Artle Unlimited - Play all the games!

Challenge your art expertise! Each game presents four artworks—can you identify the artist? Try our favorites below.

Sculpture Scavenger

All the answers can be found on a stroll through the Sculpture Garden.

This image is of an opening in a wooden gate. There is a dirt path and brown clowds

There are ten vertical rectangles. Each are made up of colorful stripes.

This is an abstract metal sculpture on a white base.

This drawing uses many lines to render peaks and waves.

This abstracted illustration is of six characters with square shaped heads.

Multiple overlapping wavy lines run up and down this abstract image. They alternate colors including red, yellow, green, and blue.

This is a small sculpture of an American flag

This is a small painting with a white background and a black rectangle in the lower right.

This is a painting with a red circular shape with a white outline on a blue background. There is a small white mark in the upper right.

There are multiple rectangles, some black and some brown. They are stacked on top of each other but at angles that make them appear as blocks that have been knocked over.

This is a cube with a mirrored exterior. It is the East Building Atrium. It's large enough to walk inside and it has a door.

There are black, irregular shapes on a white background.

Starter Pack

New player? Start here! Guess the featured artist to win.

This artist lived in New Mexico and found inspiration in its environment. She collected rocks and bones from the desert floor and abstracted them in her paintings.

A young person with pale skin looking out at the viewer

This artist was known for their blunt personality and fierce feminism. Degas invited this artist to join the Impressionist movement.

A young woman with pink skin looking to the side and raising her right hand

This artist was a prolific collector of African and non-Western art, amassing over 3,000 pieces that influenced their Cubist style.

A person ironing with windows in the background

This artist revived pastels and became known for innovative pastel drawings of dancers and modern life.

There are two people sitting at a table and one person standing. They are lit by a single hanging light.They

This artist was a prolific collector of Japanese prints that influenced his Impressionist style and use of color.

A young woman with pale skin and pink cheeks holds a cat.

This artist was a founder of the Impressionists, but after 1877 stopped exhibiting with them.

An abstract painting with color fields on a brown canvas.

This artist painted canvases with regions of pure color, which he abstracted into rectangular color forms.

Eight different faces looking to the right and left that are repeated to form a pattern.

This artist created mathematical, conceptual images and explorations of infinity.

This is a bronze sculpture of a man's upper body and head. He is looking to our right and he has a mustache.

This French artist is generally considered the founder of modern sculpture.

This is a black and white image of a crowd. A police officer in the foreground holds a baton and another constrains a leashed dog.

This artist grew up in Pittsburgh and went on to international fame.

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Uncover new artists in our daily puzzle.

Modern Scavenger

All the answers can be found in the East Building.

Six black, wedgelike shapes, one dark blue arrowhead shape, and six red triangular shapes with rounded corners are connected with thin rods to form this abstract sculpture. In this photograph, we look up at the piece to where it hangs from the glass ceiling of a light-filled interior space with marble walls. The paddle-like shapes are attached to the end of the curved rods, which are linked together like branches. In our view, the black arm curves up across the top of the picture and the red arm curves down into the lower right corner, and to our left. Each red paddle is smaller as they move from the central armature to the end of the branch.

Three rows of six horizontal, rectangular canvases, each painted a single, saturated color, hang in a widely spaced grid against a three-story gray stone wall in this photograph. Moving from our left to right, the canvases in the top row are carrot orange, pine green, royal blue, canary yellow, marigold orange, and azure blue. The middle row has panels in marine blue, amethyst purple, shamrock green, soot black, vivid red, and rust brown. The bottom row canvases are banana yellow, black, coral red, midnight blue, emerald green, and orchid purple. The smaller, rectangular stones in the wall behind the panels are also laid horizontally, and they vary from silvery white to smoke gray.

Abstracted forms are painted in grass green, black, pepper red, butter yellow, tawny beige, rose pink, and a few touches of ocean blue in this horizontal composition. The paint is applied thinly, almost like watercolor wash. Translucent layers of paint drip down the canvas and knit the colors and shapes together. Most of the forms create a roughly pyramidal shape at the center. Some are vaguely square-shaped while others are oval, circular, or triangular. Many of the forms are outlined in black, and some have spots of color at their centers. For instance, a cluster of shapes near the lower right includes two canted parallelograms outlined with black. One has an emerald-green oval at its center and the other a black oval. Other shapes in that area include a rust-red triangle, a solid black anvil-shaped form, and a butternut-orange circle surrounded by vibrant yellow. A caramel-brown area spans the bottom edge of the canvas. The artist signed and dated the lower left corner, “A. Gorky 44.”

In saturated, vivid tones of mint green, marigold orange, dandelion yellow, sky blue, and rose pink, a long building stretches away from us along a walkway. The narrow end of the building facing us to the right is orange, and the long side is frosty green. The roof is painted garnet red, and the windows are created with slashes of midnight blue and dark red outlined with topaz blue. A wall enclosing the structure is lemon-lime yellow, and a fence in front of that is painted ultramarine blue. The walkway beneath the fence is pink and, to the left of that, pale blue. Two trees painted with twisting lines of ruby red, shamrock green, black, and off white edge into the scene along the left side, and the sky is lapis blue around a mint-green halo that surrounds the building’s roofline and walls. The scene is loosely painted with visible brushstrokes throughout.

Two people stand close together, one behind the other and hold hands.

This set of colorful illustrations has a title Sweet Sexy Clarice at the top and smaller illustrations with captions like “you look so pretty in a bathing suit” and “Clarice is a tree’

This is a sphere shaped sculpture. There are translucent gold panels of the sphere which reflect light.

Orange-red and battleship-gray geometric forms are arranged in a loose grid in this vertical, abstract painting. Made entirely of vertical and horizontal lines, the forms are reminiscent of letters or hieroglyphs. Sometimes the red forms seem to float in front of a gray background, but then the contrast will flip so the gray comes forward, creating a subtle optical illusion.

Two black bands span the height of this vertical canvas against a field of white mottled with shades of ivory, bone, and parchment in this abstract painting. A narrow, solid black stripe lines the left edge of the canvas, like the spine of a book. About a quarter of the way in from the right edge, black paint swirls and wafts like smoke on either side of a narrow white stripe the same color as the background. The artist signed and dated the painting in black paint in the lower right corner of the canvas: “Barnett Newman 1958.”

Artle in Love

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A man and a woman stand side by side looking to our left.

There are two women in extravegant dress. One sits in the lap of the other. They are outdoors and surrounded by sheep.

A couple embraces in this small bronze statue. We can not see their faces from this angle.

A young boy lovingly holds a chicken in this black and white photograph. Two women sit on the porch in the background.

A young child sits on her mother's lap in this painting. She can see her face in a handheld mirror.

Two men stand side by side by a river. Text along a panel reads "I call you my love though you are not my love and it breaks my hear to tell you"

We see three women with pale skin standing in gowns.

This is a black and white wedding photo of a young Black couple. The bride is holding roses.

This is a painting of two Black people looking at each other.

A man and woman with pail skin hold each other.

A woman is seated and a younger man stands to her right side.

A unclothed woman holds on to a man. Her back is to us. A child figure is behind them to our left.

It's 1874 and you are in Paris

How well do you know your Impressionists?

We see a man who is looking to our right. He has a mustache.

An untimely death cut short this artist's promising career.

A man with pinkish orange skin looks down and to our right. He is wearing a hat and smoking a pipe.

This artist paved the bridge between Impressionism and Cubism.

A woman is ironing fabric in front of windows.

This artist fostered a rich friendship and artistic exchange with Mary Cassatt.

A woman with pink skin and a pink dress sits at a cafe table. She looks up and to our right.

This artist preferred to exhibit works at the official Paris Salon, and declined to join the Impressionists' exhibitions.

Pieces of meat hang in a butchers shop. One of the pieces is the head of a cow.

This artist supported the group financially, enabling their exhibitions.

A young person with pale skin looks directly at the veiwer. They are wearing red clothing with a white frilly coller

This artist was the only American in the French Impressionist group.

Two people sit at a table while one stands. There is a hanging light over the table.

This artist's painting of a sunrise gave its name to the Impressionist movement.

We see a young woman from the shoulders up. She has long hair flowing over her shoulder. She is looking down and to our left.

This artist was the only woman in the first Impressionist exhibition, and participated in seven of eight shows.

Two people are on a dirt road by the sea. There are hills in the distance behind them.

This artist served as a mentor to many others, including Cézanne, Gauguin, and Seurat.

A man and a woman stand in a field of flowers.

This artist celebrated Parisian life in works like Luncheon of the Boating Party.

This sepia toned print shows a boat in a river. Two groups of two people each stand in the shallow water.

This artist, born to British parents, was dedicated to painting directly from nature.

Beauty, Nature, Spring

Featuring a quote by the artist on nature, beauty, and spring.

Several bouquets of flowers lie on a table.

I must have flowers, always, and always.

There is a potted plant on a table. Sunlight streams in from the upper left.

I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.

This illustration shows a vase of flowers.

The Beautiful implies a combination of many different qualities. Strength alone, without elegance, etc., is not beauty. In a single word, the broadest definition would be Harmony.

I take great pleasure from playing with something I think is beautiful. 'Beauty' is a dangerous word because it's been standardized into something kitsch. So maybe we should talk about 'aesthetics' rather than beauty. Often something very ugly in a particular situation can be unbelievably beautiful in another.