Jerome Mellquist and Paul Rosenfeld, Lake George
1931
Artist, American, 1864 - 1946

Artwork overview
-
Medium
gelatin silver print
-
Credit Line
-
Dimensions
sheet (trimmed to image): 18.9 × 23.6 cm (7 7/16 × 9 5/16 in.)
mount: 56 × 44.9 cm (22 1/16 × 17 11/16 in.) -
Accession
1949.3.719
-
Stieglitz Estate Number
39A
Part of Stieglitz Key Set Online Edition
Learn more -
Key Set Number
1404

Alfred Stieglitz
Curious for more Alfred Stieglitz scholarship?
Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.
Artwork history & notes
Provenance
Georgia O'Keeffe; gift to NGA, 1949.
Associated Names
Exhibition History
1995
Alfred Stieglitz at Lake George, Museum of Modern Art, New York, September 14, 1995–January 2, 1996
Bibliography
2002
Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 2, cat. 1404.
Inscriptions
by Georgia O'Keeffe, on mount, lower left verso, in graphite: 39A
Wikidata ID
Q64035581
Scholarly Remarks and Key Set Data
Remarks
The dates for this photograph and Key Set number 1405 are based on the Stieglitz–O’Keeffe correspondence, which indicates that the porch of the Lake George farmhouse was painted in the spring of 1932 (YCAL).
A frequent visitor to Lake George and An American Place, Jerome Mellquist was a critic and author of The Emergence of an American Art (1942), which celebrated the accomplishments of Stieglitz and the artists associated with him.