Ann Biddle Hopkinson (Mrs. Francis Hopkinson)

1834

Thomas Sully

Artist, American, born England, 1783 - 1872

Media Options

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Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Andrew W. Mellon Collection

  • Dimensions

    overall: 51 x 44.3 cm (20 1/16 x 17 7/16 in.)
    framed: 74.9 x 67.3 x 10.2 cm (29 1/2 x 26 1/2 x 4 in.)

  • Accession

    1942.8.32

Artwork history & notes

Provenance

The sitter's daughter, Emily Hopkinson Scovel [1839-1883]; her daughter, Florence Scovel Shinn [b. 1871], New York; purchased 11 April 1918 by Thomas B. Clarke [1848-1931], New York;[1] his estate; sold as part of the Clarke collection 29 January 1936, through (M. Knoedler & Co., New York), to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1942 to NGA.
[1] Acquisition date recorded for the pendant painting by Sully, Francis Hopkinson (NGA 1942.8.33), and probably also the acquisition date for this painting. This information is according to a 1928 Clarke exhibition catalogue annotated with information from files of M. Knoedler & Co., NY (copy in NGA curatorial records and in NGA library).

Associated Names

Exhibition History

1921

  • Exhibition of Paintings by Early American Portrait Painters, The Union League Club, New York, December 1921, no. 22.

1922

  • Memorial Exhibition of Portraits by Thomas Sully, Pennsylvania Academy of the Fine Arts, Philadelphia, 1922, no. 79.

1928

  • Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries, Collected by Thomas B. Clarke, Philadelphia Museum of Art, 1928-1931, unnumbered and unpaginated catalogue.

1943

  • American Paintings, National Gallery of Art, Washington, D.C., 1943.

1947

  • American Paintings from the Collection of the National Gallery of Art, Washington, D.C., 1947.

1948

  • American Paintings from the Collection of the National Gallery of Art, Washington, D.C., 1948.

1949

  • Exhibition of Early American Portraits on Loan from the National Gallery of Art, Washington, D.C., Pack Memorial Public Library, Asheville, North Carolina, 1949, no. 10.

1950

  • The Face of American History, Columbia Museum of Art, South Carolina, 1950, no. 17.

  • From Plymouth Rock to the Armory, The Society of the Four Arts, Palm Beach, Florida, 1950, no. 18.

1951

  • American Portraits from the National Gallery of Art, High Museum of Art, Atlanta, 1951, no. 21, repro. (organized by the Atlanta Art Association).

  • American Paintings from the Collection of the National Gallery of Art, Washington, D.C., 1951.

1952

  • [Opening exhibition], Mint Museum of Art, Charlotte, North Carolina, 1952, no. cat.

  • [Opening exhibition of new art gallery], Randolph-Macon Woman's College, Lynchburg, Virginia, 1952-1953, no cat.

  • Opening Exhibition of The George Thomas Hunter Gallery of Art, Chattanooga Art Association, Tennessee, 1952, unnumbered.

1953

  • American Paintings from the Collection of the National Gallery of Art, Washington, D.C., 1953.

1955

  • American Paintings from the Collection of the National Gallery of Art, Washington, D.C., 1955.

1956

  • American Paintings from the Collection of the National Gallery of Art, Washington, D.C., 1956.

1983

  • Extended loan for use by Ambassador David Abshire, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 1983-1987.

1987

  • Extended loan for use by Ambassador Alton J. Keel, Jr., Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 1987-1989.

1989

  • Extended loan for use by Ambassador William H. Taft IV, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 1989-1992.

1992

  • Extended loan for use by Ambassador Reginald Bartholomew, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 1992-1993.

1993

  • Extended loan for use by Ambassador Robert E. Hunter, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 1993-1997.

1997

  • Extended loan for use by Ambassador Alexander R. Vershbow, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 1997-2001.

2001

  • Extended loan for use by Ambassador R. Nicholas Burns, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 2001-2005.

2005

  • Extended loan for use by Ambassador Victoria Nuland, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 2005-2008.

2008

  • Extended loan for use by Ambassador Kurt Volker, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 2008-2009.

2009

  • Extended loan for use by Ambassador Ivo Daalder, Residence of the U.S. Ambassador to NATO, Brussels, Belgium, 2009-2012.

Bibliography

1909

  • Hart 1909, no. 785, 82.

1921

  • Biddle, Edward, and Mantle Fielding. The Life and Works of Thomas Sully (1783-1872). Philadelphia, 1921: no. 810, 177.

1922

  • Catalogue of the Memorial Exhibition of Portraits by Thomas Sully. Exh. cat. Pennsylvania Academy of the Fine Arts, Philadelphia, 1922: no. 79, 55.

1928

  • Portraits by Early American Artists of the Seventeenth, Eighteenth and Nineteenth Centuries, Collected by Thomas B. Clarke. Exh. cat. Philadelphia Museum of Art, 1928, unnumbered.

1970

  • American Paintings and Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1970: 110, repro.

1980

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1980: 241, repro.

1992

  • American Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1992: 363, repro.

1998

  • Torchia, Robert Wilson, with Deborah Chotner and Ellen G. Miles. American Paintings of the Nineteenth Century, Part II. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1998: 179, 181-182, color repro.

Wikidata ID

Q20185787

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