Part of the Crowd at the Ecce Homo
Artist, Flemish, 1577 - 1640
Artist
Sir Peter Paul Rubens over Anonymous Italian after Titian
Artwork overview
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Medium
black and red chalk, pen and black ink on laid paper laid down on Japanese paper
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Credit Line
-
Dimensions
overall: 32.4 x 41 cm (12 3/4 x 16 1/8 in.)
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Accession Number
2001.121.1
Artwork history & notes
Provenance
Crozat(?). Victor Koch, London; (sale, Christie, Manson, & Woods, London, 18 April 1967, no. 48); Alice M. Kaplan, New York; gift to NGA, 2001.
Associated Names
Exhibition History
1970
Flemish Drawings and Prints of the 17th Century, The Metropolitan Museum of Art, New York, 1970, no. 31.
1981
The Alice M. Kaplan Collection, Columbia University, New York, 1981, catalog by Linda Bantel, no. 36.
2017
Rubens: The Power of Transformation, Kunsthistorisches Museum Wien, Vienna; Städelsches Kunstinstitut und Städtische Galerie, Frankfurt, 2017, no. 18.
Bibliography
1959
Held, Julius S. Rubens, Selected Drawings. 2 vols. New York, 1959: 1: no. 167, plate 174.
1962
Müller Hofstede, Justus. "Opmerkingen bij enige tekeningen van Rubens in het Museum Boymans-van Beuningen" Bulletin Museum Boymans-van Beuningen XIII (1962): 103-105, fig. 16.
1966
Jaffé, Michael. "Rubens as a Collector of Drawings, Part Three." Master Drawings IV (1966): 128-129.
1967
Christie, Manson & Woods. Christie's Review of the Year, October 1966 - July 1967. London, 1967: 36.
1972
Vlieghe, Hans. _ Saints_. 2 vols. Series: Corpus Rubenianum Ludwig Burchard Part VIII, London and New York, 1972: I: 113.
1977
Jaffé, Michael. Rubens and Italy. Oxford, 1977: 34-35, fig. 73.
2012
Bober, Jonathan. "Sull'attribuzione a Caravaggio dei disegni del Castello Sforzesco," in Simone Peterzano, ca. 1535-1599, e i disegni del Castello Sforzesco. Franceesca Rossi, ed. Milan, 2012: 67 (fig. 4), 68.
Inscriptions
by later hand, lower right in brown ink: Spagnoletto
Wikidata ID
Q64632563