Artworks associated with “Untitled”

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  • This is a photograph of a blue portfolio cover with silver text. The cover is blue with white or light gray text reading: "MASTER ARTISTS MASTER PRINTMAKERS PORTFOLIO".

    Master Artists Master Printmakers

    Wayne Crothers, Experimental Printmaking Institute, Quentin Mosley, Allan Edmunds, John Dowell, Kay WalkingStick, Bodo Korsig, Grace Hartigan, Emma Amos, Various Artists, Ian Short, Robert Beckman, John Phillips, Curlee Raven Holton, Faith Ringgold, Sam Gilliam, David C. Driskell, Richard Anuszkiewicz

    2003 - 2004

    Portfolio of fifteen prints with two title pages, two colophons, and one photo-documentation page  Accession ID  2008.82.1.1-15

    Not on view
  • The image consists of three panels, each containing two vertical rectangles aligned side by side with a contrasting thin line between them. The first panel on the left displays bright yellow rectangles bordered by light pastel lines. The central panel presents fiery red rectangles outlined in green and blue. The third panel on the right consists of dark black rectangles against vibrant yellow and orange edges.

    Twin Portals: Homage to the Twin Towers

    Richard Anuszkiewicz, Experimental Printmaking Institute, Robert Beckman, Ian Short

    2003

    Screenprint on three sheets of rives bfk wove paper  Accession ID  2008.82.1.1.a-c

    Not on view
  • The image shows an intricate composition of swirling lines and overlapping shapes that come together to form multiple abstract human faces. Features resembling eyes, noses, and lips can be seen on these faces, intertwined within the complex web of lines. A central shape resembling a hat is also visible. The artwork presents abstract interpretations of faces and hats through fluid and textured forms, offering a layered visual experience.

    Brown Derby

    David C. Driskell, Curlee Raven Holton, Experimental Printmaking Institute

    2003

    Etching in brown and black on wove paper  Accession ID  2008.82.1.2

    Not on view
  • The image displays overlapped curved shapes and angular lines in a dynamic composition. Various textures and colors are used, including red and yellow stripes, a large silver-gray shape, hints of blue and turquoise, and other shapes and patterns in orange and brown.

    Untitled

    Sam Gilliam, Wayne Crothers, Experimental Printmaking Institute

    2004

    Cut and sewn color relief prints on wove paper, fabric, and felt  Accession ID  2008.82.1.3

    Not on view

  • Freedom Flag #1

    Faith Ringgold, John Phillips, Experimental Printmaking Institute

    2003

    Color digital print on wove paper  Accession ID  2008.82.1.4

    Not on view
  • The image contains black circles dispersed among oval and circular shapes with grayscale images. Bright yellow and red ribbon-like lines flow between the black circles and ovals.

    Blind Spots

    Curlee Raven Holton, Experimental Printmaking Institute

    2003

    Color etching, relief print, and screenprint on wove paper  Accession ID  2008.82.1.5

    Not on view
  • The image shows embossed lines forming the words "hidden hand" in an elegant cursive style, with "hand" placed beneath "hidden" in alignment. Brown speckles scattered on the right side of the paper resemble a light spray of paint, evoking a comparison to sand or earth. The combination of embossed text and scattered speckles creates a scene blending natural elements with crafted elements.

    Hidden Hand

    John Phillips, Experimental Printmaking Institute

    2003

    Digital print on wove folded sheet, containing debossing and embossing with lemon juice on wove paper  Accession ID  2008.82.1.6.a-b

    Not on view
  • The image displays two panels with bold black brush strokes on blue and yellow backgrounds. The strokes form abstract shapes resembling interconnected loops that could be seen as face or mask outlines. The blue panel features a central dark rounded form with a lighter blue and white section. In the yellow panel, dark loops are surrounded by lighter yellow shades, resembling abstract faces or figures.

    Marie Antoinette and Cleopatra

    Grace Hartigan, Alfonso Corpus, Experimental Printmaking Institute

    2004

    Color lithograph on two sheets of rives bfk wove paper  Accession ID  2008.82.1.10.a-b

    Not on view
  • Shown from the waist down, two pairs of legs, silhouetted in matte gold, float to our left of center from top edge of the composition against a streaks and smears of cobalt blue and muted mint green in this abstract, horizonal print. The image spans two pieces of paper, so there is a narrow white margin down the center. The legs seem to face each other in profile, knees touching or overlapping. One foot in the pair to our right is lifted behind the body and the person to the left stands up on the toes of both feet. A network of stylized stems, leaves, palm fronds, and perhaps narrow tree trunks in rust brown overlays the blue and green field. In pencil under the image in the lower left, an inscription reads, “il sogno del cortile 14/50,” and to the right, “Kay WalkingStick 2004,” though not all the letters are fully articulated.

    il sogno del cortile (The Courtyard Dream)

    Kay WalkingStick, Experimental Printmaking Institute, Allan Edmunds

    2004

    Screenprint, collagraph, and lithograph on two sheets of rives bfk wove paper  Accession ID  2008.82.1.12.a-b

    Not on view
  • The image shows an abstract composition with vertical lines and overlapping shapes resembling silhouettes of tall buildings. The color palette consists of blue and purple hues blending together. The abstract forms suggest a cityscape with bridges and water pathways interwoven among the structures. Darker purple splashes and strokes add energy to the scene. The layered effect of colors and textures creates the impression of merging urban elements in an abstract way.

    The Bridge

    John Dowell, Experimental Printmaking Institute

    2004

    Color lithograph on rives bfk wove paper  Accession ID  2008.82.1.13

    Not on view
  • The image contains a variety of curved and straight lines, along with scattered shapes, creating an abstract collage. It includes photographs of people, including portraits and group images, reminiscent of school or family photographs. Black and white photos are mixed with colorful paint patches and textured patterns, creating a scrapbook-like feel. Handwritten notes and artistic brush strokes are integrated into the composition, adding complexity. The abstract layout prompts viewers to connect familiar elements with personal or collective histories.

    Family Series

    Allan Edmunds, Experimental Printmaking Institute

    2004

    Color lithograph with collage on two sheets of somerset wove paper  Accession ID  2008.82.1.14.a-b

    On View: West Building Ground Floor, Gallery G27
  • The image features abstract shapes with strong outlines resembling stylized, geometric humanoid figures. The leftmost figure has a wide-headed totem with circular eyes, while the second figure has a smaller, face-like design near the top. Two additional figures are to the right, one with a diamond-shaped pattern and a triangular form resembling a torso. Surrounding these figures are various abstract, curved lines and shapes decorating the background.

    Venus Figures and Batons de Commandment

    Quentin Mosley, Experimental Printmaking Institute

    2004

    Color screenprint on two sheets of black wove paper  Accession ID  2008.82.1.15.a-b

    Not on view

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