291—Picasso-Braque Exhibition

1915

Alfred Stieglitz

Artist, American, 1864 - 1946

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Artwork overview

  • Medium

    platinum print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    image: 18.5 x 23.6 cm (7 5/16 x 9 5/16 in.)
    sheet: 20.1 x 25.3 cm (7 15/16 x 9 15/16 in.)

  • Accession

    1949.3.374

  • Stieglitz Estate Number

    90 A

    Part of Stieglitz Key Set Online Edition

    Learn more
  • Key Set Number

    393

Alfred Stieglitz

Curious for more Alfred Stieglitz scholarship?

Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.


Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Exhibition History

1958

  • Photographs by Alfred Stieglitz, National Gallery of Art, Washington, DC, March 16–April 27, 1958

1983

  • Photographs by Alfred Stieglitz, National Gallery of Art, Washington, DC, February 3–May 8, 1983; Metropolitan Museum of Art, New York, June 17–August 14, 1983; The Art Institute of Chicago, October 18, 1983–January 3, 1984

2001

  • Modern Art and America: Alfred Stieglitz and His New York Galleries, National Gallery of Art, Washington, DC, 2001

2016

  • Intersections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art, National Gallery of Art, Washington, DC, 2016–2017

Bibliography

1958

  • Bry, Doris. Exhibition of Photographs by Alfred Stieglitz. Exh. cat. National Gallery of Art, Washington, 1958: pl. 5.

1973

  • Norman, Dorothy. Alfred Stieglitz: An American Seer. New York, 1973: fig. 55.

1983

  • Greenough, Sarah, and Juan Hamilton. Alfred Stieglitz: Photographs and Writings. Washington, 1983: no. 54, pl. 23.

1994

  • Leavell, Linda. Marianne Moore and the Visual Arts. Baton Rouge and London, 1994: fig. 4.

2000

  • Modern Art and America: Alfred Stieglitz and His New York Galleries. Exh. cat. National Gallery of Art, Washington, 2001: no. 51.

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 1, cat. 393.

2009

  • Grossman, Wendy. Man Ray, African Art and the Modernist Lens. Exh. cat. The Phillips Collection, Washington, 2009.

Inscriptions

by Alfred Stieglitz, on mount, upper left verso, in graphite: 291 — / Picasso–Braque Exhibition / 1915
by Doris Bry, on mount, lower left verso, in graphite: 90 - A

Wikidata ID

Q64034886

Scholarly Remarks and Key Set Data

Outside of his photography, Alfred Stieglitz was famed for introducing modern art to America at his New York gallery, 291. The subject of this photograph is likely a temporary installation that Stieglitz, perhaps with the help of photographer Edward Steichen, put together in 1915, around the time of an exhibition of cubist works by Pablo Picasso and Georges Braque at 291. In the spare, modern gallery space, we see two framed drawings by Picasso and, hanging on the wall between them, a Kota reliquary guardian figure from Gabon. The object on the pedestal is a wasps’ nest attached to a branch. 291’s signature large brass bowl sits on a table in the foreground.

Juxtaposing art and nature, as well as Western and African art, this photograph captures the issues that dominated discussion at 291. Stieglitz highlighted this conceptual dialogue by linking the disparate objects compositionally, with the curvilinear lines in Picasso’s works echoing the outline of the Kota reliquary, the wasps’ nest, and the brass bowl. Rather than merely documenting these objects, Stieglitz appropriated them and transformed them into his own work of art, showcasing with elegance and precision his talents as both photographer and gallerist.

This photograph is part of the Alfred Stieglitz Key Set, the largest, most complete, and most important collection of photographs by Stieglitz in existence. Georgia O’Keeffe gave the Key Set of 1,642 photographs to the National Gallery of Art in 1949 and 1980.


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