Artworks associated with “An Album of Prints of the Roman Festival of the Chinea”

38 results found

The Prima Macchina for the Chinea of 1749: The Temple of Peace

Miguel de Sorellò

1749

etching Accession ID 2016.121.67.38
The Prima Macchina for the Chinea of 1748: The Son of Venus and Mars Presented to the Temple of Minerva

Louis-Joseph Le Lorrain

1748

etching Accession ID 2016.121.67.36
The Seconda Macchina for the Chinea of 1748: The Royal Hunt

Miguel de Sorellò

1748

etching Accession ID 2016.121.67.37
The Seconda Macchina for the Chinea of 1747: The Hanging Gardens

Miguel de Sorellò

1747

etching Accession ID 2016.121.67.35
The Prima Macchina for the Chinea of 1747: The Temple of Venus Genitrix

Louis-Joseph Le Lorrain

1747

etching Accession ID 2016.121.67.34
The Prima Macchina for the Chinea of 1746: The Temple of Minerva

Louis-Joseph Le Lorrain

1746

etching Accession ID 2016.121.67.32
The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples

Miguel de Sorellò

1746

etching Accession ID 2016.121.67.33
The Seconda Macchina for the Chinea of 1745: Triumphal Arch for the Return of King Charles of Bourbon to Naples

Louis-Joseph Le Lorrain

1745

etching Accession ID 2016.121.67.31
The Prima Macchina for the Chinea of 1744: The Glorification of Virgil

Louis-Joseph Le Lorrain

1744

etching Accession ID 2016.121.67.29
The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl

Miguel de Sorellò

1744

etching Accession ID 2016.121.67.30
The Seconda Macchina for the Chinea of 1740: Jupiter and Juno Lucina

Pierre Parrocel

1740

etching Accession ID 2016.121.67.28
The Seconda Macchina for the Chinea of 1739: An Allegory of Public Happiness

Pierre Parrocel

1739

etching Accession ID 2016.121.67.27

Artworks associated with “An Album of Prints of the Roman Festival of the Chinea”

The Prima Macchina for the Chinea of 1749: The Temple of Peace

The Prima Macchina for the Chinea of 1749: The Temple of Peace

The Prima Macchina for the Chinea of 1748: The Son of Venus and Mars Presented to the Temple of Minerva

The Prima Macchina for the Chinea of 1748: The Son of Venus and Mars Presented to the Temple of Minerva

The Seconda Macchina for the Chinea of 1748: The Royal Hunt

The Seconda Macchina for the Chinea of 1748: The Royal Hunt

The Seconda Macchina for the Chinea of 1747: The Hanging Gardens

The Seconda Macchina for the Chinea of 1747: The Hanging Gardens

The Prima Macchina for the Chinea of 1747: The Temple of Venus Genitrix

The Prima Macchina for the Chinea of 1747: The Temple of Venus Genitrix

The Prima Macchina for the Chinea of 1746: The Temple of Minerva

The Prima Macchina for the Chinea of 1746: The Temple of Minerva

The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples

The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples

The Seconda Macchina for the Chinea of 1745: Triumphal Arch for the Return of King Charles of Bourbon to Naples

The Seconda Macchina for the Chinea of 1745: Triumphal Arch for the Return of King Charles of Bourbon to Naples

The Prima Macchina for the Chinea of 1744: The Glorification of Virgil

The Prima Macchina for the Chinea of 1744: The Glorification of Virgil

The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl

The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl

The Seconda Macchina for the Chinea of 1740: Jupiter and Juno Lucina

The Seconda Macchina for the Chinea of 1740: Jupiter and Juno Lucina

The Seconda Macchina for the Chinea of 1739: An Allegory of Public Happiness

The Seconda Macchina for the Chinea of 1739: An Allegory of Public Happiness

West Building

East Building

Sculpture Garden

Artworks associated with “An Album of Prints of the Roman Festival of the Chinea”

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