Artworks associated with “Ten Days (b)”

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  • The image displays a large rectangular composition divided into two vertical sections. One side is a light, off-white color and the other side is a rich, dark black. The contrast between the two sections emphasizes the simplicity and boldness typical of abstract art.

    Ten Days (a)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black on arches paper  Accession ID  2003.92.1

    Not on view
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    Ten Days

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Portfolio of eight etchings  Accession ID  2003.92.1-8

    Not on view
  • The image displays a large, rectangular composition divided into two sections. The upper part is a solid, dark abstract shape, contrasting with the lower section. Below, a pattern of crisscrossing lines forms a textured surface resembling dense scribbles or wire mesh. The overall effect can be likened to a night sky above and a tumultuous sea or tight-knit fabric below.

    Ten Days (c)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black and silver on arches paper  Accession ID  2003.92.3

    Not on view
  • The image shows an intricate network of intersecting lines forming a dense grid pattern. The abstract composition features criss-crossing diagonal lines within small squares. The grid structure and the overlapping lines create a textured surface.

    Ten Days (d)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching in black on arches paper  Accession ID  2003.92.4

    Not on view
  • The image displays a grid of evenly spaced squares created by intersecting vertical and horizontal lines. The pattern resembles a textured surface like a tiled floor or woven fabric. The repetitive shapes give the appearance of a complex weaving or graph paper. The design conveys a sense of organized repetitiveness with subtle shading variations adding depth to the abstract composition.

    Ten Days (e)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black and silver grey on arches paper  Accession ID  2003.92.5

    Not on view
  • The image is divided vertically into two equal halves. The left side is light and textured, while the right side is a solid, dark rectangle. The composition resembles an abstract representation of an open door or window, emphasizing the contrast between light and dark. The image is simple with bold lines and contrasting tones.

    Ten Days (f)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black on arches paper  Accession ID  2003.92.6

    Not on view
  • The image shows two large rectangular shapes split by a thin, straight line in the center. The background is a muted beige with faint specks.

    Ten Days (g)

    Brice Marden, Patricia Branstead, Kathan Brown, Parasol Press

    1971 (published 1972)

    Etching and aquatint in black on arches paper  Accession ID  2003.92.7

    Not on view
  • The image shows a grid with straight vertical and horizontal lines, forming evenly spaced rectangular columns and a single horizontal division across the middle. The layout appears abstract and may resemble a blank calendar or an unmarked spreadsheet, suggesting themes of organization and planning. The geometric shapes create a formal, structured design similar to graph paper or a minimalist architectural floor plan.

    Ten Days (h)

    Brice Marden, Kathan Brown, Patricia Branstead, Parasol Press

    1971 (published 1972)

    Etching in black on arches paper  Accession ID  2003.92.8

    Not on view

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