Mr. Randolph

1895, printed 1895/1896

Alfred Stieglitz

Associated Names
Alfred Stieglitz

Artist, American, 1864 - 1946

The image shows an older man standing and facing the camera. He has a solemn expression, thick eyebrows, deep-set eyes, and white wavy hair. He is dressed in a dark overcoat with a double-breasted design, a white shirt with a high collar, and a dark bow tie. One hand is partially inside his coat, and the other hangs by his side. The background is dark and blurred.

Media Options

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Artwork overview

  • Medium

    platinum print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    sheet (trimmed to image): 19 × 11.6 cm (7 1/2 × 4 9/16 in.)
    page size: 34.8 × 27.3 cm (13 11/16 × 10 3/4 in.)

  • Accession Number

    1949.3.237

  • Volume Title

    Sun Prints, 4

  • Stieglitz Estate Number

    74B

    Part of Stieglitz Key Set Online Edition

    Learn more
  • Key Set Number

    248

Associated Artworks

See all 34 artworks
This is a photograph of two oxen yoked together in a field. The image depicts two oxen standing side by side in a field with a dirt-covered ground. The oxen are fitted with harnesses and a yoke. The background shows a distant horizon. The photo is in a grainy sepia tone.

An Idyll

Alfred Stieglitz

1887

The image shows a body of water with mountains in the distance. The point of view is elevated, capturing the shoreline and the water. A person leans towards a cow, holding its halter by the rocky shore. The horizon is high in the image, with the mountains forming a dark outline against the sky. The mountains appear as a soft silhouette due to the diffuse lighting. The image has a grainy and vintage texture. The color palette is monochromatic, with shades of gray and sepia. A small boat with figures is on the water, and a larger vessel is docked to the right.

The Unwilling Bath

Alfred Stieglitz

1887

This is an image of a blacksmith workshop. It shows a scene in front of a rustic building with textured stonework and arched doorways. There is a blacksmith’s anvil in the center, along with tools and a vice on a wooden bench. The entrance has an intricately carved arch. To the right, there’s a cart wheel, and sunlight casts shadows across the cobblestone. The setting conveys a sense of historical craftsmanship and rural life, with deep contrast and details in the photograph bringing out the texture of the building and ground.

Before the Smithy's

Alfred Stieglitz

1890

The image shows a man leaning his head on his hand, positioned with his face resting on his left hand. He has a mustache, thin-framed eyeglasses, and thick, greying hair that curls slightly at the edges. He is dressed in a formal jacket, a white shirt, and a black bow tie. The background is a soft, dark blur.

Alfred Stieglitz

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Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Bibliography

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 248.

Inscriptions

by Alfred Stieglitz, on interleaving tissue, upper right, in graphite: Mr. Randolph, [underlined] / 1895.

Wikidata ID

Q64037738

Scholarly Remarks and Key Set Data

Remarks

A New York bookseller specializing in religious works, Anson Davies Fitz Randolph owned a summer house in Lake George. According to Charles Caffin, Stieglitz tried to photograph Randolph on several occasions, but always the older man “stiffened at once into unnatural self-consciousness.” Setting his camera up in advance, Stieglitz “invited his friend for a stroll, chatting meanwhile of a picture he proposed to take. On reaching the camera, he expressed a doubt as to how much of a scene he should include, and begged Mr. R to stand for a moment, that he might compare the scale of the figure with that of the landscape. Without a suspicion, the gentleman placed himself, assuming his accustomed attitude, and the next moment the portrait had been secured” (“Photography as a Fine Art. II—Alfred Stieglitz and His Work,” Everybody’s Magazine 4 [April 1901], 371).

Other Collections

A print corresponding with this photograph can also be found in the following collection(s):

Stephen White Collection, II

Lifetime Exhibitions

A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:

1896, London, Salon (no. 50, as Portrait [Mr. Randolph])
1896, Berlin (as Porträt des Herrn R.)
1896, Hamburg (no. 474c, as Portrait des Herrn R.)
1898, New York, American Institute (no. 50, as Portrait Mr. R.)
1899, New York (no. 44, as Portrait of Mr. R., 1896, platinum direct)
1902, New York (no. 141, as Portrait of Mr. R., 1895)
1903, Wiesbaden (no. 224, as Bildnis des Herrn R.)

Lifetime Publications

A reproduction of this work appeared in the following publication(s) during Alfred Stieglitz’s lifetime:

“Alfred Stieglitz and his Latest Work,” The Photographic Times 28:4 (April 1896): opp. 168 (ill., Open Air Portrait)

Photograms of the Year (London, 1896): 6 (ill., Portrait of Mr. R)

Camera Notes 1:1 (July 1897): opp. 10 (ill., Portrait of Mr. R, photogravure)

Alfred Stieglitz, “A Natural Background for Out-of-Door Portraiture,” The American Annual of Photography and Photographic Times Almanac for 1898 (New York, 1897): opp. 210 (ill., Open-Air Portrait)

M. [F. Matthies-Masuren], “Alfred Stieglitz—New York,” Photographisches Centralblatt 4 (December 1898): 433 (ill., untitled)

W. I. Lincoln Adams, In Nature’s Image (New York, 1898): 81 (ill., A Open-Air Portrait)

Charles H. Caffin, “Photography as a Fine Art. II—Alfred Stieglitz and His Work,” Everybody’s Magazine 4 (April 1901): 291 (ill., Portrait of Mr. R)

Der Amateur-Photograph 15:175 (July 1901): opp. 104 (ill., Portrait des Herrn R.)


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