The Adoration of the Child
c. 1475/1480
Painter, Florentine, 1457 - 1504


West Building Main Floor, Gallery 7
Artwork overview
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Medium
oil on poplar panel
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Credit Line
-
Dimensions
painted surface: 81.5 x 56.3 cm (32 1/16 x 22 3/16 in.)
support: 82.5 x 57.3 cm (32 1/2 x 22 9/16 in.)
framed: 117.2 x 91.1 x 8.3 cm (46 1/8 x 35 7/8 x 3 1/4 in.) -
Accession
1937.1.18
Artwork history & notes
Provenance
Grand Duke Georg II of Saxe-Meiningen [1826-1914], by 1872;[1] sold April 1930 by his heirs to (Duveen Brothers, Inc., London, New York, and Paris);[2] sold 15 December 1936 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[3] gift 1937 to NGA.
[1] The painting is listed by Jordan in Joseph Archer Crowe and Giovanni Battista Cavalcaselle, A New History of Painting Italy, from the II to the XVI Century, German ed., trans. Max Jordan, 6 vols. in 8 parts, Leipzig, 1869-1876: 4, part 2(1872): 593, as being in the grand ducal collection at Meiningen, but it was probably a relatively recent acquisition. In fact, writing in 1909, Voss (in Georg Voss, Herzogtum Sachsen-Meiningen Bau-und Kunst-Denkmäler Thüringens no. 34, Jena, 1909, 163-164) states that the paintings were purchased for the most part by Grand Duke Georg II "some decades ago." It can be conjectured that the purchases began (or at least became more numerous) after 1866, when he became Herzog of Saxe-Meiningen. There is a red wax seal of the Saxe-Meiningen family on the reverse of the panel. Although the earlier provenance of the panel is unknown, the presence of a Parisian customs stamp on the back could indicate that at one time the painting belonged to a French collector or dealer. Duveen Brothers also sent the painting to Paris twice (see note 2).
[2] The Duveen Brothers prospectus, in NGA curatorial files, says the painting "was disposed of by the Fideikommisse (Trustees) [of the Saxe-Meiningen family] in 1929," and this was the year published in Miklós Boskovits, David Brown et al., Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art, Washington, D.C., 2003: 379, as the date of the sale to the dealer. Documents in the Duveen Brothers Records, however, indicate representatives of the dealer first saw the painting in November 1929, and did not finalize the purchase until April 1930. See reel 115, box 260, folder 8, Duveen Brothers Records, accession no. 960015, Getty Research Institute, Los Angeles (copies in NGA curatorial files).
[3] The original Duveen Brothers invoice is in Gallery Archives, copy in NGA curatorial files.
Associated Names
Bibliography
1869
Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. Geschichte der italienischen Malerei. 6 vols. Leipzig, 1869-1876: 4(1872): 593.
1900
Berenson, Bernard. The Florentine Painters of the Renaissance. 2nd ed. New York and London, 1900: 97, as by Amico di Sandro.
1901
Berenson, Bernard. The Study and Criticism of Italian Art. London, 1901: 57.
1909
Voss, Georg. Herzogtum Sachsen-Meiningen Bau-und Kunst-Denkmäler Thüringens, no. 34. Jena, 1909: 1:166-167, repro.
Berenson, Bernard. The Florentine Painters of the Renaissance. 3rd ed. London, 1909: 101, as by Amico di Sandro.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 12(1931): 256.
1932
Venturi, Lionello. “Contributi a Filippo Lippi, a Botticelli, a Filippino Lippi, a Domenico Ghirlandaio, a Perugino.” L’Arte 3 (1932): 418, 421, fig. 4.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. New York and Milan, 1933: 2:pl. 260.
1935
Scharf, Alfred. Filippino Lippi. Vienna, 1935: 106, cat. 19, pl. 23.
1937
Cortissoz, Royal._ An Introduction to the Mellon Collection_. Boston, 1937: 12.
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 110, repro., as The Madonna Adoring the Child with an Angel.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 105, no. 18, as Madonna Adoring the Child, with an Angel.
Richter, George Martin. "The New National Gallery in Washington." Burlington Magazine 78 (June 1941): 177.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 239, repro. 130, as Madonna Adoring the Child, with an Angel.
1949
Paintings and Sculpture from the Mellon Collection. National Gallery of Art, Washington, 1949 (reprinted 1953 and 1958): 22, repro.
1950
Scharf, Alfred. Filippino Lippi, 2nd ed. Vienna, 1950: 14-15, 52.
1957
Berti, Luciano, and Umberto Baldini. Filippino Lippi. Florence, 1957: 20, 72.
1963
Berenson, Bernard. Italian Pictures of the Renaissance: Florentine School, 2 vols. London, 1963: 1:111.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 75.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 66, repro.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 106, 645.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 194, repro.
Shoemaker, Innis H. “Filippino Lippi as a Draughtsman.” Ph.D. diss., Columbia University, 1975: 9.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. Washington, 1979: 1:257; 2:pl. 174.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 228, repro.
1991
Berti, Luciano, and Umberto Baldini. Filippino Lippi, 2nd ed. Florence, 1991: 64-65, 166, repro.
1992
Barocchi, Paola, ed. Il Giardino di San Marco: Maestri e compagni del giovane Michelangelo. Exh. cat., Casa Buonarroti, Florence, 1992: 51.
1994
Kustodieva, Tatiana K. Italian Painting: Thirteenth to Sixteenth Centuries. Catalogue of Western European Painting / The Hermitage. Florence, 1994: 231.
2003
Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 379-382, color repro.
2004
Zambrano, Patrizia, and Jonathan Katz Nelson. Filippino Lippi. Milan, 2004: 67 n. 107, 236-238, 332, 337, fig. 233, cat. 24, as by Filippino Lippi and Vincenzo Frediani.
2011
Kustodieva, Tat'jana. Museo Statale Ermitage: La pittura italiana dal XIII al XVI secolo. Milan, 2011: 218.
2023
Daly, Christopher. “Painting in Lucca in the Late Fifteenth Century: A Problem in Artistic Geography.” 2 vols. Ph. D. diss., Johns Hopkins University, 2023: 2:324, cat. R5.15.
Wikidata ID
Q20174124