The Hand of Man

1902, printed 1903

Alfred Stieglitz (editor/publisher) after Various Artists

Associated Names
Alfred Stieglitz

Artist, American, 1864 - 1946

The image displays a low-angle view of converging railway tracks with a steam locomotive moving towards the viewer, emitting black smoke. The horizon is low in the image, showcasing industrial buildings, utility poles, and a cloudy sky in the background. It appears to be a photographic image with a grainy texture, emphasizing a sepia color palette.

Media Options

This object’s media is not available for download. Contact us about image usage.

Artwork overview

  • Medium

    photogravure

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    image: 15.9 × 21.1 cm (6 1/4 × 8 5/16 in.)

  • Accession Number

    1949.3.1270.9

  • Copyright

    Image courtesy of the Philadelphia Museum of Art

  • Key Set Number

    277

Associated Artworks

See all 4 artworks

Camera Work: Vol.1: Numbers 1-4

Alfred Stieglitz

1903

The image shows a city street scene with horse-drawn carriages. A lone tree is on the right side. The sky is overcast, casting muted light. The horizon is hazy, creating depth. The image is monochromatic in shades of sepia and grey. Closest to us, a horse is tethered to a carriage. Other horses line the street, receding into the distance where figures become silhouettes. The style mimics early photographic techniques with a soft, nostalgic aura.

The Street—Design for a Poster

Alfred Stieglitz

1900

The is vertical black-and-white photograph shows a snowy scene with a tall gray building in the distance on the left. In front of the building there are several leafless trees and benches positioned in rows in a snowy white expanse. Closest to us is a large tree on the right, going all the way up the photograph and partially obscuring the building in the background. The photograph is dominated by shades of pale grey and white.

The Flatiron

Alfred Stieglitz

1903

The image shows a man leaning his head on his hand, positioned with his face resting on his left hand. He has a mustache, thin-framed eyeglasses, and thick, greying hair that curls slightly at the edges. He is dressed in a formal jacket, a white shirt, and a black bow tie. The background is a soft, dark blur.

Alfred Stieglitz

Curious for more Alfred Stieglitz scholarship?

Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.


Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Exhibition History

1992

  • Stieglitz in the Darkroom, National Gallery of Art, Washington, DC, October 4, 1992–February 14, 1993

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 277.

Wikidata ID

Q64037861

Scholarly Remarks and Key Set Data

Remarks

Stieglitz made this photograph from the back of a train as it pulled into the freight yard of the Long Island City railroad station.

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:

1902, London (no. 50, as The Hand of Man)
1902, Leeds (no. 611, as The Hand of Man)
1903, Brussels (no. 433, as The Hand of Man)
1903, Hamburg (no. 423, as The Hand of Man, platinum)
1903, San Francisco (no. 34, as The Hand of Man)
1904, Washington (no. 128, as Hand of Man)
1904, Pittsburgh (no. 219, as Hand of Man)
1904, Vienna (no. 2, as Die Hand des Menschen)
1904, Dresden (no. 168, as Hand of Man)
1904, The Hague (no. 114, as Hand of Man)
1904, Bradford (no. 202, as The Hand of Man)
1905, Portland (no. 25, as The Hand of Man)
1905, Vienna, Camera Klub (no. 42, as The Hand of Man, 1902)
1905, Berlin (no. 53, as The Hand of Man)
1905, Richmond (no. 841, as The Hand of Man)
1905, New York (no. 81, as The Hand of Man)
1906, Philadelphia (no. 120, as The Hand of Man)
1906, Cincinnati (no. 65, as The Hand of Man)
1909, Dresden (no. 165, as The Hand of Man)
1910, Buffalo (no. 433, as The Hand of Man, 1902, photogravure)
1913, New York (no. 12, as The Hand of Man, 1902)
1917, New York (no. 218, The Hand of Man)
1921, New York (no. 17, as The Hand of Man, 1902)
1924, New York (no. 60, as The Hand of Man, 1902)
1930, Cambridge (no. 109, as The Hand of Man, Long Island City, 1902)
1932, New York (no. 42, as Hand of Man, 1902)
1937, New York, MoMA (no. 334, as The Hand of Man, 1902, photogravure from Camera Work)
1937, New York, American Place (no. 18, as Hand of Man, 1902, photogravure)
1944, Philadelphia (no. 17, as The Hand of Man, 1902)

Lifetime Publications

A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:

Photograms of the Year (London, 1902): 19 (ill., The Hand of Man)

Camera Work 1 (January 1903), 47 (ill., The Hand of Man)

John Corbin, “The Twentieth Century City,” Scribner’s Magazine 33:3 (March 1903): 271 (ill., The Hand of Man)

Die Photographische Kunst im Jahre 1903: Ein Jahrbuch für Künstlerische Photographie: unpaginated (ill., The Hand of Man)

Photographische Rundschau und Photographisches Centralblatt 18 (January 1904): frontispiece (ill., The Hand of Man)

The American Amateur Photographer 15:3 (March 1904): opp. 99 (ill., The Hand of Man)

Sadakichi Hartmann, “Amerikanische Kunstphotographen: Eine zeitgenössische Studie,” Dekorative Kunst 8 (May 1905): 335 (ill., Menschenwerk)

Alfred Stieglitz, “Simplicity in Composition,” in The Modern Way of Picture Making (Rochester, 1905): 163 (ill., The Hand of Man)

Charles Holme, ed., Art in Photography, special summer number of The Studio (London, Paris, and New York, 1905): pl. us.x (ill., The Hand of Man)

“The Photo-Secession: Its Aims and Work,” The International Studio 28 (June 1906): unpaginated (ill., The Hand of Man)

Die Photographische Kunst im Jahre 1908: Ein Jahrbuch für Künstlerische Photographie: 175 (ill., untitled)

Camera Work 36 (October 1911): pl. 13 (ill., The Hand of Man)

Waldo Frank et al., America and Alfred Stieglitz (New York, 1934): pl. 25b (ill., The Hand of Man, 1902)

Note

Image courtesy of the Philadelphia Museum of Art


You may be interested in

Loading Results