Artworks associated with “Pick-a-Back”

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  • This is a photograph of a closed book with a textured grey cover. The book features the fraction "10/10" in bold, black numerals with dotted patterns on the digits. The background texture is consistent across the cover, giving the book a subtle metallic sheen appearance.

    Ten Prints by Ten Printmakers

    Various Artists, Al Blaustein, Luis Camnitzer, Albert Christ-Janer, Roberto De Lamonica, Michael Knigin, Stephen Poleskie, Clayton Pond, Clare Romano, Vasilios Toulis, Murray Zimiles, Pratt Graphic Art Center

    1969

    Portfolio of three screenprints, two lithographs, two intaglios, one etching, one engraving, and one stencil with title page, introduction, colophon, artist list, and clamshell case  Accession ID  2019.109.60.1-10

    Not on view
  • ""

    Fragment of a Cloud

    Luis Camnitzer, Pratt Graphic Art Center

    1969

    Stencil in black on cotton batting in an acrylic frame  Accession ID  2019.109.60.2

    Not on view
  • The image shows a landscape view from an elevated perspective. The terrain is undulating, with hills fading into each other in the distance. The brushstrokes are expressive, creating diverse textures across the hills. The color palette is dominated by golden yellows and deep browns, giving an earthy and warm visual impression. Light and shadow play across the landscape, potentially suggesting the light of dawn or dusk.

    Landforms #50

    Albert Christ-Janer, Chiron Press, Pratt Graphic Art Center

    1969

    Lithograph in brown and yellow on rives wove paper  Accession ID  2019.109.60.3

    Not on view
  • The image depicts bold, curved lines in purple, yellow, and black forming an abstract arch at the top. Below the arch are clusters of abstract human figures created from blocks of color and line drawings, suggesting people walking along a city street. On the left, two figures share an umbrella in purple with intricately drawn text. On the right, a group of figures in red and green stands near a red fire hydrant. The shapes and colors evoke crowded cityscapes and everyday objects through abstract style.

    Wall St. No. 2

    Roberto De Lamonica, Pratt Graphic Art Center

    1969

    Color intaglio on german etching wove paper  Accession ID  2019.109.60.4

    Not on view
  • The image features bold lines forming an abstract arrangement of geometric shapes. There is a dark curved line at the top, an elongated blue oval below it, a purple oval encased by vertical lines, and a large blue rectangular shape at the bottom.

    Untitled

    Michael Knigin, Pratt Graphic Art Center

    1968 (published 1969)

    Color screenprint on beckett wove paper  Accession ID  2019.109.60.5

    Not on view
  • The image shows a stylized landscape enclosed within a diamond shape. There is a horizontal horizon line separating a pale blue sky from a darker blue sea. A sandy area representing a beach is in the foreground, with a dark green strip in the background. The color palette consists of soft blues, sandy beige, and dark green. There is no texture or intricate brushwork, emphasizing clean, geometric lines and flat color fields.

    Winona

    Stephen Poleskie, Pratt Graphic Art Center

    1969

    Color screenprint on beckett wove paper  Accession ID  2019.109.60.6

    Not on view
  • The image shows an abstract design with curved and swirling lines and shapes in red, turquoise, orange, and blue colors.

    Section of an English Facade

    Clayton Pond, Pratt Graphic Art Center

    1969

    Color screenprint on strathmore bristol wove paper  Accession ID  2019.109.60.7

    Not on view
  • The image contains interconnected geometric and curved lines in shades of gold, red, and black. The shapes resemble an architectural mosaic, with arches and domes. In the center, there is a golden oval frame with an engraving of a bearded figure. Above this is a seated woman with drapery in a domed archway. The composition combines elements evocative of Roman architecture, temples, and coliseums in an abstract manner.

    Eternal City IV

    Clare Romano, Pratt Graphic Art Center

    1969

    Color collagraph and etching on murillo wove paper  Accession ID  2019.109.60.8

    Not on view
  • The artwork features dynamic, angular lines and intersecting geometric shapes creating a complex composition. It is abstract in nature and portrays structured arrangements of lines and curves. Overlapping circular and triangular elements suggest a futuristic or mechanical theme, adding depth and texture to the piece.

    Soldat

    Vasilios Toulis, Pratt Graphic Art Center

    1969

    Engraving in black on arches wove paper  Accession ID  2019.109.60.9

    Not on view
  • The image displays various shapes and lines creating an abstract composition. Two rectangular sections at the top depict close-ups of a vulture, emphasizing its eye and profile. Fluid and distorted figures merge into the larger composition, suggesting abstract human and animal forms. The lower part includes amorphous shapes resembling human limbs or elongated necks, enhancing the dynamic and abstract nature of the artwork.

    Vulture

    Murray Zimiles, Pratt Graphic Art Center

    1968 (published 1969)

    Lithograph and screenprint in black and yellow on arches wove paper  Accession ID  2019.109.60.10

    Not on view

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