Le Tournesol (The Sunflower)
c. 1920
Painter, American, 1879 - 1973

Having spent World War I as an army major responsible for pioneering the use of aerial photography during World War I, Edward Steichen suffered bouts of depression, endured a bitter divorce, and faced serious financial challenges. In 1923, at his beloved house and garden in Voulangis, France, Steichen destroyed his backlog of paintings in a bonfire and abandoned the medium in favor of a lucrative career in commercial photography with Condé Nast.
Le Tournesol, made sometime between 1920 and 1922 and given to a friend shortly thereafter, is a product of this volatile moment in Steichen’s artistic evolution. It is the only finished canvas of its kind to survive from this period. Featuring vibrant color, sharp lines, streamlined forms, and a carefully calibrated, dynamic design based on the Golden Section, the painting places Steichen among the artists who invented the modernist machine style of the 1920s that would come to be known as precisionism. The most vivid expression of Steichen’s ambition to synthesize nature, photography, and painting is the circular burst of yellow in Le Tournesol that simultaneously evokes the sun, the sunflower, and flash photography.
Artwork overview
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Medium
tempera and oil on canvas
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Credit Line
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Dimensions
overall: 92.1 x 81.9 cm (36 1/4 x 32 1/4 in.)
framed: 95.9 x 85.9 x 2.4 cm (37 3/4 x 33 13/16 x 15/16 in.) -
Accession
1999.43.1
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Copyright
© Estate of Edward Steichen
More About this Artwork
Artwork history & notes
Provenance
Gift c. 1920/1922 from the artist to Francis Jourdain [1876-1958], France; by descent in his family; acquired 1985 by (Robert Miller Gallery, New York);[1] purchased 18 May 1999 by NGA.
[1] Provenance provided by Robert Miller.
Associated Names
Exhibition History
1922
Salon d'Automne, Paris, 1922, no. 2163, as Tournesol.
1988
From Tonalism to Modernism: The Paintings of Eduard J. Steichen, Federal Reserve System, Washington, D.C., 1988, no. 34, repro., as Le Tournesol.
1999
The American Century: Art and Culture, 1900-2000. Part I, 1900-1950, Whitney Museum of American Art, New York, 1999, not in catalogue.
2000
Art for the Nation: Collecting for a New Century, National Gallery of Art, Washington, D.C., 2000-2001, unnumbered catalogue, repro.
2018
America's Cool Modernism: O'Keeffe to Hopper, Ashmolean Museum, Oxford, 2018, no. 74, repro.
Bibliography
1985
The Paintings of Eduard Steichen. Exh. cat. The Heckscher Museum, Huntington, New York, 1985: 41, repro. 39.
1997
Niven, Penelope. Steichen: A Biography. New York, 1997: 495.
2000
Haskell, Barbara. Edward Steichen. Exh. cat. Whitney Museum of American Art, New York, 2000: 28, color pl. 30.
2001
Weinberg, Jonathan. "The Family of Stieglitz and Steichen." Art in America 9 (September 2001): 54, color repro.
2021
Brock, Charles, Jay Krueger, Suzanne Quillen Lomax, Kathryn Morales, and Linda Owen. "Back to the Garden: Edward Steichen's Sunflower Paintings." Facture: conservation, science, art history 5 (2021): 4-29, 5 unnumbered fig. (detail), fig. 1, fig. 8, fig. 9 (detail).
Inscriptions
on stretcher: Edward J. Steichen / Voulangis par Crécy-en-Brie S. et M. / (Agént Lucien Foinet 19 rue Vavin)
Wikidata ID
Q20192303