The Annunciation
c. 1445/1450
Painter, Marchigian, active c. 1445 - 1484


West Building Main Floor, Gallery 4
Artwork overview
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Medium
tempera on panel
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Credit Line
-
Dimensions
overall: 87.6 x 62.8 cm (34 1/2 x 24 3/4 in.)
framed: 120 x 92.4 x 8.3 cm (47 1/4 x 36 3/8 x 3 1/4 in.) -
Accession
1939.1.218
Artwork history & notes
Provenance
Prince Ferdinando Lorenzo Strozzi [1821-1878], Florence, by 1857/1858.[1] Louis-Charles Timbal [1821-1880], Paris;[2] sold 1872 with his collection to Gustave Dreyfus [1837-1914], Paris; his heirs; sold 1930 with the entire Dreyfus collection to (Duveen Brothers, Inc., London and New York);[3] sold May 1936 to the Samuel H. Kress Foundation, New York;[4] gift 1939 to NGA.
[1] The painting was seen there by Cavalcaselle probably during his stay in Florence in 1857-1858 (see Joseph Archer Crowe and Giovanni Battista Cavalcaselle, A New History of Painting in Italy, from the II to the XVI Century, 3 vols., London, 1864-1866: 1(1864):348; and Donata Levi, Cavalcaselle. Il pioniere della conservazione dell'arte italiana, Turin, 1988: 122-132). Otto Mündler saw the painting at the Palazzo Strozzi in April 1958; see The Travel Diaries of Otto Mündler 1855-1858, ed. Carol Togneri Dowd, Walpole Society 51 (1985): 220, 291. Facing economic difficulties in the late 1870s, the family sold the most valuable pieces in the gallery after the death of Prince Ferdinando Lorenzo (see Beatric Paolozzi Strozzi, "Ferdinando Strozzi. Appunti di storia ottocentesca," in Palazzo Strozzi, metà millennio: 1489-1989, Atti del convegno di studi, Firenze, 3-6 luglio 1989, Rome, 1991: 59, and Wilhelm von Bode, Mein Leben, ed. Thomas W. Gaehtgens and Barbara Paul, 2 vols., Berlin, 1997 [original ed. 1930]: 1:131); NGA 1939.1.218, however, must have been sold during his lifetime. Unfortunately, as Dr. Cristina Gelli informed Miklòs Boskovits, the inventory of the Strozzi collection compiled in 1815 by the notary Domenico Del Podestà and deposited at the Archivio di Stato in Florence is now lost.
[2] The painter and collector Timbal must have acquired the painting sometime before 1872 when, during the siege of Paris, he decided to sell his entire collection to Gustave Dreyfus; see Musées Nationaux. Catalogue de la Collection Timbal, Paris, 1882: 5, and Edward Fowles, Memories of Duveen Brothers, London, 1976: 187.
[3] See Fowles 1976: 187, and Dora Landau, "Notes from Abroad," International Studio 96 (August 1930): 65.
[4] The Duveen Brothers letter confirming the sale of thirteen paintings and one sculpture, including "an oil painting representing 'The Annunciation' by Francesco Pesellino...Attributed by Mr. Bernhard Berenson to 'The Carrand Master'," is dated 18 May 1936; the provenance is given as "Dreyfus Colln." (copy in NGA curatorial files; Box 474 Folder 5, Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles). See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2060.
Associated Names
Exhibition History
1991
Circa 1492: Art in the Age of Exploration, National Gallery of Art, Washington, D.C., 1991-1992, not in cat.
1992
Piero e Urbino, Piero e le Corti rinascimentali, Palazzo Ducale, Urbino, 1992, no. 61, repro.
1994
The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture, Palazzo Grassi, Venice; NGA, Washington, D.C.; Musée des Monuments Français, Paris; Altes Mus., Berlin, 1994-1996, no. 422 of cat. supplement (shown only in Paris).
2004
From Filippo Lippi to Piero della Francesca: Fra Carnavale and the Making of a Renaissance Master, Pinacoteca di Brera, Milan; The Metropolitan Museum of Art, New York, 2004-2005, no. 40, repro.
2005
Il Rinascimento a Urbino. Fra' Carnevale e gli artisti del Palazzo di Federico [The Renaissance in Urbino: Fra Carnevale and the artists of the Palazzo Federico], Galleria Nazionale delle Marche, Urbino, 2005-2006, no. 29, repro.
2006
L'Uomo del Rinascimento: Leon Battista Alberti e le arti a Firenze tra ragione e bellezza, Palazzo Strozzi, Florence, March-July 2006, no. 159, repro.
Loan for display with permanent collection, Galleria Nazionale delle Marche, Urbino, 2006.
2011
Arquitecturas pintadas: del Renacimiento al siglo XVIII, Museo Thyssen-Bornemisza, Madrid, 2011-2012, no. 11, repro.
Bibliography
1864
Crowe, Joseph Archer, and Giovan Battista Cavalcaselle. A New History of Painting in Italy from the Second to the Sixteenth Century. 3 vols. London, 1864-1866: 2(1864):348, as by Filippo Lippi.
1901
Strutt, Edward. Fra Filippo Lippi. London, 1901: 147, as by Filippo Lippi.
1905
Reinach, Salomon. Répertoire de peintures du moyen âge et de la Renaissance (1280-1580). 6 vols. Paris, 1905-1923: 4(1918):60, repro., as School of Filippo Lippi.
1906
Reinach, Salomon. Tableaux inedits ou peu connus tires de collections francaises. Paris, 1906: 25, pl. 17, as School of Filippo Lippi.
1908
Guiffrey, Jean. “La collection de M. Gustave Dreyfus. II. La peinture.” Les Artes, no. 73 (January 1908): 3, 5, repro., as School of Filippo Lippi.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 10(1928):468; 11(1929):300, as School of Filippo Lippi.
1925
Vaudoyer, Jean-Louis. “La collection Gustave Dreyfus.” L’Amour de l’Art 6, no. 7 (1925): 248, 259, 263, as School of Filippo Lippi.
1930
Landau, Dora. "Notes from Abroad." International Studio 96 (1930): 65, as School of Filippo Lippi.
"Duveen Buys Dreyfus Italian Renaissance Art." Art News 28 (12 July 1930): 3.
1933
Venturi, Lionello. Italian Paintings in America. 3 vols. New York and Milan, 1933: 2:pl. 223, as by Pesellino.
1939
Offner, Richard. "The Barberini Panels and Their Painter." In Mediaeval Studies in Memory of A. Kingsley Porter. Cambridge, MA, 1939: 236-246, figs. 30, 33, 34, 36.
Prampolini, Giovanni. L’Annunciazione nei pittori primitivi italiani. Milan, 1939: 64, pl. 58, as by Pesellino.
1940
Richter, George M. "Rehabilitation of Fra Carnevale," Art Quarterly 3 (1940): 313-314, 317, 320, 323, fig. 3.
Swarzenski, Georg. "The Master of the Barberini Panels: Bramante." Bulletin of the Museum of Fine Arts 38, no. 90 (1940): 94.
1941
Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: nos. 56-57, repros.
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 127-128, no. 329.
Frankfurter, Alfred M. "On the Italian Renaissance Painters in the National Gallery: An Editorial." Art News 40, no. 3 (1941): 23.
Valentiner, Wilhelm R. “Expressionism and Abstract Painting.” Art Quarterly 4 (1941): 211, 215.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 246, repro. 151.
1943
Richter, George M. Andrea del Castago. Chicago, 1943: 11-12.
1944
Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 34, repro.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 37, repro.
1948
Zeri, Federico. “A proposito di Ludovico Urbani.” Proporzioni 2 (1948): 170 n. 4.
1949
Pittaluga, Mary. Fra Filippo Lippi. Florence, 1949: 201.
Ragghianti, Carlo. “Studi sulla pittura lombarda del Quattrocento—2.” Critica d’Arte 8 (1949): 299 n. 35.
1953
Zeri, Federico. "Il Maestro dell'Annunciazione Gardner." Bollettino d'Arte 38, no. 2 (1953): 130.
1954
Ferguson, George. Signs and Symbols in Christian Art. New York, 1954: pl. 7.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 61, repro.
1960
Bruschi, Arnaldo. “Bartolomeo Corradini.” In Alberto Maria Ghisalberti, ed. Dizionario biografico degli italiani. 82+ vols. Rome, 1960+: 29(1983):334.
1961
Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 32, color repro. pl. 27.
Meiss, Millard. “Contributions to Two Elusive Masters.” The Burlington Magazine 103, no. 695 (February 1961): 57, 61, 62.
Zeri, Federico. Due dipinti, la filologia e un nome. Turin, 1961: 19-20, 22-24, 27-29, 31, 36-40, 42, 53, 61, 64, 67, pls. III, 8, 14, 16, 27, 49.
1962
Parronchi, Alessandro. “Leon Battista Alberti as a Painter.” The Burlington Magazine 104, no. 712 (July 1962): 286, fig. 14, pl. 1.
“Editorial: The Samuel H. Kress Collection.” The Burlington Magazine 104, no. 712 (1962): 279-280.
1963
Berenson, Bernard. Italian Pictures of the Renaissance. Florentine School. 2 vols. London, 1963: 1:141. 2:pl.695.
1964
Parronchi, Alessandro. Studi su la 'dolce prospettiva'. Milan, 1964: 445, 464, pl. 164a.
Lorgue, Christiane. “F. Zeri: Due dipinti, la filologia e un nome.” L’Information d’histoire de l’art 9 (1964): 90.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 84.
Neumeyer, Alfred. “The Lanckoronski Annunciation in the M. H. de Young Memorial Museum.” Art Quarterly 28 (1965): 13.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 74, repro.
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 3, fig. 1.
1969
Zampetti, Pietro. La pittura marchigiana del Quattrocento da Gentile a Raffaello. Milan, 1969: 84, 87, 88, 90.
1971
Zampetti, Pietro. Giovanni Boccati. Venice, 1971: 19, 202.
1972
Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy. Oxford, 1972: 51.
Alberti, Leon Battista. On Painting and On Sculpture. Ed. and trans. Cecil Grayson. London, 1972: 154.
1974
Parronchi, Alessandro. Paolo Uccello. Bologna, 1974: 223, 224.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 218, repro.
Zeri, Federico. “Primizie di Alvise Vivarini.” Antichità Viva 14 (1975): 73.
1977
Ciardi Dupré, Maria Grazia, ed. L’oreficeria nella Firenze del Quattrocento. Exh. cat. Museo di Santa Maria Novella, Florence, 1977: 286.
1979
Christiansen, Keith. "For Fra Carnevale," Apollo 109, no. 205 (March 1979): 200, 201 n. 7.
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:309-311; 2:pl. 222.
Strauss, Monica J. “The Master of the Barberini Panels: Fra Carnevale.” Ph.D. diss., New York University, Institute of Fine Arts, 1979: 41-56, passim.
1980
Zeri, Federico, and Elizabeth E. Gardner. Italian Paintings: Sienese and Central Italian Schools. A Catalogue of the Collection of the Metropolitan Museum of Art. New York, 1980: 36, 38.
1983
Rowlands, Eliot W. “Filippo Lippi’s Stay in Padua and Its Impact on His Art.” Ph.D. diss., Rutgers University, 1983: 195 n. 361.
Ciardi Dupré Dal Poggetto, Maria Grazia, and Paolo Dal Poggetto, eds. Urbino e le Marche prima e dopo Raffaello. Exh. cat. Palazzo Ducale, Urbino, 1983: 43, 44, 50.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 108, no. 82, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 253, repro.
Mündler, Otto. "The Travel Diaries of Otto Mündler." Ed. Carol Togneri Dowd. Walpole Society 51 (1985): 220, 291.
1987
Petrucci, Francesca. “La pittura a Firenze nel Quattrocento.” In Federico Zeri, ed. La Pittura in Italia: Il Quattrocento. 2 vols. Milan, 1987: 1:283.
Steinberg, Leo. “How Shall this Be? Reflections on Filippo Lippi’s Annunciation in London.” Artibus et Historiae 8, no. 16 (1987): 42 n. 5.
1988
Zampetti, Pietro. Pittura nelle Marche. Florence, 1988: 394, pls. 185, 186.
Dal Poggetto, Paolo, ed. Capolavori per Urbino: nove dipinti già di collezione Cini, ceramiche roveresche e altri acquisti dello Stato (1983-1988). Catalogo. Exh. cat. Palazzo Ducale, Urbino, 1988: 64.
1990
Roberts, Perri Lee. “Lost and Found: The San Niccolò Annunciation Reonsidered.” Southeastern College Art Conference Review 11 (1990): 373.
Bellosi, Luciano. “Fra Carnevale.” In Luciano Bellosi, ed. Pittura di luce. Giovanni di Francesco e l’arte fiorentina di metà Quattrocento. Exh. cat. Casa Buonarroti, Florence, 1990: 135.
1991
Gingold, Diane J., and Elizabeth A.C. Weil. The Corporate Patron. New York, 1991: 196-197, color repro.
Manca, Joseph. “Mary Versus the Open Door: Moral Antithesis in Images of the Annunciation.” Source 10 (1991): 1.
1992
Dal Poggetto, Paolo. “Il ‘Maestro delle tavole Barberini’: Chi era costui?”. In Paolo Dal Poggetto, ed. Piero e Urbino, Piero e le corti rinascimentali. Exh. cat. Palazzo Ducale, Urbino, 1992: 301.
1993
Ruda, Jeffrey. Fra Filippo Lippi: Life and Work with a Complete Catalogue. London, 1993: 412, 426, repro.
Gagliardi, Jacques. La conquête de la peinture: L’Europe des ateliers du XIIIe au XVe siècle. Paris, 1993: 514-515, fig. 633.
1994
Kanter, Laurence. Italian Paintings in the Museum of Fine Arts, Boston. I. 13th-15th Century. Boston, 1994: 213.
Valeri, Stefano. “Quattrocento pittorico marchigiano.” In Anna Cavallari, Sergio Rossi, and Stefano Valeri, eds. Quattrocento in pittura nell’Italia centrale. Rome, 1994: 74, fig. 17.
De Marchi, Andrea. “Pedanterie pierfrancescane.” Prospettiva 72 (1994): 90-91.
1996
Christiansen, Keith. "Master of the Barberini Panels." In Janr Turner, ed. The Dictionary of Art. 34 vols. New York and London, 1996: 20:623.
Bruschi, Arnaldo. “Urbino. Archiettura, pittura e il problema di Piero ‘architetto’.” In Città e corte nell’Italia di Piero della Francesca. Atti del convegno internazionale di studi, Urbino, 4-7 ottobre 1992. Venice, 1996: 227, fig. 10.
1997
Shaw-Eagle, Joanna. "Christ's Birth Gave Birth to Astounding Images: Gallery Glitters with holy Masterpieces." Washington Times (December 21, 1997): D5.
Weaver, S. Elizabeth. "Donatello's Variations on a Theme: Subjectivity in Quattrocento Perspective." Ph.D. diss., University of Virginia, 1997: 202, 294 fig. 4.15.
Borsi, Stefano. Bramante e Urbino: Il problema della formazione. Rome, 1997: 38, 39, repro.
1998
Gersch-Nešic, Beth. “Pregnancy." In Helene E. Roberts, ed. Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art. 2 vols. Chicago, 1998: 2:753.
1999
Arasse, Daniel. L’Annonciation italienne: Une histoire de perspective. Paris, 1999: 224-226, repro.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 182-186, color repro.
2004
Ciardi Dupré Dal Poggetto, Maria Grazia. “Spunti e riflessioni su fra’ Bartolomeo Corradini soprannominato fra’ Carnevale.” In Bonita Cleri, ed. Bartolomeo Corradini (Fra’ Carnevale) nella cultura urbinate del XV secolo. Atti del Convegno, Urbino, Chiesa di San Cassiano - Castelcavallino, 11/12 ottobre 2002. Urbino, 2004: 103, 113, fig. 5.
Ruda, Jeffrey. “Un ‘maestro’ ed alcuni suoi ‘discepoli’: la pratica ed il significato di imitazione artistica nella metà del Quatrocento.” In Bonita Cleri, ed. Bartolomeo Corradini (Fra’ Carnevale) nella cultura urbinate del XV secolo. Atti del Convegno, Urbino, Chiesa di San Cassiano - Castelcavallino, 11/12 ottobre 2002. Urbino, 2004: 155-156, 160.
Benazzi, Giordana. “Le Storie della Vergina di fra’ Filippo nel Duomo di Spoleto e un possibile lippismo tra Umbria e Marche.” In Bonita Cleri, ed. Bartolomeo Corradini (Fra’ Carnevale) nella cultura urbinate del XV secolo. Atti del Convegno, Urbino, Chiesa di San Cassiano - Castelvacallino, 11/12 ottobre 2002. Urbino, 2004: 188.
Tambini, Anna. “Due polittici a confronto: un contributo per Fra Carnevale.” In Bonita Cleri, ed. Bartolomeo Corradini (Fra’ Carnevale) nella cultura urbinate del XV secolo. Atti del Convegno, Urbino, Chiesa di San Cassiano - Castelvacallino, 11/12 ottobre 2002. Urbino, 2004: 298, 306, 310.
2007
Lugli, Emanuele. "Connoisseurship as a system: reflections on Federico Zeri’s Due dipinti, la filologia e un nome." Word & Image 24, no. 2 (2007): 164, 165, 169, fig. 3.
2010
Rowley, Neville. “Pittura di luce: La manière claire dans la peinture du Quattrocento.” Ph.D. Diss., Université Paris-Sorbonne, 2010: 64, 57, 191 n. 749, fig. 4.
2014
Buffi, Leonardo. Bartolomeo Corradini. L’amico frate di Federico da Montefeltro. Fano, 2014: fig. 2.8.
2017
Serres, Karen. "Duveen's Italian framemaker, Ferruccio Vannoni." The Burlington Magazine 159, no. 1370 (May 2017): 373 n. 40.
Valeri, Stefano. Quattrocento pittorico centroitaliano. Fra Carnevale, tre camerinesi e un Piero della Francesca. Rome, 2017: 24, 26, 27, 39, 102, 105-106, fig. 5.
2018
Bietti, Monica. "Filippo Lippi, i Martelli e l'Annunciazione per la basilica di San Lorenzo a Firenze." In Monica Bietti, ed. Intorno all'Annunciazione Martelli di Filippo Lippi: Riflessioni dopo il restauro. Florence, 2018: 62, fig. 47.
Rowley, Neville. "Una pittura di luce." In Monica Bietti, ed. Intorno all'Annunciazione Martelli di Filippo Lippi: Riflessioni dopo il restauro. Florence, 2018: 156.
Wikidata ID
Q20173622