Artworks associated with “Untitled”

15 results found

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  • The image displays a composition of rectangular blocks and angular lines, forming a maze-like structure. It consists of layered shapes in black, white, green, and yellow. The arrangement creates a visual rhythm resembling fragmented puzzle pieces or a modern architectural blueprint. The colors and forms contribute to a sense of movement and complexity in the design.

    Untitled

    Frank K. Bacher, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.1

    Not on view
  • ""

    15 Original Etchings/Serigraphs

    Various Artists, Judith Rothschild, Frank K. Bacher, Sheri Martinelli, Joseph Luyber Galleries, New York

    1946

    Portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.1-15

    Not on view
  • The image depicts overlapping geometric shapes, primarily triangles and rectangles arranged in a structured layout. It features a bold contrast of black, white, gray, and vibrant blue hues. The arrangement of shapes suggests a fragmented, three-dimensional structure. The sharp angles and intersecting lines create a stylized interpretation of a human figure. The use of solid colors and strong outlines enhances the abstract quality of the composition.

    Untitled

    Frank K. Bacher, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.2

    Not on view
  • The image shows an abstract composition of geometric shapes and lines including curves, semi-circles, triangles, and rectangles arranged dynamically. The design resembles pieces of a puzzle or sections of modern architecture. The colors used are gray, white, black, and mustard yellow. Diagonal and curved lines intersect sections resembling slices of a pie chart.

    Untitled

    Frank K. Bacher, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.3

    Not on view
  • The image is a collection of geometric shapes consisting of circles, squares, and rectangles arranged in a balanced composition. It has an abstract design featuring bold red, grey, black, and white sections.

    Untitled

    Frank K. Bacher, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.4

    Not on view
  • The image depicts a composition of geometric shapes and bold lines in colors of red, yellow, green, and black. The shapes overlap to create movement and patterns.

    Untitled

    Frank K. Bacher, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.5

    Not on view
  • The image displays a collection of overlapping shapes and lines that form an intricate design. A central dark shape resembling a gourd is surrounded by textured areas and crosshatch patterns, creating depth. Angular lines and feather-like patterns appear to the right, similar to palm fronds. In the upper section, there are loose loops. The overall effect is an abstract art piece where shapes interact in a new way.

    Untitled

    Sheri Martinelli, Joseph Luyber Galleries, New York

    1946

    Etching, aquatint, and drypoint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.6

    Not on view
  • The image displays irregular, overlapping shapes and lines creating an abstract pattern. The textures resemble cracked surfaces, some resembling geological formations or eroded landscapes. The forms vary, with some densely packed with crisscrossed lines, resembling leaf veins or a network of tree branches, while others have smoother textures resembling shifting sand or clouds. The image combines natural elements in an abstract way.

    Untitled

    Sheri Martinelli, Joseph Luyber Galleries, New York

    1946

    Etching and aquatint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.10

    Not on view
  • The image is a composition of geometric shapes and bold lines, creating an abstract pattern filled with overlapping rectangles, triangles, and irregular polygons. The shapes are outlined in black. Vibrant colors such as red, green, pink, blue, and yellow intermingle with neutral tones.

    Untitled

    Judith Rothschild, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.11

    Not on view
  • The image features geometric shapes and bold lines that intertwine to create an abstract composition. Various angular forms and curves meld together. Color blocks of green, blue, and gray, combined with dynamic black outlines, create a sense of depth and movement. The abstract nature of this piece invites viewers to connect the visual elements to familiar concepts.

    Untitled

    Judith Rothschild, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.12

    Not on view
  • This abstract artwork features a complex array of geometric shapes and bold black lines intersecting and overlapping. Shapes vary from triangles, rectangles, and circles to more irregular forms. Splashes of color such as blue, yellow, green, and pink contrast with the monochrome grays and blacks, resembling stained glass. The arrangement in the center may remind viewers of a mechanical device or a futuristic cityscape skyline, with sections resembling stylized buildings or mechanical parts.

    Untitled

    Judith Rothschild, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.14

    Not on view
  • The image features geometric shapes including triangles, rectangles, and trapezoids interconnected with fluid, organic lines. The composition is dynamic and abstract, evoking a cubist style. The shapes vary in size and color, overlapping and intersecting to create a patchwork. A yellow curve resembles a winding road within the abstract design.

    Untitled

    Judith Rothschild, Joseph Luyber Galleries, New York

    1946

    Screenprint from a portfolio of ten screenprints and five etchings (four with aquatint and one with aquatint and drypoint) on wove paper  Accession ID  1997.119.1.15

    Not on view

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