Putti with a Wine Press
c. 1500
Painter, Florentine, 1474 - 1515


West Building Main Floor, Gallery 27
Artwork overview
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Medium
oil on panel
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Credit Line
-
Dimensions
overall (diameter): 33.3 × 32.8 × 0.3 cm (13 1/8 × 12 15/16 × 1/8 in.)
framed (diameter): 52.23 × 9.84 cm (20 9/16 × 3 7/8 in.) -
Accession
1952.5.72
Artwork history & notes
Provenance
Prof. Pietro Toesca; sold c. 1933 to (Count Alessandro Contini Bonacossi, Florence and Rome);[1] sold 1948 to the Samuel H. Kress Foundation, New York;[2] gift 1952 to NGA.
[1] According to Kress records in NGA curatorial files.
[2] The Kress Foundation made an offer to Contini Bonacossi on 7 June 1948 for a group of twenty-eight paintings, including The Vintage - Invention of Wine by Raphael; the offer was accepted on 11 July 1948 (see copies of correspondence in NGA curatorial files, see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/1746).
Associated Names
Exhibition History
1997
Pietro Perugino: Master of the Italian Renaissance, The Grand Rapids Art Museum, 1997-1998, no. 16, repro.
2013
Dionysus. Intoxication and Ecstasy, Bucerius Kunst Forum, Hamburg; Staatliche Kunstsammlungen Dresden, 2013-2014, no. 34, repro.
Bibliography
1956
Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1951-56. Introduction by John Walker, text by William E. Suida and Fern Rusk Shapley. National Gallery of Art. Washington, 1956: 146, no. 57, repro., as Circle of Raphael.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 99, repro., as Circle of Raphael.
Camesasca, Ettore. Tutta la pittura del Perugino. Milan, 1959: 168, as Florentine circle of Raphael.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 108, as Circle of Raphael.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 95, repro., as Circle of Raphael.
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century. London, 1968: 106, fig. 259, as Circle of Raphael
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:333, as by Perugino, Vintaging Putti.
1969
Camesasca, Ettore. L’opera completa del Perugino. Milan, 1969: 123, cat. 281, as Closer to Raphael than to Perugino.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 161, as Follower of Perugino.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 282, repro., as Circle of Raphael.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:397-398; 2:pl. 282, as Circle of Raphael.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 173, no. 195, color repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 327, repro.
1989
Todini, Filippo. La pittura umbra dal Duecento al primo Cinquecento. 2 vols. Milan, 1989: 1:279, as by an Umbrian Follower of Perugino.
1999
Southgate, M. Therese. “The Cover.” JAMA: The Journal of the American Medical Association 282, no. 20 (24 November 1999): 1895, repro.
2019
Padovani, Serena. “Fra Bartolomeo e Mariotto. Conferme e proposte.” In Alessio Assonitis, Luciano Cinelli and Marilena Tamassia, eds. Fra Bartolomeo 1517. Florence 2019: 82-85, figs. 8, 9b, 10b, 11a, as by Mariotto Albertinelli.
Wikidata ID
Q20174815