Marina
1887, printed 1895/1896
Artist, American, 1864 - 1946

Artwork overview
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Medium
platinum print
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Credit Line
-
Dimensions
sheet (trimmed to image): 15.2 × 11 cm (6 × 4 5/16 in.)
page size: 33.8 × 27 cm (13 5/16 × 10 5/8 in.) -
Accession
1949.3.32
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Stieglitz Estate Number
65E
Part of Stieglitz Key Set Online Edition
Learn more -
Key Set Number
44

Alfred Stieglitz
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Artwork history & notes
Provenance
Georgia O'Keeffe; gift to NGA, 1949.
Associated Names
Exhibition History
2002
Alfred Stieglitz: Known and Unknown, National Gallery of Art, Washington, DC, June 2–September 2, 2002; The Museum of Fine Arts, Houston, October 6, 2002–January 5, 2003
Bibliography
2002
Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 44.
Inscriptions
by Alfred Stieglitz, on interleaving tissue, lower right, in graphite: Marina / 1887
Wikidata ID
Q64037645
Scholarly Remarks and Key Set Data
Remarks
For information about Stieglitz's trip to Chioggia, where this photograph was made, see Key Set number 39.
For more information about this photograph, see Key Set number 42.
Stieglitz Collections
A corresponding print was given to the following institution(s) by Alfred Stieglitz during his lifetime, or was received or acquired from the estate:
George Eastman Museum, Rochester, 83:0660:0014 [lantern slide] (inscribed: Marina / 1892)
Lifetime Exhibitions
A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:
1891, Hartford (no. 85, as Marina (Venice), Outdoor Study of Head)
1891, Vienna (no. 493, as “Marina”)
1892, New York, The Society of Amateur Photographers of New York (as Marina (Venice), lantern slide)
1892, Boston (no. 328, as Marina)
1893, Philadelphia (no. 512, as Marina, platinum)
Lifetime Publications
A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:
“The Progress of Amateur Photography—Some Remarkable Specimens of Figure Work,” Frank Leslie’s Weekly 75 (9 January 1892): 402 (ill., Marina)