A Game of Horse and Rider

c. 1775/1780

Jean Honoré Fragonard

Painter, French, 1732 - 1806

In a lush, tree-lined park, filtered light falls across a group of about a dozen light-skinned people lounging and frolicking along the banks of a river in this vertical landscape painting. A man wearing a shell-pink jacket and pants and woman wearing a topaz-blue, full-skirted dress and rose-pink bonnet sit near each other in the lower left corner. Several younger boys pile up in a game where one person tries to ride on the back of another, to our right. They wear rolled-up pants, open-necked shirts, and some wear straw-colored hats. Tall aspens, with smooth greenish-white trunks and soft, golden leaves, are among the trees that line this placid river. A gnarled trunk twists against the cloudless blue sky above the revelers to our right. Other couples board a long, narrow boat at the riverbank in the distance.

Media Options

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On View

West Building Main Floor, Gallery 55


Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall: 115 x 87.5 cm (45 1/4 x 34 7/16 in.)
    framed: 145.1 x 116.8 x 12.1 cm (57 1/8 x 46 x 4 3/4 in.)

  • Accession

    1946.7.5

More About this Artwork


Artwork history & notes

Provenance

Possibly William Williams Hope [1802-1855], Rushton Hall, Northamptonshire, and Paris; possibly by gift to Madame Jenny Colon [1808-1842], Paris.[1] Emile [1800-1875] and Isaac [1806-1880] Péreire, Paris, by 1864; (Péreire sale, at their residence by Pillet and Petit, Paris, 6-9 March 1872, no. 61); Frédéric-Alexis-Louis Pillet-Will, comte Pillet [1837-1911], Paris, until at least 1910.[2] (Wildenstein & Co., Inc., Paris, New York, and London), by 1932;[3] Calouste Gulbenkian [1869-1955]; (Wildenstein & Co., Inc., Paris, New York, and London);[4] sold 1942 to the Samuel H. Kress Foundation, New York;[5] gift 1946 to NGA.
[1] For the Hope-Colon provenance, see W. Bürger, "Galerie de MM. Pereire," Gazette des Beaux-Arts ser. I, 16 (April 1864): 201.
[2] The painting was lent by Pillet-Will to an exhibition in Berlin in 1910.
[3] The painting was lent by Wildenstein to a 1932 exhibition in London.
[4] Georges Wildenstein's letter of 21 January 1952 to John Walker (NGA curatorial files) confirms Gulbenkian's ownership and the fact "that my father bought [it] back from him."
[5] See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/40.

Associated Names

Exhibition History

1885

  • Exposition de tableaux, statues et objects d'art au profit de l'oeuvre des Orphelins d'Alsace-Lorraine, Salle des États au Louvre, Paris, 1885, no. 192, as Le Colin-Maillard.

1910

  • Ausstellung von Werken französischer Kunst des XVIII. Jahrhunderts, Königliche Akademie der Künste, Berlin, 1910, no. 317 (no. 44 in French ed.).

1932

  • Exhibition of French Art 1200-1900, Royal Academy of Arts, London, 1932, no. 183.

1946

  • Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. 770.

1987

  • Fragonard, Galeries nationales du Grand Palais, Paris; The Metropolitan Museum of Art, New York, 1987-1988, no. 164.

1996

  • Das Capriccio als Kunstprinzip. Zur Vorgeschichte der Moderne von Arcimboldo und Callot bis Tiepolo und Goya: Malerei - Zeichnung - Graphik, Wallraf-Richartz-Museum, Cologne; Kunsthaus Zürich; Palais Harrach, Vienna, 1996-1997, no. 92, repro.

Bibliography

1864

  • Bürger, W. "Galerie de MM. Pereire." Gazette des Beaux-Arts ser. I, 16 (April 1864): 201.

1885

  • Portalis, Roger. "Les peintures décoratives de Fragonard et les panneaux de Grasse." Gazette des Beaux-Arts ser. 2, 32 (1885): 483.

1889

  • Portalis, Roger. Honoré Fragonard, sa vie et son oeuvre. 2 vols. Paris, 1889: 82, 273.

1906

  • Nolhac, Pierre de. J.-H. Fragonard. Paris, 1906: 159.

1944

  • "Kress Makes Important Donation of French Painting to the Nation." Art Digest 18, no. 19 (1 August 1944): 5.

  • "One of the Greatest Donations of XVIIIth Century French Painting Ever Received by a Museum - The Kress Collection." The Illustrated London News 115, no. 2992 (26 August 1944):249, repro. 248.

  • "The Almanac: French Paintings Given to the National Gallery." The Magazine Antiques 46, no. 5 (November 1944): 288

  • Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 79, repro. no. 76

1945

  • Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 169, repro.

1948

  • Wildenstein and Company. French XVIII Century Paintings. New York, 1948: 4.

1952

  • Cairns, Huntington, and John Walker, eds., Great Paintings from the National Gallery of Art. New York, 1952: 124, color repro.

1956

  • Einstein, Lewis. "Looking at French Eighteenth Century Pictures in Washington." Gazette des Beaux Arts 6th ser., 47, no. 1048-1049 (May-June 1956): 238-239, repro. 247.

  • Réau, Louis. Fragonard: sa vie et son oeuvre. Brussels, 1956: 158.

1959

  • Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 368, repro.

1960

  • Wildenstein, Georges. The Paintings of Fragonard. New York, 1960: no. 443

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 51.

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 43, repro.

1971

  • Watson, Francis. "Fragonard." Art News Annual 37 (1971): 86

1972

  • Mandel, Gabriele. L'Opera completa di Fragonard. Milan, 1972: no. 468, repro.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 130, repro.

1977

  • Eisler, Colin. Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian. Oxford, 1977: 331, fig. 293.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 338, no. 456, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 157, repro.

1987

  • Cuzin, Jean-Pierre. "Jean-Honoré Fragonard: Vie et oeuvre." Fribourg, 1987. English edition New York, 1988: 203, 206, fig. 252, 325-326, no. 340, repro.

1989

  • Rosenberg, Pierre. Tout l'oeuvre peint de Fragonard. Paris, 1989: 106, no. 314, repro.

1990

  • Sheriff, Mary D. Fragonard. Art and Eroticism. Chicago and London, 1990: 85-89, 117, 118, repro.

2004

  • Rosenberg, Pierre. "Fragonard, La Fête à Saint-Cloud, Louis-Pierre Marchal de Sainscy, et la Banque de France." In Place de Victoires: histoire, architecture, societé. Ed. Isabelle Dubois et. al. Paris, 2004: 254-257, repro.

2005

  • Baillio, Joseph, et al. The Arts of France from François Ier to Napoléon Ier. A Centennial Celebration of Wildenstein's Presence in New York. Exh. cat. Wildenstein & Co., Inc., New York, 2005: 78 (not in the exhibition).

2006

  • Milam, Jennifer. Fragonard's Playful Paintings: Visual Games in Rococo Art. Manchester, 2006: 131, 141, 142, 161-163.

2009

  • Conisbee, Philip, et al. French Paintings of the Fifteenth through the Eighteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2009: no. 38, 188-194, color repro.

Inscriptions

On stretcher: written: "11623," crossed out and replaced with "11476." Encapsulated and attached to stretcher: five labels: (1) small, blue bordered label, torn, "74 (?) d"; (20 oval label with red type, "CHENUE / EMBALLEUR / 5, Rue de la Terrasse, PARIS" with a "5" in blue pencil; (3) blue inked stamp on paper, illegible; (4) typeset label with notations in iron gall ink, "DATE ----/ ARTIST FRAGONARD / SUBJECT CHEVAL FONDU / OWNER'S NAME WILDENSTEIN & CO. INC / ADDRESS ----; (5) black ink on red paper, "Rep. 67."

Wikidata ID

Q20178688


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