge faces are dark earth brown and the snow is pale blue where the sun shines on it, from our right. The face of the narrow, central peak is violet purple, and the sharp tip nearly touches the top edge of the canvas.

    Trail Riders

    Thomas Hart Benton

    1964-1965

    Oil on canvas  Accession ID  1975.42.1

    Not on view
  • Six bunches of harvested corn close to us lead back to two people planting fields, which in turn lead back to a red barn and white house in this horizontal landscape painting. The shocks of corn are tied into rounded, pyramidal shapes on a ground streaked with brown dirt and green growth. In the center of the composition and in the distance, a person on a horse-drawn wagon hands a sack or other object down to a person standing at the back of the wagon. Vibrant green hills roll back to red and white structures to the left and a row of dark green trees on the horizon to the right. In the top third of the painting, a wave of white clouds seems to crest against a jewel-blue sky. The curves of the land are slightly exaggerated, giving the painting a stylized look. The artist signed and dated the painting in the lower left corner, “Benton 48.”

    Corn and Winter Wheat

    Thomas Hart Benton

    1948

    Oil on canvas  Accession ID  2001.122.1

    Not on view
  • The image shows a sailing ship in turbulent waves under a stormy sky. The composition emphasizes movement, with a low horizon line, swirling brushstrokes, and a diagonal angle for the ship. The black and white tones create a dramatic and intense atmosphere, highlighting the power of the sea. Figures on the ship appear small, depicting the overwhelming force of the ocean. White accents on waves and clouds contrast with the dark palette of the scene.

    After the Blow

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1946 (published 1947)

    Lithograph in black on wove paper  Accession ID  1987.41.6

    Not on view
  • The image shows a horse-drawn carriage on a snowy path. In the background, there is a small house with a slanted roof. The sky has expressive brushstrokes, creating contrast between light and dark areas. The color palette is monochromatic, using shades of black, white, and gray. A man in a hat is interacting with the carriage driver, and the horse is standing nearby. The scene conveys a cold winter atmosphere with snow and clouds.

    Gateside Conversation

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1946

    Lithograph in black on wove paper  Accession ID  2015.19.1098

    Not on view
  • The image depicts a rural scene with a figure working near harvested goods, a horse-drawn wagon, and stacks of crops across the landscape. In the distance, trees and a small structure can be seen. The detailed brushstrokes and monochromatic color palette create a realistic texture and strong visual impact.

    Loading Corn

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1945

    Lithograph in black on wove paper  Accession ID  1987.41.4

    Not on view
  • The image shows a group of figures working. Closest to us, there is a man kneeling with a sickle, while another man stands to the right, also holding a sickle. In the distance, there is a small structure. The lines appear fluid and dynamic, indicating movement. The color palette is monochromatic with black and white contrast, shadows, highlights, and wispy clouds in the sky.

    Island Hay

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1945 (published 1946)

    Lithograph in black on wove paper  Accession ID  1987.41.5

    Not on view
  • The image shows a cow being milked with a calf resting beside it. The background consists of leafy trees. The illustration is done with strong brushstrokes, capturing the textures of the animals and trees. The color palette is monochrome, using shades of black and gray. The barn is to the left, casting shadows over the scene.

    White Calf

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1945

    Lithograph in black on wove paper  Accession ID  1987.41.10

    Not on view
  • The image shows a rugged landscape with a man operating a water pump, a small structure nearby, and two figures near a rearing horse. In the background, there is a person running along a fence. The sky is filled with swirling clouds and smoke. The painting uses dramatic brushstrokes and a monochromatic palette of black, white, and gray.

    Fire in the Barnyard

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1944

    Lithograph in black on wove paper  Accession ID  1987.41.7

    Not on view
  • The image shows a rural scene with a lone figure near two rustic structures. The perspective is slightly elevated, and the horizon is high in the composition. Trees, low hills, and clouds are visible in the sky. The artwork uses black and white with textured brushstrokes for grass and structure depth. A figure is seen carrying tools or equipment, walking towards an illuminated structure. The color palette is grayscale, emphasizing the figure and landscape lines.

    Night Firing

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1943

    Lithograph in black on wove paper  Accession ID  1987.41.9

    Not on view
  • The image shows a woman reading on a bench under a lantern's light. In the distance, two laborers are working near a cart or plow. The landscape features bold brushstrokes, emphasizing clouds and grass. The color palette is monochromatic, using shades of black, white, and gray.

    Letter from Overseas

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1943

    Lithograph in black on wove paper  Accession ID  1987.41.8

    Not on view
  • The image displays the upper body of a man, focusing on his head and shoulders. The man is portrayed in a three-quarter view, looking slightly downward to his right. He has deeply set eyes, prominent forehead wrinkles, curly hair, and a wide mustache and beard. He wears a dark-colored jacket over a lighter shirt. The background is a neutral, textured surface. No jewelry or objects are visible.

    Aaron

    Thomas Hart Benton, George C. Miller, Associated American Artists

    1941

    Lithograph in black on wove paper  Accession ID  2000.103.1

    Not on view