Saint Sebastian
c. 1620/1630
Artist, Piedmontese, c. 1575 - 1633

A fevered intensity in this portraval of Saint Sebastian marks it as a characteristic work by Tanzio, whose native village of Varallo in the mountains north of Milan was a major center of popular piety. The painter has shown Sebastian, who was persecuted as a Christian under Diocletian, being rescued by angels after the assault on him by the Emperor's archers. The thickset figure at the right who tenderly steadies Sebastian's body for the angel's ministrations may be Saint Irene, who nursed the martyr back to health.
The visual excitement of Tanzio's portrayal serves to convey Sebastian's state of emotional transport and transcendence of bodily pain. Contributing to the fervid drama is the extreme compression of the composition. Tanzio's large, solid forms are crowded by the frame, seeming to twist and strain to fit its confines. If the vivid illusionism and sharp contrasts of light and dark -- pulsating in the drapery across Sebastian's lap and in the spiky patterns of expressively tapering fingers -- reveal a study of Caravaggio's art, Tanzio's use of discordant colors is uniquely his own.
More information on this painting can be found in the Gallery publication Italian Paintings of the Seventeenth and Eighteenth Centuries, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/italian-paintings-17th-and-18th-centuries.pdf

West Building Main Floor, Gallery 29
Artwork overview
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Medium
oil on canvas
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Credit Line
-
Dimensions
overall: 117.3 × 93.7 cm (46 3/16 × 36 7/8 in.)
framed: 145.42 × 123.19 × 7.62 cm (57 1/4 × 48 1/2 × 3 in.) -
Accession
1939.1.191
Artwork history & notes
Provenance
(Tomei, Milan, 1916).[1] Achillito Chiesa, Milan, by 1922 until at least 1924.[2] (Count Alessandro Contini Bonacossi, Florence); purchased 1935 by the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA.
[1] Roberto Longhi, Scritti giovanili, 2 vols., Florence, 1961: 511, took credit for changing the attribution from Rubens to Tanzio in 1916 when the painting was owned by "l'antiquario Tomei."
[2] Listed as the owner in the 1922 Palazzo Pitti catalogue; following Chiesa's bankruptcy, the collection was dissolved at several sales in New York and Europe beginning in 1924: see Wesley Towner, The Elegant Auctioneers, New York, 1970: 382-383, 412- 414. The painting does not appear in the New York sale catalogues.
[3] According to Fern Rusk Shapley, Paintings in the Samuel H. Kress Collection: Italian Schools XVI-XVIII Century, London, 1973: 81, and Fern Rusk Shapley, Catalogue of Italian Paintings, 2 vols., Washington, D.C., 1979: 1:439. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1894.
Associated Names
Exhibition History
1922
Mostra della pittura italiana del seicento e del settecento, Palazzo Pitti, Florence, 1922, no. 962.
1994
Art's Lament: Creativity in the Face of Death, Isabella Stewart Gardner Museum, Boston; Bowdoin College Museum of Art, Brunswick, Maine, 1994, no. 6, repro.
1999
Caravaggio's 'The Taking of Christ': Saints and Sinners in Baroque Painting, National Gallery of Art, Washington, D.C., 1999, brochure, no. 4, repro.
2000
Tanzio da Varallo: Realismo fervore e contemplazione in un pittore del Seicento, Palazzo Reale, Milan, 2000, no. 8, repro.
2020
Caravaggio-Bernini. Early Baroque in Rome, Rijksmuseum, Amsterdam, 2020, no. 36.
Bibliography
1938
Kraehling, Victor. Saint Sebastian dans l'art. Paris, 1938: 40.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 190-191, no. 302.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 245, repro. 192.
1943
Longhi, Roberto. "Ultimi studi sul Caravaggio e la sua cerchia." Proporzioni 1 (1943): 53, n. 66.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 134, repro.
1953
Bologna, Ferdinando. "Altre prvoe sul viaggio del Tanzio." Paragone 45 (1953): 43.
1955
Sandoz, Marc. "Ribera et le thème de Saint Sébastian soigné par Irène." In Journées internationales d'études d'art (Cahiers de Bordeaux) 2 (1955): 2:67.
1957
Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 39.
Dell'Acqua, Gian Alberto. "La pittura a Milano dalla metà del XVI secolo al 1630." In Storia di Milano. 17 vols. Milan, 1957: 10:772, 767, repro.
1959
Rosci, Marco. "Two Altar-pieces by Tanzio da Varallo." The Burlington Magazine 101 (1959): 186.
Testori, Giovanni. Tanzio da Varallo. Exh. cat. Palazzo Madama, Turin, 1959: 37, no. 12, fig. 62.
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 224, repro.
1961
Longhi, Roberto. Scritti giovanili. 2 vols. Florence, 1961: 1:511, fig. 259.
1964
Rosci, Marco. Mostra del Cerano. Novara, 1964: 63.
1965
Ruggeri, Ugo. "Un disegno inedito del Tanzio." Arte Lombarda 10/2 (1965): 98.
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 126.
1967
Testori, Giovanni. Manieristi piemontesi e lombardi del '600. Milan, 1967: 32, fig. 25.
Moir, Alfred. The Italian Followers of Caravaggio. 2 vols. Cambridge, Massachusetts, 1967: 1:265; 2:110.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 112, repro.
1973
Pirovano, Carlo. La pittura in Lombardia. Milan, 1973: 150.
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XVI-XVIII Century. London, 1973: 81-82, fig. 146.
1975
Zupnick, Irving. "Saint Sebastian. The Vicissitudes of the Hero as Martyr." In Concepts of the Hero in the Middle Ages and the Renaissance. Edited by Norman T. Burns and Christopher J. Regan. Albany, 1975: 257.
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 336, repro.
1979
Saint Sébastien dans l'histoire de l'art depuis le XVe siècle. Preface by Francois Le Targat. Paris, 1979: 202, 197 repro.
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:438-440, 2:pl. 318.
1983
Szigethi, Agnes. "Early Seicento Paintings from Lombardy and Piedmont in Hungary." Müvészettötéeti értesitö 32 (1983): 47, 50, fig. 5 (in Hungarian with English summary).
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 386, repro.
1986
Oklahoma Treasures: Paintings Drawings and Watercolors from Public and Private Collections. Exh. cat. Oklahoma Art Center, Oklahoma City; The Thomas Gilcrease Institute of American History and Art, Tulsa. Oklahoma City, 1986: 124.
1992
National Gallery of Art. National Gallery of Art, Washington. New York, 1992: 110, repro.
1994
Goldfarb, Hilliard T. Art's Lament. Creativity in the Face of Death. Exh. cat. Isabella Stewart Gardner Museum, Boston, 1994: color repro.
1995
Caravaggio and Tanzio: The Theme of St. John the Baptist. Exh. cat. The Philbrook Museum of Art, Tulsa, Oklahoma; The Nelson-Atkins Museum of Art, Kansas City. Kansas City, 1995: 25-27, fig. 15.
1996
De Grazia, Diane, and Eric Garberson, with Edgar Peters Bowron, Peter M. Lukehart, and Mitchell Merling. Italian Paintings of the Seventeenth and Eighteenth Centuries. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1996: 254-258, color repro. 257.
2004
Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 165, no. 124, color repro.
Wikidata ID
Q20176998