Johannes, Offenbarung, Kapitel 8, Vers 2 (John, Revelation, Chapter 8, Verse 2) (plate, page 29) from Apokalypse (Apocalypse)
1941 - 1942, published 1943

Artwork overview
-
Medium
one from a bound volume with 27 lithographs with watercolor additions on laid Van Gelder Zonen paper
-
Credit Line
-
Dimensions
page size: 39 x 30 cm (15 3/8 x 11 13/16 in.)
accessory size: 39.5 x 31 cm (15 9/16 x 12 3/16 in.) -
Accession
1984.64.66.11
-
Catalogue Raisonné
Hofmaier 1990, no. 340 (copy 25)
Associated Artworks
See all 26 artworks
Johannes, Offenbarung, Kapitel 2, Vers 29 (John, Revelation, Chapter 2, Verse 29) (in-text plate, page 13) from Apokalypse (Apocalypse)
Max Beckmann, Bauersche Gießerei, Bauersche Gießerei
1941

Johannes, Offenbarung, Kapitel 3, Vers 18 (John, Revelation, Chapter 3, Verse 18) (in-text plate, page 16) from Apokalypse (Apocalypse)
Max Beckmann, Bauersche Gießerei, Bauersche Gießerei
1941

Johannes, Offenbarung, Kapitel 12, Vers 14 (John, Revelation, Chapter 12, Verse 14) (plate, page 41) from Apokalypse (Apocalypse)
Max Beckmann, Bauersche Gießerei, Bauersche Gießerei
1941
Artwork history & notes
Provenance
Mrs. Max Beckmann, Peoria; gift to NGA, 1984.
Associated Names
Exhibition History
1994
A Century of Artists' Books, The Museum of Modern Art, New York, 1994-1995.
1999
A Century for the Century: Fine Printed Books from 1900 to 1999, The Grolier Club, New York, 1999, no. 44
The Apocalypse and the Shape of Things to Come, British Museum, London, 1999, p. 312 (no. 12).
2006
Max Beckmann: The Watercolors Schirn Kunsthalle Frankfurt, Germany, 3 March - 28 May 2006 and Museo Guggenheim Bilbao, Spain, 26 June - 17 September 2006.
2011
The Best of Both Worlds: finely printed livres d'artistes, 1910-2010 The Grolier Club, New York, 17 May-27 July 2011
2024
The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington, DC, 2024.
Watermarks
Van Gelder Zonen