Esther and Mordecai

1616

Hendrick van Steenwijk the Younger

Painter, Flemish, c. 1580 - 1649

A man and woman, both with light skin, stand near a column under a pointed arch in a darkened, stone church in this vertical painting. To our right, the pair is lit only by the candle the man holds in his left hand. He stands with his back to us, and his face, almost in profile, is mostly lost in shadow. He has a pronounced bulbous, hooked nose, and his full lower lip projects past his beard. His tall cap is split down the sides, and he wears a red cloak lined with white fur. He leans toward the woman and holds her left hand in his right, closer to us. The candlelight falls on her pale, rounded face. Her blond hair is pulled up in a knot on the top of her head. Her eyes are cast down under arched brows, and she has full, pink lips. Her dress has a forest-green bodice with a flaring, starched, white, lace-edged collar and rose-pink sleeves with lace cuffs. The dress has buttons down the front of the bodice and falls open over a butter-yellow under-skirt. The window to our left, opposite the pair, is dark, and the church and vaults beyond the archway under which they stand are deeply shadowed. A dark, rectangular void seems to be carved into the tiled, stone floor near their feet, close to us. The artist signed and dated the work as if he had carved his name into the floor just beyond the void: “H.V.S. 1616.”

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Hendrick van Steenwijk the Younger, was renowned for his architectural scenes of church interiors, prisons, and palace terraces, and especially his remarkable ability to evoke the character of stone. He often painted night scenes, and animated his compositions with small-scale figurative elements (usually biblical narratives).

This haunting nocturnal scene depicts a drama from the Book of Esther in which the Old Testament figure Mordecai, a Jew, speaks to his cousin Esther about a conspiracy to massacre the Jews. He begs Esther, who is the wife of the Persian King Ahasuerus to use her influence to stop plot. Esther agrees and later pleads with her husband to spare her people. He grants her this favor, and, thus, the Jews are saved.

A master of ambiance and perspective, Steenwijk stages the scene in a gothic-styled stone structure dimly lit by a single light source, a candle held by Mordecai. One can almost sense the hushed tones in which Esther and Mordecai converse as they stand together in the dark, vaulted room. To underscore Esther’s importance, Steenwijk situates her at the composition’s vanishing point. He also effectively used pockets of light to enhance the scene’s pictorial drama. Light from Mordecai’s hidden candle illuminates the foreground wall, floor, and archway, while a dim secondary light source allows the viewer’s eye to wander back to the deep recesses of the space.


Artwork overview

  • Medium

    oil on panel

  • Credit Line

    Nell and Robert Weidenhammer Fund

  • Dimensions

    overall: 37 × 23.7 cm (14 9/16 × 9 5/16 in.)
    framed: 51.44 × 38.42 × 8.89 cm (20 1/4 × 15 1/8 × 3 1/2 in.)

  • Accession

    2006.20.1


Artwork history & notes

Provenance

Private collection, Belgium. Dr. Walter Cohen [1880-1942], Düsseldorf; sold July 1922 to Dr. Matthias K.H. Rech [1879-1946], Bonn; by descent in his family; (sale, Van Ham Kunstauktionen, Cologne, 18-20 November 2004, no. 914); (Thomas le Claire, Hamburg);[1] purchased 17 February 2006 by NGA.
[1] The provenance is according to labels on the reverse of the painting and information supplied by Mr. Le Claire, who saw the painting in 1986 at the residence of Dr. Rech's daughter, Marianne Rech Storp [1913-1996] (see his letter to Arthur K. Wheelock, Jr., of 17 October 2005, in NGA curatorial files).

Associated Names

Bibliography

1994

  • Sitt, Martina. Auch ein Bild braucht einen Anwalt: Walter Cohen - Leben zwischen Kunst und Recht. Düsseldorf, 1994: 26-27, fig. 6.

2005

  • Daxer & Marschall and Thomas le Claire. Recent Acquisitions: Oil Sketches and Paintings 1600-1900. Munich and Hamburg, 2005: 4, repro.

Inscriptions

lower margin in monogram: H.V.S / 1616

Wikidata ID

Q20176958


You may be interested in

Loading Results