The Death of Lucretia

c. 1500/1503

Israhel van Meckenem

Associated Names
Israhel van Meckenem

Artist, German, c. 1445 - 1503

The illustration shows several figures, with three prominent individuals in the foreground and several others in the background. The main figure is a seated woman holding a sword, with only the upper half of her body visible. Her facial features are delicate, and she has ornate, braided hair. She wears a detailed, patterned dress. To her left stands a woman with similar clothing and a crown, and to the left of the standing woman is another woman with a headscarf. In the background, a group of men in armor is gathered, some wearing helmets and holding weapons, while a man in ornate armor appears to be gesturing. Beside them is a small dog. The background features Gothic architectural elements, with tall castle walls visible outside a window. The illustration suggests a medieval or early Renaissance context, with detailed textures in the print.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

  • Medium

    engraving

  • Credit Line

    Rosenwald Collection

  • Dimensions

    sheet (trimmed within plate mark): 27 x 18.6 cm (10 5/8 x 7 5/16 in.)

  • Accession Number

    1943.3.165

  • Catalogue Raisonné

    Lehrs, Vol. 9, p.406, no. 516, State only


Artwork history & notes

Provenance

(Charles Stonehill, London); purchased by Lessing J. Rosenwald [1891-1979], 1938; gift to NGA, 1943.

Associated Names

Exhibition History

1967

  • Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C., NGA, 1967-1968, no. 231, repro.

1970

  • Prints from the Rosenwald Collection, Charleston Art Gallery, Charleston, WV, 1970, no cat.

1990

  • Eva/Ave: Woman in Renaissance and Baroque Prints, NGA, 1990, no. 2, repro.

Bibliography

1908

  • Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederlandischen und franzosischen Kupferstichs im XV. Jahrhundert. 9 vols. and 1 plate vol. Vienna: Gesellschaft fur vervielfaltigende Kunst, 1908-1934.

1949

  • Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. 8 vols. Amsterdam: Menno Hertzberger, 1954-1868. Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700. Vols. I-XV, XVIII, XIX. Amsterdam: Menno Hertzberge

1967

  • Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1967: no. 231.

1990

  • Russell 1990, no. 2.

1996

  • Hults, Linda C. The Print in the Western World. Madison: University of Wisconsin Press, 1996, 62-63, fig.1.47, 65.

1999

  • Wolfthal, Diane. Images of Rape: The "Heroic" Tradition and its Alternatives. Cambridge, 1999: 75, fig. 41.

Inscriptions

lower right, in image, in plate: Israhel V M; below image, in plate: Pro vere Lucretie pudor est decus in muliere / Quo malo convulso fetet pro minime grato (Through Lucretia's example, modesty is woman's ornament / To what end does the wicked ravish for such small gain) [translation from Alan Shestack, "Fifteenth Century Engravings of Northern Europe." Exh. catalogue, Washington, D.C.: National Gallery of Art, 1967, no. 231.]

Watermarks

hand with flower (Lehrs 10)

Wikidata ID

Q64958449

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