Artworks associated with “Untitled”

10 results found

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  • Numerous geometric shapes and lines converge to create a composition. A yellow crosshatched background serves as the backdrop. A central design features a large circular arrangement with smaller crosses and circles. On either side are large arrow shapes pointing up and down. Above and below the circle are horizontally aligned circles and plus signs, resembling buttons on a control panel. The shapes and background suggest a complex schematic with familiar symbols presented in an abstract way.

    Untitled

    George Ortman, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on die-cut wove paper  Accession ID  2008.115.297.1

    Not on view
  • The image displays a series of horizontal lines of text, each listing a name in bold, capital letters, spaced evenly down a plain background.

    X + X

    Various Artists, George Ortman, Frank Stella, Ellsworth Kelly, Robert Motherwell, Andy Warhol, Stuart Davis, Roy Lichtenstein, Larry Poons, Robert Indiana, Ad Reinhardt, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Portfolio of ten screenprints  Accession ID  2008.115.297.1-10

    Not on view
  • The image shows a series of vertical and diagonal parallel lines in blue and yellow, forming an abstract pattern that splits a rectangle diagonally into two sections. The left half is made up of alternating blue and yellow vertical stripes, resembling a modern barcode. The right half consists of blue and yellow horizontal stripes tapering into a triangular corner, resembling a folded fan. This abstract composition combines simple geometric shapes with familiar patterns.

    Untitled (Rabat)

    Frank Stella, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in blue and yellow on wove paper  Accession ID  2008.115.297.2

    Not on view
  • The image displays a large, curved red shape in the lower part of the canvas against a vibrant blue background. The red shape appears like a softly rounded hill or wave against the blue backdrop, implying a simplified horizon line.

    Red Blue

    Ellsworth Kelly, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in red and blue on mohawk superfine cover wove paper  Accession ID  2008.115.297.3

    Not on view
  • The image displays a jagged, irregular white shape on a mustard-yellow background. A bold black circle is slightly off-center on the white shape, with the white shape narrowing and extending downward with uneven edges. There are scattered black lines and splatters at the lower right of the image.

    Untitled

    Robert Motherwell, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in black and tan with collage on mohawk superfine wove paper  Accession ID  2008.115.297.4

    Not on view
  • This is a painting depicting a confrontation between police officers with dogs and a group of people in an outdoor setting. The composition features contrast between dark and light areas, with sunlight filtering through the overhead trees. The figures are depicted in a stark, graphic style primarily using black and white tones, emphasizing the confrontational nature of the scene. The style resembles that of Andy Warhol.

    Birmingham Race Riot

    Andy Warhol, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Screenprint in black on wove paper  Accession ID  2008.115.297.5

    Not on view
  • The image shows bold, irregular shapes in red, green, white, and black against a vibrant yellow background, creating an abstract composition. The shapes resemble jigsaw puzzle pieces or cut-out paper forms, suggesting figures in motion or abstracted human forms. The artwork includes bright colors, stark contrasts, and handwritten white text in one area, adding visual interest. The composition's colors and arrangement may be compared to the organized chaos of a Cubist painting or the playful style of Matisse's cut-outs.

    Composition

    Stuart Davis, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on wove paper  Accession ID  2008.115.297.6

    Not on view
  • The image features a large glass with a beverage, a plate holding a sandwich made of two triangular slices, and a rolled piece. The color palette is primarily red and blue with white and blue details. The sandwich and the rolled object are on the left side, while the glass is in the central right area.

    Sandwich and Soda

    Roy Lichtenstein, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Reverse screenprint in blue and red on clear plastic film  Accession ID  2008.115.297.7

    Not on view
  • The image shows black ovals and dots in a grid formation on a white background, with faint diagonal lines intersecting them. The arrangement creates a pattern resembling musical notes or keys on a piano. The ovals and dots are organized to suggest movement or direction, similar to a flock of birds. The composition blends simplicity and complexity, inviting further exploration from the viewer.

    Untitled

    Larry Poons, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on wove paper  Accession ID  2008.115.297.8

    Not on view
  • The image contains a circular shape with a red numeral "6" inside a yellow hexagon, set against a brown background. The circular design includes text that reads "ETERNAL HEXAGON" in red.

    Eternal Hexagon

    Robert Indiana, Ives-Sillman, Wadsworth Atheneum Museum of Art

    1964

    Color screenprint on mohawk wove paper  Accession ID  2008.115.297.9

    Not on view

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