Dying Poplar and Live Branch—Lake George
1932
Artist, American, 1864 - 1946

Artwork overview
-
Medium
gelatin silver print
-
Credit Line
-
Dimensions
sheet (trimmed to image): 23.7 × 18.5 cm (9 5/16 × 7 5/16 in.)
mount: 56.3 x 45 cm (22 3/16 x 17 11/16 in.) -
Accession
1949.3.728
-
Stieglitz Estate Number
23D
Part of Stieglitz Key Set Online Edition
Learn more -
Key Set Number
1469

Alfred Stieglitz
Curious for more Alfred Stieglitz scholarship?
Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.
Artwork history & notes
Provenance
Georgia O'Keeffe; gift to NGA, 1949.
Associated Names
Exhibition History
1983
Photographs by Alfred Stieglitz, National Gallery of Art, Washington, DC, February 3–May 8, 1983; Metropolitan Museum of Art, New York, June 17–August 14, 1983; The Art Institute of Chicago, October 18, 1983–January 3, 1984
Bibliography
1983
Greenough, Sarah, and Juan Hamilton. Alfred Stieglitz: Photographs and Writings. Washington, 1983: no. 121.
2002
Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 2, cat. 1469.
Inscriptions
by Doris Bry, on mount, lower left verso, in graphite: 23-D
Wikidata ID
Q64035602
Scholarly Remarks and Key Set Data
Stieglitz Collections
A corresponding print was given to the following institution(s) by Alfred Stieglitz during his lifetime, or was received or acquired from the estate:
The Museum of Modern Art, New York, 66.1950
National Museum of Modern Art, Tokyo, Ph-169
San Francisco Museum of Modern Art, 52.1807
Other Collections
A print corresponding with this photograph can also be found in the following collection(s):
The Cleveland Museum of Art, 1935.57 (inscribed: Dying Poplar & Live Branch— / Lake George—1932 / Alfred Stieglitz)
The J. Paul Getty Museum, Los Angeles, 93.XM.25.68
Lifetime Exhibitions
A print from the same negative—perhaps a photograph from the Gallery’s collection—appeared in the following exhibition(s) during Alfred Stieglitz’s lifetime:
1934, Cleveland (no. 60, as Poplar, Lake George, 1932)