Margarethe Vöhlin [reverse]

1527

Bernhard Strigel

Artist, German, 1460/1461 - 1528

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.
On View

West Building Main Floor, Gallery 35

Artwork overview

  • Medium

    oil on panel

  • Credit Line

    Ralph and Mary Booth Collection

  • Dimensions

    overall (visible surface, greatest height): 43 x 30 cm (16 15/16 x 11 13/16 in.)
    framed: 49.6 x 37 cm (19 1/2 x 14 9/16 in.)

  • Accession

    1947.6.5.b

Associated Artworks

Shown from the waist up, a light-skinned woman sits angled slightly to our right in this vertical portrait painting. The woman has blue eyes, faint brows, and a sloping nose ending in a small bulb. Her upper lip is thin and her lower lip full over a slight double chin. Her blond hair is pulled back under a gold, cap-like headdress and a black, wide-brimmed hat with a shallow crown. She wears a high-necked white, black, and gold dress with intricate detailing, a gold chain necklace that falls to her waist, and a black belt with a gold clasp and medallions. She wears two gold rings set with gems on the pointer finger of her left hand, which is folded across her belly over the other hand. A scarlet-red wallcovering with pink floral designs fills two-thirds of the space behind her. The rightmost third of the background opens onto a landscape with a tall, spindly tree, a leaping animal, presumably a dog, and a bridge across a body of water leading to a town. Across another body of water, perhaps a lake, mountains are marine blue in the distance under a clear, celestial-blue sky.

Margarethe Vöhlin [obverse]

Bernhard Strigel

1527

Artwork history & notes

Provenance

Probably Hans Roth [d. 14 March 1573] and Margarethe Vöhlin [d. 5 July 1582], Memmingen, Augsburg, and Ulm.[1] Manoli Mandelbaum, Berlin; (Julius Böhler, Munich), in January 1922; (Paul Cassirer, Berlin); purchased March 1922 by Ralph Harman [1873-1931] and Mary Batterman [d. 1951] Booth, Detroit;[2] gift 1947 to NGA.
[1] Anton H. Konrad, letter of 5 November 1988 to John Hand, in NGA curatorial files, suggested that the pictures remained in the possession of the Roth family in the Schloss at Reutti (now New-Ulm) until 1890 when bankruptcy forced the dispersal of the collection. Since the Scloss archive is not extant, this proposal remains unverified.
[2] Provenance corroborated by letter of 9 November 1987 from Julius Böhler to John Hand, in NGA curatorial files. See also Böhler inventory card no. 22-149, Getty Research Institute (copy NGA curatorial files).

Associated Names

Exhibition History

1923

  • Ralph H. Booth Loan Collection, Detroit Institute of Arts, 1923, no cat.

1926

  • The Third Loan Exhibition of Old Masters, Detroit Institute of Arts, (Catalogue of a Loan Exhibition from Detroit Private Collections.), 1926, no. 20.

1927

  • The Fifth Loan Exhibition of Old and Modern Masters, Detroit Institute of Arts, 1927, no. 27.

1939

  • Masterpieces of Art. European Paintings and Sculpture from 1300-1800, New York World's Fair, 1939, no. 364, repro.

2011

  • Dürer-Cranach-Holbein. Die Entdeckung des Menschen: Das deutsche Porträt um 1500, Kunsthistorisches Museum, Vienna; Kunsthalle der Hypo-Kulturstiftung, Munich, 2011-2012, no. 167, repro. (shown only in Munich).

Bibliography

1995

  • Löcher, Kurt. Review of German Paintings of the Fifteenth through Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E. Mansfield. Kunstchronik 43 no. 1 (January 1995): 19.

Inscriptions

coat-of-arms center: argent, on a fess sable, three majuscule letters "P" silver; crest: a demi-vol argent, a fess sable charged with three majuscle letters "P" silver; upper right above coat-of-arms: U.3.

Wikidata ID

Q20175912

You may be interested in

Loading Results