From the Shelton, New York, Looking East

1926/1927

Alfred Stieglitz

Artist, American, 1864 - 1946

Media Options

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Artwork overview

  • Medium

    gelatin silver print

  • Credit Line

    Alfred Stieglitz Collection

  • Dimensions

    sheet (trimmed to image): 9 x 11.7 cm (3 9/16 x 4 5/8 in.)
    mount: 27 x 33 cm (10 5/8 x 13 in.)

  • Accession

    1949.3.1267

  • Stieglitz Estate Number

    131D

    Part of Stieglitz Key Set Online Edition

    Learn more
  • Key Set Number

    1179

Alfred Stieglitz

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Discover over 1,000 artworks that the artist’s wife Georgia O’Keeffe termed his “Key Set” of prize photographs. Museum scholars have illuminated each work, his career, practices, and lifetime achievements.


Artwork history & notes

Provenance

Georgia O'Keeffe; gift to NGA, 1949.

Associated Names

Exhibition History

2016

  • Georgia O'Keeffe, Tate Modern, London, July 6–October 30, 2016; Bank Austria Kunstforum, Vienna, December 7, 2016–March 26, 2017; Art Gallery of Ontario, Toronto, April 22–July 30, 2017

Bibliography

1991

  • Peters, Sarah Whitaker. Becoming O'Keeffe: The Early Years. New York, 1991: pl. 150.

2002

  • Greenough, Sarah. Alfred Stieglitz: The Key Set: The Alfred Stieglitz Collection of Photographs. Washington, 2002: vol. 2, cat. 1179.

Inscriptions

by later hand, on mount, lower left verso, in graphite: 131D

Wikidata ID

Q64036841

Scholarly Remarks and Key Set Data

Remarks

In November 1925 Stieglitz and O’Keeffe moved from an apartment on East 58th Street to the thirtieth floor of the newly constructed Shelton Hotel on Lexington Avenue, between 48th and 49th Streets. The atmospheric qualities of this print distinguish it from Stieglitz’s later studies of the city, and suggest that it was one of his first photographs taken from the Shelton. The title is based on Stieglitz’s inscriptions on Key Set numbers 1181 and 1187.

O’Keeffe made two paintings of this same view, River, New York, 1928, and East River from the 30th Story of the Shelton Hotel, 1928 (Lynes 619 and 620).


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