Artworks associated with “Untitled”

8 results found

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  • The image shows a person sitting upright with their upper body visible. They are facing forward, holding a mirror angled in their left hand. The person has stylized facial features, prominent eyes, a defined nose, and lips. Their hair is textured, flowing, and voluminous. They are wearing a garment with a contrasting outline, a low neckline, ruffled edges, and sleeves. The background is intricately detailed with bold lines and cross-hatching for depth and texture.

    Untitled

    Richard Upton

    published 1968

    Color woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.a

    Not on view
  • This is a photograph of a book cover. The cover is solid black or dark gray, featuring a thin gold border centrally placed around the words "EROS • THANATOS" and "INTERLAKEN DESIGNER AWARD" in gold lettering. The title appears in a serif typeface, and a small gold symbol resembling a geometric line or decorative flourish is situated between the title and the subheading. The layout is minimalist, with an emphasis on clean, simple lines and space.

    Eros / Thanatos

    Richard Upton

    published 1968

    Portfolio of eight woodcuts with four poems, plus colophon on kochi japanese handmade paper  Accession ID  1996.88.5.a-h

    Not on view
  • The image contains angular shapes and bold lines. A figure with a distinctive hat emerges from intersecting lines. Above, abstract shapes suggest movement. Striated lines create an energetic pattern.

    Untitled

    Richard Upton

    published 1968

    Woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.b

    Not on view
  • The image depicts two black and white, stylized figures. One figure has a visible face with pronounced features and a mustache, while the other is in profile with obscured features. Both figures are positioned closely together, with one slightly in front of the other. The background has textured lines emanating outward, creating a sense of movement. The image is set against a plain, light-colored background.

    Untitled

    Richard Upton

    published 1968

    Woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.c

    Not on view
  • The image displays intersecting lines and jagged shapes creating a dynamic and chaotic design. The abstract composition resembles a tangled mass of branches or roots, with dark and light contrasting areas enhancing depth and complexity. Some shapes may suggest figures bending or stretching, while others resemble sharp leaves or wings, adding natural fluidity to the arrangement.

    Untitled

    Richard Upton

    published 1968

    Woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.d

    Not on view
  • The image shows a group of figures from the waist up, sitting closely together. The figures are positioned in a way that suggests they are seated together. Their facial features and hairstyles are not distinctly detailed due to the artwork's style, which uses shading and linear textures. The individuals wear flowing clothing with patterns reminiscent of drapery or traditional attire. One person is wearing a large, round hat. The scene is surrounded by a background of intricate crisscrossing lines, adding textured depth to the space. In the left of the image, there is a large leaf-like pattern, giving an impression of foliage.

    Untitled

    Richard Upton

    published 1968

    Color woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.f

    Not on view
  • The image contains thick, angular lines and sharp, jagged shapes in a chaotic arrangement. The lines intersect and create patterns resembling intertwining branches or roots. The artwork has high contrast and a sense of depth and movement.

    Untitled

    Richard Upton

    published 1968

    Woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.g

    Not on view
  • The image shows a series of swirling and branching lines with sharp angles and sweeping curves. The shapes resemble twisted tree branches weaving across the space. The figure of a nude human form is partially visible, intertwined with the tree-like forms.

    Untitled

    Richard Upton

    published 1968

    Woodcut on kochi japanese handmade paper  Accession ID  1996.88.5.h

    Not on view

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