Jockey

mid 1870s

Edgar Degas

Sculptor, French, 1834 - 1917

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On View

West Building Ground Floor, Gallery G4


Artwork overview

  • Medium

    pigmented beeswax, metal armature

  • Credit Line

    Collection of Mr. and Mrs. Paul Mellon

  • Dimensions

    overall without base: 19.4 x 9.7 x 9.8 cm (7 5/8 x 3 13/16 x 3 7/8 in.)

  • Accession

    1999.80.32


Artwork history & notes

Provenance

The artist [1834-1917]; his heirs;[1] Adrien-Aurélien Hébrard [1865-1937], Paris;[2] his daughter, Nelly Hébrard [1904-1985], Paris;[3] consigned 1955 to (M. Knoedler & Company, Inc., New York); purchased May 1956 by Paul Mellon, Upperville, Virginia; bequest 1999 to NGA.
[1] The artist's heirs were René De Gas, his last surviving brother, who lived in Paris, and the four (of seven) surviving children of his sister Marguerite, who had died in Argentina in 1895. (His other deceased sister Thérèse left no descendants.) Marguerite's children were: Jeanne Fevre, unmarried and acting on both her own behalf and as the representative of her sister, Madeleine Marie Pauline Fevre, a Carmelite nun; Henri Jean Auguste Marie Fevre, an industrialist who lived in Marseille; and Gabriel Edgar Eugène Fevre, an agent in Montevideo, Uruguay. See Anne Pingeot and Frank Horvat, Degas sculptures, Paris, 1991, and Anne Pingeot, "The casting of Degas' sculptures: Completing the story," Apollo (August 1995): 60-63.
[2] On 13 May 1918 a contract was signed between the artist's heirs and the Hébrard foundry authorizing the reproduction of Degas' sculptures in bronze. Of the approximately 150 statuettes found in the artist's studio after his death, 74 figures were ultimately cast in bronze. The contract stipulated that two complete sets were to be cast, one for the heirs and one for the foundry, and authorized a limit of twenty casts of each figure to be offered for sale. The casting process took at least thirteen years, from 1919 to 1932, and according to the contract, the original figures became the property of the foundry. See Sara Campbell, "Degas' bronzes: Introduction," Apollo (August 1995): 6-10.
[3] The article by Anne Pingeot referenced in note 1 provides details of the role of Hébrard's daughter in the history of the foundry, and its work in casting the bronzes.

Associated Names

Exhibition History

1955

  • Edgar Degas 1834-1917: Original Wax Sculptures, M. Knoedler & Company, Inc., New York, 1955, no. 18, repro.

1956

  • Sculpture by Degas, Virginia Museum of Fine Arts, Richmond, 1956.

1991

  • Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, National Gallery of Art, Washington, D.C., 1991, unnumbered catalogue, color repro.

1998

  • Degas at the Races, National Gallery of Art, Washington, D.C., 1998, no. 115, repro.

1999

  • An Enduring Legacy: Masterpieces from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1999-2000, no cat.

Bibliography

1955

  • Adhémar, Jean. "Before the Degas Bronzes." _Art News_54, no. 7 (November 1955): 34, repro.

1956

  • Rewald, John. Degas Sculpture: The Complete Works. Translated by John Coleman and Noel Moulton. New York, 1956: no. XVIII.

1976

  • Millard, Charles W. The Sculpture of Edgar Degas. Princeton, 1976: 23.

1991

  • Pingeot, Anne. Degas Sculptures. Paris, 1991: no. 54.

1995

  • Campbell, Sara. "A Catalogue of Degas' Bronzes." Apollo 142 (August 1995): 26, 28, no. 36.

2002

  • Czestochowski, Joseph S., and Anne Pingeot. Degas--Sculptures. Catalogue Raisonné of the Bronzes. Memphis, 2002: 78-79, 185, fig. 10, repro.

2010

  • Lindsay, Suzanne Glover, Daphne S. Barbour, and Shelley G. Sturman. Edgar Degas Sculpture. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2010: no. 6b, 80-83, color repro.

Wikidata ID

Q63863896


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