John Carter

British, 1748 - 1817

Explore Selected Works

John Carter, The Erpingham Gate, Norwich, 1791, pen and black ink, gray wash, and watercolor on laid paper, Ailsa Mellon Bruce Fund, 1992.48.1

The Erpingham Gate, Norwich

John Carter · 1791 · pen and black ink, gray wash, and watercolor on laid paper ·  Accession ID  1992.48.1

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The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Selected Views Engraved by W. Angus. From Pictures and Drawings by the most Eminent Artists with Descriptions of Each View

William Angus, William Angus · published 1787/1815 · 1 vol: ill: 63 etchings (all full-page, versos blank) by Angus after various artists including 5 after Angus himself, 6 after John Claude Nattes, 5 after Edward Dayes, 4 after Humphrey Repton, 4 after Frederick Ponsonby, Lord Duncannon, 3 after WilliamBernard Cooke, 2 each after Francis Wheatley, John Bird, Thomas Malton, George Samuel, Samuel Howit, William Watts, and Peltro William Tomkins, 1 each after Paul Sandby, William Marlow, William Beilby, Thomas Sandby, Nicholas Thomas Dall, J. Barrett,John Handy, Robert Adams, James Wathen, George Evans, George Cuitt, Alexander Nasmyth, Thomas Day, John Meheux, J.C. Barrow, Smith, John Carter, Rouviere, William Turner, Edward Hawke Locker, and Arnold ·  Accession ID  1985.61.375

Bibliography

1907

  • Ref Number: VI.91
    T.-B.VI.91