Artworks associated with “Revenge from 21 Etchings and Poems”

21 results found

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  • The image features intricate lines and swirling shapes forming an abstract pattern. In the center, there is a large oval with vertical lines resembling legs, surrounded by looped and jagged lines. The overall composition is chaotic, with scribbles and markings resembling an encrypted language or graffiti. The central figure is enclosed within a border-like framework amidst the variety of shapes.

    Poem from 21 Etchings and Poems

    Pierre Alechinsky, Dotremont Christian, Anderson-Lamb, Morris Gallery

    published 1960

    Etching from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.1

    Not on view
  • ""

    21 Etchings and Poems

    Various Artists, Anderson-Lamb, Morris Gallery

    1951-1960, published 1960

    Portfolio of 10 etchings (including one etching with lift-ground, one etching over heliogravure, and one relief etching); six etching and aquatints; two engraving and etchings; 2 etching and drypoints; and one etching, aquatint, and drypoint with title page, publisher's note, contents page, and colophon page  Accession ID  1997.6.1.1-21

    Not on view
  • The image contains bold, black shapes curling around the left and bottom edges. These shapes create an abstract frame. The abstract imagery has lines that flow organically. In the lower right corner, a smaller, curved shape with a pointed end can be seen. Central to the image is a block of handwritten text.

    Gedicht (Poem) from 21 Etchings and Poems

    Jacques Lipchitz, Hans Sahl, Anderson-Lamb, Morris Gallery

    published 1960

    Etching and aquatint from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.10

    Not on view
  • This is a drawing of a waterfall and a poem. The image features an intricate line drawing depicting a waterfall cascading down a rocky landscape. The sketching is comprised of flowing, curved lines and varying thicknesses, resembling the flow of water against a textured cliff or landscape. The image includes a poem titled "The Blue Waterfall" by Horace Gregory, referencing artist Hokusai known for works in the ukiyo-e genre of Japanese art. The poem explores themes of nature and art, connecting the waterfall's imagery with Hokusai's artistic legacy. The drawing and the poem evoke a sense of reverence for nature's beauty and the enduring influence of art.

    The Blue Waterfall from 21 Etchings and Poems

    Ezio Martinelli, Horace Gregory, Anderson-Lamb, Morris Gallery

    published 1960

    Etching and aquatint from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.11

    Not on view
  • The image shows bold, intersecting lines and shapes creating an abstract pattern on the right side. On the left, there is handwritten text arranged in a column.

    Tenement from 21 Etchings and Poems

    Ben Nicholson, Sir Herbert Read, Anderson-Lamb, Morris Gallery

    published 1960

    Etching and drypoint from two plates from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.12

    Not on view
  • The image displays a swirling composition of lines and shapes forming an abstract border around a central text. The surrounding dark curves and jagged edges resemble twisted branches or swirling smoke, while the patterns within have an organic feel. At the top center, the word "Omega" is prominently displayed, leading into a handwritten poem beneath. This central focus is visually nested within the abstract border that frames the entire piece.

    Omega from 21 Etchings and Poems

    I. Rice Pereira, George Reavey, Anderson-Lamb, Morris Gallery

    published 1960

    Etching with lift-ground from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.13

    Not on view
  • The image showcases a variety of twisting and curving lines with small cross shapes dispersed throughout. Abstract forms resembling stylized flames or tendrils create a dynamic visual rhythm. Handwritten text is overlaid on top, suggesting connections to familiar objects like flames or waves interacting with floating particles. The overall effect evokes an abstract tapestry filled with flowing motion and spontaneous energy.

    Poem from 21 Etchings and Poems

    Helen Phillips, André Verdet, Anderson-Lamb, Morris Gallery

    published 1960

    Relief etching from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.14

    Not on view
  • The image displays dark, jagged shapes and angular lines forming an abstract figure on the right side of the page. The abstract composition suggests twisted branches or fractured shadows. The dark lines contrast with the lighter background, creating depth and movement. Handwritten text in a cursive style appears on the left side, balancing the heavy forms of the abstract shapes. The elements combine to show an interplay between structure and fluidity, reminiscent of a dance.

    Aubade-Harlem from 21 Etchings and Poems

    André Racz, Thomas Merton, Anderson-Lamb, Morris Gallery

    published 1960

    Etching and aquatint from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.15

    Not on view
  • The image contains a complex composition of intertwining lines and shapes, with curves, spirals, and angular structures. It evokes chaotic sea waves, towering rock formations, and possibly an upturned ship hull. In the center are clustered shapes resembling aquatic creatures or corals, suggesting an underwater environment. Handwritten text is interspersed throughout the image, adding narrative layers and enhancing its abstract quality.

    Underworld from 21 Etchings and Poems

    Kurt Roesch, Alastair Reid, Anderson-Lamb, Morris Gallery

    published 1960

    Etching, aquatint, and drypoint from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.16

    Not on view
  • The image displays a variety of lines and geometric shapes, including triangles, circles, and abstract forms scattered across the composition. In the upper portion, there is a large triangular shape with horizontal lines extending downwards. The bottom half features abstract shapes resembling musical instruments, a ladder, and a windmill-like structure. These elements form an abstract composition.

    Tiresias from 21 Etchings and Poems

    Attilio Salemme, Morris Weisenthal, Anderson-Lamb, Morris Gallery

    published 1960

    Etching from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.17

    Not on view
  • The image features an array of dark lines and swirling shapes creating an abstract pattern across the top and right side of the page. The abstract shapes resemble tangled branches or vines weaving around and among themselves. Among these shapes are dense strokes and lighter, finer lines, evoking the intricate chaos of a forest or a web. Below the abstract section, there is hand-written text which appears to mimic traditional handwriting but is interspersed with dynamic forms, enhancing the contrast between the structured letters and the abstract lines. The familiar forms of letters and words anchor the freeform shapes above them, providing a juxtaposition between the tangible and the abstract.

    Most Often in the Night from 21 Etchings and Poems

    Louis Schanker, Harold Norse, Anderson-Lamb, Morris Gallery

    published 1960

    Etching from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.18

    Not on view
  • This is a depiction of a drawing featuring handwritten poetry titled "Fiercely, Lady, Do We Ride," by David Lougee. The image includes abstract and natural motifs such as swirling patterns, trees, leaves, a sun, and morning grass or crops. The abstract drawings are in black and surround the text, adding visual depth. The use of earthy tones and raw texture gives it an organic feel that complements the text's exploration of seasons and landscapes.

    Fiercely, Lady, Do We Ride from 21 Etchings and Poems

    Karl Schrag, David Louis Lougee, Anderson-Lamb, Morris Gallery

    published 1960

    Etching and aquatint from a portfolio of 10 etchings; six etching and aquatints; two engraving and etchings; two etching and drypoints; and one etching, aquatint, and drypoint on rives paper  Accession ID  1997.6.1.19

    Not on view

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