Giovanni Emo

c. 1475/1480

Giovanni Bellini

Painter, Venetian, c. 1430/1435 - 1516

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting. With his shoulders pulled back, the man’s body is angled to our left, and he looks in that direction with gray eyes under pointed, furrowed eyebrows. There are wrinkles around his eyes and mouth, and he has a five o-clock shadow along the jowls lining his jaw. He has a rounded nose, and the corners of his thin, pale pink lips turn downward. The hint of closely cropped, dark hair is seen around his ear under his tall, brimless, cobalt-blue cap. His cloak has a stylized floral pattern around pineapples in gold, against a dusky-rose pink background. The high neck of his cloak is lined with white.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.
On View

West Building Main Floor, Gallery 12


Artwork overview

  • Medium

    oil on panel transferred to canvas mounted on panel

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    painted surface: 46.9 x 32.6 cm (18 7/16 x 12 13/16 in.)
    overall size: 48.9 x 34.6 cm (19 1/4 x 13 5/8 in.)
    framed: 67.3 x 54 x 6.7 cm (26 1/2 x 21 1/4 x 2 5/8 in.)

  • Accession

    1939.1.224


Artwork history & notes

Provenance

Dr. Pellegrini, Venice; sold 1786 to Sir Abraham Hume [1749-1838], Wormley Bury, Hertfordshire;[1] by inheritance to his grandson, John Hume Cust, 2nd viscount Alford [1812-1851], Ashridge Park, Berkhamsted, Hertfordshire, and Belton House, Grantham, Lincolnshire [painting at Ashridge Park];[2] by inheritance to his son, John William Spencer Brownlow Egerton-Cust, 2nd earl Brownlow [1842-1867], Ashridge Park; by inheritance to his brother, Adelbert Wellington Brownlow Cust, 3rd earl Brownlow [1844-1921], Ashridge Park; his estate; (Brownlow sale, Christie, Manson & Woods, London, 4 and 7 May 1923, 1st day, no. 12); purchased by Vickers for (Duveen Brothers, Inc., London and New York); sold May 1936 to the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA.
[1] A Descriptive Catalogue of a Collection of Pictures...Belonging to [Sir Abraham Hume], London, 1824: no. 2, as The Portrait of Bartolomeo Cogliani or Coleoni.
[2] On 24 July 1810, John Cust, 1st viscount Alford, 2nd baron and 1st earl Brownlow [1779-1853], married Sophia, the second daughter and co-heir of Sir Abraham Hume; she died in 1814 and was the first of his three wives. Their first child was John Hume Cust, who died two years before his father and so never succeeded to the earldom. (See The Dictionary of National Biography 10: 208-209, and Burke's Genealogical and Heraldic History of the Peerage, Baronetage & Knightage, 1956: 302-303.)
[3] The Duveen Brothers letter confirming the sale of thirteen paintings and one sculpture, including NGA 1939.1.224, is dated 18 May 1936; the provenance is given as "Coll'n. of late Third Earl Brownlow" (copy in NGA curatorial files; Box 474, Folder 5, Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles). See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/931.

Associated Names

Exhibition History

1912

  • Early Venetian Pictures and Other Works of Art, Burlington Fine Arts Club, London, 1912, no. 27 (no. 68, pl. XLVIII in illustrated catalogue), as Portrait of a Man.

1927

  • Fifth Loan Exhibition of Old and Modern Masters, Detroit Institute of Arts, 1927, no. 3, as Portrait of the Condottiere Bartolommeo Colleoni.

1933

  • Sixteenth Loan Exhibition of Old Masters. Italian Paintings of the XIV to XVI Century, Detroit Institute of Arts, 1933, no. 95, repro., as Portrait of Bartolommeo Colleoni.

1935

  • Fifteenth Century Portraits, M. Knoedler and Company, New York, 1935, no. 8, repro., as Portrait of Bartolommeo Colleoni.

1938

  • Venetian Paintings of the 15th & 16th Centuries, M. Knoedler and Company, New York, 1938, no. 3, repro., as Portrait of Condottiere Bartolommeo Colleoni.

1940

  • Italian Renaissance Portraits, M. Knoedler and Company, New York, 1940, no. 5, repro., as Bartolommeo Colleoni.

Bibliography

1941

  • Duveen Brothers. Duveen Pictures in Public Collections of America. New York, 1941: no. 87, repro., as Portrait of Bartolommeo Colleoni [Presumed].

  • Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 20-21, no. 335, pl. II, as Portrait of a Condottiere.

1942

  • Book of Illustrations. National Gallery of Art, Washington, 1942: 246, repro. 69, as Portrait of a Condottiere.

1944

  • Cairns, Huntington, and John Walker, eds. Masterpieces of Painting from the National Gallery of Art. New York, 1944: 60, color repro., as Portrait of a Condottiere.

  • Frankfurter, Alfred M. The Kress Collection in the National Gallery. New York, 1944: 46, repro., as Portrait of a Condottiere.

1945

  • Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 91, repro., as Portrait of a Condottiere.

1951

  • Einstein, Lewis. Looking at Italian Pictures in the National Gallery of Art. Washington, 1951: 74-78, repro., as Portrait of a Condottiere.

1959

  • Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 140, repro., as Portrait of a Condottiere.

  • Shapley, Fern Rusk. Early Italian Painting in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Three in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 40, color repro., as Portrait of a Condottiere.

1963

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 92, repro., as Portrait of a Condottiere.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 11, as Portrait of a Condottiere.

1966

  • Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 1:152, color repro., as Portrait of a Condottiere.

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 4, repro., as Portrait of a Condottiere.

  • Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 40-41, fig. 95.

1972

  • Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 23, 645.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 20, repro., as Portrait of a Condottiere.

1979

  • Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:36-38; 2:pl. 24, as Portrait of a Condottiere.

1980

  • Schulz, Anne Markham. "A Portrait of Giovanni Emo in the National Gallery of Art." Studies in the History of Art 9 (1980): 7-11, fig. 1, 2.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 110, no. 84, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 40, repro.

2003

  • Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 75-79, color repro.

2008

  • Lucco, Mauro, and Giovanni Carlo Federico Villa, eds. Giovanni Bellini. Exh. cat. Scuderie del Quirinale, Rome, 2008: 35, 82 fig. 7.

2013

  • Walmsley, Elizabeth. "Italian Renaissance Paintings Restored in Paris by Duveen Brothers, Inc., c. 1927-1929." Facture: conservation, science, art history 1 (2013): 58-77, fig. 13.

2019

  • Lucco, Mauro, Peter Humfrey, and Giovanni C.F. Villa. Giovanni Bellini: Catalogo ragionato. Treviso, 2019: 517-519, cat. 148.

Wikidata ID

Q3937676


You may be interested in

Loading Results