Artworks associated with “Tiny Green”

11 results found

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  • The image shows a close-up view of bare tree branches against a clear sky. There is no visible horizon as the scene focuses on the patterns created by the branches. The image appears to be a print with a smooth texture, and the color palette consists of shades of gray and black for the branches against a pale blue sky. The simplicity of the image emphasizes the interlacing branches and the clarity of the background.

    Pin Oak Detail

    Sylvia Plimack Mangold, Crown Point Press, Case Hudson

    1999

    Color softground etching with spitbite aquatint on wove paper  Accession ID  2001.142.114.1

    Not on view
  • This is a photograph of a presentation cover for a publication. The cover features the title "WHY DRAW A LANDSCAPE?" followed by a list of names including Sylvia Plimack Mangold, Jane Freilicher, Pat Steir, Ed Ruscha, and others, printed in a serif font in a centered format. Surrounding the text is a thin rectangular border. At the bottom is the information "Crown Point Press, 1999."

    Why Draw a Landscape?

    Various Artists, Crown Point Press, Case Hudson, Daria Sywulak, Dena Schuckit, Paul Mullowney

    1999

    Portfolio of eleven intaglio prints with title page  Accession ID  2001.142.114.1-11

    Not on view
  • The image shows an expansive landscape viewed from a slightly elevated perspective. The horizon divides the sky from the land, with hints of trees and low vegetation. The brushstrokes are soft and the colors are gentle and warm, with earthy tones for the land and a gradient from blue to pink in the sky.

    Late Afternoon, Southampton

    Jane Freilicher, Crown Point Press, Daria Sywulak

    1999

    Color spitbite aquatint with hardground etching and drypoint on wove paper  Accession ID  2001.142.114.2

    Not on view
  • The image shows crisscrossing textured lines creating an abstract pattern with a speckled background resembling ink droplets. The lines feature street names like "VAN NESS," "IVAR," "SANTA MONICA," and "MELROSE," evoking a sense of navigation within a map or street grid.

    Van Ness, Santa Monica, Vine, Melrose

    Ed Ruscha, Crown Point Press, Dena Schuckit

    1999

    Direct gravure in black on somerset wove paper  Accession ID  2001.142.114.4

    Not on view
  • The image displays an aerial view of a road stretching from the lower left to the upper right. The road surface has textured details. On the side, there is greenery and a house is visible. Further back, the sky meets the sea on the horizon. Trees partially obscure the horizon, creating depth. The color palette consists of muted greens, blues, and earthy tones. The brushstrokes or printmaking technique give a soft, grainy texture to the scene, contributing to its peaceful atmosphere.

    House Near Stinson Beach

    Robert Bechtle, Crown Point Press, Dena Schuckit

    1999

    Color softground etching with spitbite aquatint on somerset textured white paper  Accession ID  2001.142.114.5

    Not on view
  • The image displays a landscape with rolling hills or mountains, a low horizon, misty distance, soft brushstrokes, pale sky transitioning to pastel colors meeting the land, gentle and muted color palette, and a calm atmosphere.

    Process Landscape

    Tom Marioni, Crown Point Press, Paul Mullowney

    1999

    Color spitbite aquatint on wove paper  Accession ID  2001.142.114.6

    Not on view
  • The artwork features curved and twisting lines that converge and ascend to form an abstract shape resembling a canopy or dome. The thick, undulating lines suggest tangled tree branches or vines, creating a sense of organic structure. The abstract composition prompts the viewer to envision elements of a natural landscape, like a tangled grove or thicket of trees, enclosed within an open, rounded form.

    Ash Dome

    David Nash, Crown Point Press, Dena Schuckit

    1999

    Direct gravure in black on somerset satin white paper  Accession ID  2001.142.114.7

    Not on view
  • The image features a central black shape with an irregular outline, surrounded by swirling strokes of teal and muted gold, creating an abstract appearance. The arrangement of shapes and colors can evoke the image of a silhouetted figure or an island amidst turbulent waters. The chaotic mix of colors and forms emphasizes an abstract scene that allows for various interpretations, suggesting the texture of rocks or clusters of foliage seen from an aerial perspective.

    Small Cairn

    Bryan Hunt, Crown Point Press, Dena Schuckit

    1999

    Color sugarlift and soapground aquatint with softground etching and drypoint on somerset satin white paper  Accession ID  2001.142.114.8

    Not on view
  • The image shows a stepped waterfall between rocky hills. The viewpoint faces the waterfall, with a stream flowing towards us and disappearing into a ravine. The surrounding terrain is covered with sparse greenery. The painting style is realistic yet stylized with smooth brushstrokes outlining the rocks and water. The color palette includes browns, greens, white for the water, and a grey sky.

    Stepped Waterfall

    April Gornik, Crown Point Press, Daria Sywulak

    1998

    Color direct gravure with spitbite aquatint on somerset satin white paper  Accession ID  2001.142.114.9

    Not on view
  • The image displays a landscape with a lone tree at the center. The horizon is positioned high, revealing a hilly terrain in the distance. The painting features delicate brushstrokes, detailed textures, and a vivid warm color palette.

    Untitled (#2)

    Joan Nelson, Crown Point Press, Daria Sywulak

    1999

    Color direct gravure with drypoint and aquatint on somerset satin white paper  Accession ID  2001.142.114.10

    Not on view
  • The image displays two parallel rectangles side by side. The left rectangle shows a gradient of soft gray and pink hues, while the right rectangle is a solid green color.

    Winter

    Anne Appleby, Dena Schuckit, Crown Point Press

    1999

    Color aquatint with burnishing on somerset satin white paper  Accession ID  2001.142.114.11

    Not on view

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