The Railway

1873

Edouard Manet

Associated Names
Edouard Manet

Artist, French, 1832 - 1883

To our left, a young woman sits facing us on a low stone wall at the base of the vertical, black bars of an iron fence and a young girl stands facing away from us to our right in this horizontal painting. Both have pale skin. The woman looks directly at us with dark eyes as she holds an open book, a closed red fan, and a sleeping brown and white puppy in her lap. Her long auburn hair falls down over her shoulders. Her navy-blue dress is accented with white piping on the skirt, collar, and sleeves, and has three large, white buttons down the front and her black hat is adorned with two red poppies and a daisy. The girl wears a sleeveless white, knee-length dress belted with a marine-blue sash tied in a large bow at her back. The girl’s blond hair is pulled up and tied with a black ribbon. She raises her left hand to grasp the bar of the fence she faces. A bunch of green grapes lies on the low wall to our right. A plume of steam fills much of the space beyond the black fence, which spans the width of the painting and extends off the top edge. A few details can be made out beyond the fence, including a stone-gray building with two wooden doors to our left and a bridge along the right edge.

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Edouard Manet offers an intriguing study in contrasts and ambiguity in The Railway, starting with the relationship between the two figures. Are they mother and daughter? A nanny with a child? The girl gazes through the iron fence, where steam billows up from the tracks below. Wearing a white dress with an enormous blue bow, she is the visual opposite of the seated woman, who wears a blue ensemble with white trim topped by a fashionable black hat. The girl’s locks are held up by a thin black ribbon, while the other figure’s long hair is down. The child keeps her back to us; the woman looks us in the eye.

On View

West Building Main Floor, Gallery M89

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Artwork history & notes

Provenance

From the artist to Jean-Baptiste Faure [1830-1914], Paris; sold c. 1881 to (Durand-Ruel et Cie, Paris and New York); sold 1898 to Henry Osborne Havemeyer [1847-1907] and his wife, née Louisine Waldron Elder [1865-1929], New York; by inheritance to their son, Horace Havemeyer [1886-1956], New York; bequest 1956 to NGA.

Associated Names

Exhibition History

1874

  • Salon of 1874, Paris, no. 1260.

1883

  • Berlin, 1883.

1884

  • Exposition des Oeuvres de Edouard Manet, Ecole Nationale des Beaux-Arts, Paris, 1884, no. 68, as Le chemin de fer.

1895

  • Exposition of Paintings by Edouard Manet, Durand-Ruel Galleries, New York, 1895, no. 25.

1913

  • Loan Exhibition: paintings by Edouard Manet, Durand-Ruel Galleries, New York, 26 November - 13 December 1913, no. 12 as Gare St. Lazare.

1933

  • A Century of Progress Exhibition of Paintings and Sculpture, The Art Institute of Chicago, 1933, no. 333, repro.

1935

  • Independent Painters of Nineteenth Century Paris, Museum of Fine Arts, Paris, 1935, no. 29, repro.

1936

  • The Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition, Cleveland Museum of Art, 1936, no. 288, repro.

  • A Survey of French Painting, Carnegie Institute, Pittsburgh, 1936, no. 6, repro.

1938

  • The Precursors of Modern Art, Rochester Memorial Art Gallery, 1938, no. 16, repro.

1940

  • An Exhibition of Great Paintings in Aid of the Canadian Red Cross and of Small Pictures by Members of the Ontario Society of Artists, Art Gallery of Toronto, 1940, no. 95.

  • Exhibition of Paintings for the Benefit of The American Friends of France: The Four Great Impressionists: Cezanne, Degas, Renoir, Manet, Durand-Ruel Galleries, New York, 1940, no. 15, repro.

  • Masterpieces of Art. European & American Paintings 1500-1900, New York World's Fair, May-October 1940, no. 280, repro.

1951

  • Diamond Jubilee Exhibition, Philadelphia Museum of Art, 1951, no. 67, repro.

1982

  • Manet and Modern Paris, National Gallery of Art, Washington, D.C., 1982-1983, no. 10, repro.

1983

  • Manet, Grand Palais, Paris; The Metropolitan Museum of Art, New York, 1983, no. 133, repro.

1986

  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, Washington, State Hermitage Museum, Leningrad; State Pushkin Museum of Fine Arts, Moscow, 1986, no. 14, repro.

1991

  • Loan for display with permanent collection, Museu Nacional de Arte Antiga, Lisbon, 1991.

1993

  • Splendid Legacy: The Havemeyer Collection, The Metropolitan Museum of Art, New York, 1993, no. 356, pl. 29.

1994

  • Paris in 1874: The Year of Impressionism, National Museum of Western Art, Tokyo, 1994, no. 78, repro., as Le Chemin de fer.

1998

  • Manet, Monet, and the Gare Saint-Lazare, Musée d'Orsay, Paris; National Gallery of Art, Washington, D.C., 1998, no. 21, fig. 1.

2003

  • Manet en el Prado, Museo Nacional del Prado, Madrid, 2003-2004, no. 91, repro.

2008

  • The Railway: Art in the Age of Steam, Walker Art Gallery, Liverpool; The Nelson-Atkins Museum of Art, Kansas City, 2008-2009, no. 57, repro.

2010

  • Bilder einer Metropole: Die Impressionisten in Paris [Images of a Capital - The Impressionists in Paris], Museum Folkwang, Essen, 2010-2011, no. 44, repro.

2011

  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 27, repro.

2012

  • Manet: Portraying Life, Toledo (Ohio) Museum of Art; Royal Academy of Arts, London, 2012-2013, no. 53, repro.

  • Impressionism, Fashion, and Modernity, Musée d'Orsay, Paris; The Metropolitan Museum of Art, New York; Art Institute of Chicago, 2012-2013, no. 82, repro. (shown only in Chicago).

2014

  • Loan to display with permanent collection, Norton Simon Museum, Pasadena, 2014-2015.

Bibliography

1874

  • Journal Amusant no. 927 (6 June 1874):

  • L'Illustration 63 (23 May 1874): 341

1876

  • Claretie, Jules. L'Art et les artistes française contemporains. Paris, 1876: 259-260

1883

  • "Mistaken Impressions." Punch (May 1883): 208.

1884

  • Bazire, Edmond. Manet. Paris, 1884: 84

  • Péladan, Joséphin. _Le procédé de Manet." L'Artiste I (1884):115.

  • Péladan. "Le Procédé de Manet." L'Artiste I (February 1884): 115

  • Gonse, Louis. "Manet." Gazette des Beaux-Arts 2e period (February 1884): 146.

1892

  • Castagnary. Salons (1857-1879). 2 vols. Paris, 1892: 118.

1897

  • Proust, Antonin. "Edouard Manet. Souvenirs." La Revue blanche (February- May 1897): 179

1902

  • Duret, Theodore. Histoire d'Édouard Manet et de son oeuvre. Paris, 1902:no. 152, repro.

1908

  • Duret, Theordore. "Edouard Manet et les impressionnistes." In Histoire du paysage en France. Paris, 1908: 308-309.

  • Masters in Art: Edouard Manet. Boston, 1908: 27, 40-41, repro.

  • Duret, Theodore. "Eduoard Manet et les impressionistes." In_Histoire de paysage en France_. Benoit, Françoi, et.. al. Paris, 1908: 308-309.

1910

  • Duret, Théodore. Manet and the French Impressionists. Translated by J.E. Crawford Flitch. London and Philadelphia, 1910: 69-70, 76, 233, no. 152.

1912

  • Hourticq, Louis, Jean Laran and Georges Le Bas. French Artists of Our Day: Edouard Manet. Philadelphia, 1912: 65-66, repro.

1913

  • Proust, Antonin. Edouard Manet. Paris, 1913: 73, repro.

1919

  • Duret, Theodore. Historie de Edouard Manet et de son oeuvre. Paris, 1919: 112-115, 136-138, 141-142, 167, 256.

1923

  • Waldmann, Emil. Edouard Manet. Berlin, 1923: 78, repro.

1925

  • Blanche, Jacques-Emile. Manet. New York, 1925: 30, 46-52.

1926

  • Moreau-Nélaton, Etienne. Manet reconté par lui-même. 2 vols. Paris, 1926: II:11-13, 36-37, 114.

1927

  • Jamot, Paul. "Manet, 'Le fifre' et Victorine Meurend." La Revue de l'art ancien et moderne LI, no. 282 (January 1927): 36

1930

  • Tabarant, A. "Les Manet de la Collection Havemeyers." (La Renaissance_ (Feruary 1930_: 72, repro.

1932

  • Jamot, Paul, and Georges Wildenstein. Manet. 2 vols. Paris, 1932: 1:37, 91-93, 121, 146-147, no. 231.

  • Colin, Paul. Edouard Manet. Paris, 1932: 40-41, 74, repro.

  • Huyghe, Rene. "Manet, peintre." L'Amour de l'art 13, no. 5 (May 1932): 184.

1933

  • Rich, Daniel Catton. "The Exhibition of French Art "Art Institute" of Chicago." Formes 33 (1933): 382

  • Century of Progress International Exposition (1933-1934 Chicago). The Official Guide Book of the Fair, Chicago, 1933: 111, repro.

  • Bulliet, C.J. Art Masterpieces of a Century of Progress, Fine Arts Exhibition at the Art Institute of Chicago. 2 vols. Chicago, 1933: no. 115, repro.

1937

  • Lewisohn, Samuel. Painters and Personality: A Collector's View of Modern Art. New York, 1937:238, repro.

1940

  • Frankfurter, Alfred M. "The Four Great Impressionists." Art News XXXVIII, no. 25 (23 March 1940): 6-7, 17, repro.

1941

  • Jedlicka, Gotthard. Edouard Manet. Zurich, 1941: 299

1945

  • Malarme, Stephen. "Le jury de peinture pour 1874 et Manet." In L'oeuvres completes. Paris, 1945: 695+

1946

  • Rewald, John. The History of Impressionism. New York, 1946: 263, repro.

1947

  • Florisoone, Michel. Manet. Monoco, 1947: xiv, xvi, 115, 120, repro.

  • Tabarant, A. Manet et ses oeuvres. Paris, 1947: 221-2, 244-5, 317, 491

1948

  • Lewisohn, Sam. Painters and Personality: A Collector's View of Modern Art. New york, 1948: 238, repro.

  • Bex, Maurice. Manet. Columbia series. New York, 1948: repro

1949

  • Blanche, Jacques-Emile. La Pêche aux souvenirs. Paris, 1949:142-143.

1954

  • Hamilton, George Heard. Manet and His Critics. New Haven, 1954: 162, 176, 178-182, 187, 195, 208, 211, 265, repro.

  • Chan, Georges. "Les peintres impressionnistes et le chemin de fer." La Vie du rail no. 476 (1954):19+, repro.

1955

  • Bataille, Georges. Manet. Translated by Austryn Wainhouse and James Emmons. Lausanne, 1955: 12.

  • Vaudoyer, J.-L. É. Manet. Paris, 1955, no. 36, repro.

1956

  • Frankfurter, Alfred. "Fifty-five years of U.S. Museums." Art News 56, no. 4 (Summer 1956): 50-51, repro.

1957

  • Comstock, Helen. "A Great Manet for the National Gallery." The Coinnoisseur 139, no. 561 (May 1957): 202-203, repro.

1958

  • Richardson, John. Edouard Manet: paintings and drawings. London, 1958: no. 43, repro.

1959

  • Evans, Grose. French Painting of the 19th Century in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Two in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 26, color repro.

  • Frankfurter, Alfred M. "Midas on Parnassus." Art News Annual XXVIII (1959): 38, repro.

1961

  • Havemeyer, Louisine W. Sixteen to Sixty: Memoires of a Collector. New York, 1961:220, 236-240.

1962

  • Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art. New York, 1962: 158, color repro.

1963

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 256, repro.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 81.

1966

  • Michener, James A. “Four Miracles—And A Masterpiece.” Reader’s Digest 89 (November 1966): 160, repro.

  • Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:426, color repro.

  • Gimpel, René. Diary of an Art Dealer. Translated by John Rosenberg. New York, 1966: 121.

  • Hamilton, George Heard. "Is Manet Still Modern?" Art News Annual XXXI (1966): 120-121, 160, 162, repro.

1968

  • Liebman, Kurt. Edouard Manet. Dresden, 1968: 67, repro.

  • Schneider, Pierre. The World of Manet, 1832-1883. New York, 1968: 132-133, 136, 140, repro.

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 71, repro.

  • Gandolfo, Giampaolo et al. National Gallery of Art, Washington. Great Museums of the World. New York, 1968: 15, 80-81, color repro.

  • Berhaut, Marie. Caillbotte l'Impressioniste. Lausanne, 1968:34-35

1969

  • Jaffé, Ludwig G. The World of Impressionism. Maplewood, N.J., 1969: 39, repro.

1970

  • Orienti, Sandra and Denis Rouart. Edouard Manet. Paris, 1970: no. 181, repro.

  • Orienti, Sandra. The Complete Paintings of Manet. London, 1970: no. 180, repro.

1971

  • Nochlin, Linda. Realism. Baltimore, 1971: 162, 264, repro.

1972

  • Hanson, Anne Coffin. "Popular Imagery and the Work of Edouard Manet" in French Nineteenth Century Paintings and Literature, Ulrich Finke, ed. New York, 1972:135-138

  • Bazin, Germain. Edouard Manet. Milan, 1972: 9, 42

1973

  • Fischel, Lilli. "Von der Bildform der französischen Impressionisten." Jahrbuch der Berliner Museen 15 (1973):94.

  • Rewald, John. The History of Impressionism. New York, 1973: 326-7, 482, repro.

1974

  • Callen, Anthea. "Faure and Manet." Gazette des Beaux-Arts 83 (March 1974): 157-178.

1975

  • Lipton, Eunice. "Manet: A Radicalized Female Imagery." Artforum XIII, no. 1 (March 1975):20, 52, repro.

  • Rouart, Denis and Daniel Wildenstein. Edouard Manet: catalogue raisonné. 2 vols. Lausanne, Paris, 1975: I: 6, 176-177, no. 207, repro.

  • Mauner, George. Manet: Peintre-Philosophe. University Park and London, 1975: 159

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 210, repro.

  • Weisberg, Gabriel P. "Aspects of Japanisme." Bulletin of the Cleveland Museum of Art 62 (April 1975):126-128, repro.

1976

  • Dorival, Bernard. "Ukiyo-e and European Painting." in Dialogue in Art: Japan and the West. ed. Chisaburo F. Yanada. Tokyo and New York, 1976: 36, repro.

  • Bellony-Rewald, Alice. The Lost World of the Impressionists. London, 1976:188, 191, 193, repro.

  • Richardson, John. Manet. Oxford, 1976:plate. 27

1977

  • Hanson, Anne Coffin. Manet and the Modern Tradition. New Haven and London, 1977:77,190, repro. 120

1978

  • Cogniat, Raymond and Antoine Terrasse. Le impressionistes. Geneva, 1978: 127-128, repro.

1979

  • Walter, Rudolphe. "Saint Lazare l'impressioniste." L'Oeil 292 (November 1979): 48-55, repro.

  • Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 110, pl. 96.

1980

  • Kelder, Diane. The Great Book of French Impressionism. New York, 1980: 79, 127, 102, repro.

1981

  • Farwell, Beatrice. "Manet and the Nude: A Study in Iconography in the Second Empire." Ph.D. dissertation, University of California, Los Angeles, 1973. New York, 1981: 160-163, repro.

1982

  • Isaacson, Joel. "Impressionism and Journalistic Illustration." Arts Magazine 56, no. 10 (June 1982): 107, repro.

  • Weitzenhoffer, Frances. "The Creation of the Havemeyer Collection, 1875-1900." Ph.D. dissertation, The City University of New York, 1982: 296-297, no. 107.

  • Tucker, Paul Hayes. Monet at Argenteuil. New Haven, 1982: 149, repro.

1983

  • Feaver, William. "What Makes Manet Modern?" Art News (December 1983) :55ff, repro.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 454, no. 658, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 243, repro.

1986

  • Gay, Peter. Art and Act: On Causes in History - Manet, Gropius, Mondrian. New York, 1986:104-110, repro.

  • Weitzenhoffer, Frances. The Havemeyers: Impressionism Comes to America. New York, 1986:102, 129, 212, repro.

  • The New Painting: Impressionism 1874-1886. Exh. cat. The Fine Arts Museums of San Francisco; National Gallery of Art, Washington. San Francisco, 1986: 20-21, repro.

1987

  • Rand, Harry. "To the Gare Saint-Lazare." Arts 61, no. 5 (January 1987): 52 ff., repro.

  • Ten-Doesschate Chu, Petra. "Nineteenth-Century Visitors to the Frans Hals Museum." In The Documented Image: Visions in Art History. Edited by Gabriel P. Weisberg and Laurinda S. Dixon with the assistance of Antje Bultmann Lemke. Syracuse, 1987: 118, 120, fig. 7.5.

  • Rand, Harry. Manet's Contemplation at the Gare Saint-Lazare. Berkeley, 1987:11

1988

  • Reff, Theodore. "Manet and the Paris of his Time." In_Kunst um 1800 und die Folgen: Werner Hoffmann zu Ehren_ Christian Beutler, Peter-Klaus Schuster und Martin Warnke, eds. Munich, 1988: 247+, repro.

  • Southgate, M. Therese. "The Cover: Edouard Manet, The Railway." Journal of the American Medical Association 259, no. 19 (20 May 1988): cover repro.

1989

  • Distel, Anne. Les collectionneurs des impressionnistes. Amateurs et marchands. Paris, 1989:81, repro.

1991

  • Cranshaw, Roger and Adrian Lewis. "Manet's 'Le Chemin de Fer; (1872-3): Producing the Art Historical Text." Issues (Journal of the Faculties of Architecture, Art and Design at Polytechnic of East London):2 (Winter 1991-1992):78+, repro.

  • Coman, Florence E., and Elizabeth P. Streicher. Joie de Vivre: French Paintings from the National Gallery of Art. New York, 1991:10.

  • Darragon, Eric. Manet. Paris, 1991: 244-246, repro.

  • Wilson-Bareau, Juliet, ed. Manet by Himself: Paintings, Pastels, Prints & Drawings. London, 1991: repro.

1992

  • National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 192, repro.

  • Carr-Gomm, Sarah. Manet. London, 1992: 100, repro.

  • Stevenson, Lesley. Manet. New York, 1992: 155, repro.

  • Feist, Peter H. Malerei des Impressionismus 1860-1920. 2 vols. Cologne, 1992: 1:95, repro.

  • Weisberg, Gabriel P. Beyond Impressionism: The Naturalist Impulse. New York, 1992: 13, repro.

1993

  • Perutz, Vivien. Edouard Manet. London, 1993: repro. plate 42.

  • Silver, Larry. Art in History. New York, 1993: 335, color fig. 8.12.

  • Manoeuvre, Laurent. Manet-Paris. Paris, 1993:56, repro.

1994

  • Kranzfelder, Ivo. Edward Hopper, 1882-1967: Vision der Wirklichkeit. Cologne, 1994: 67, repro.

  • Lemaire, Gerard-Georges. Manet. Milan, 1994:repro. 25.

  • Rubin, James H. Manet's Silence and the Poetics of Bouquets. Cambridge, 1994: 79, repro.

1995

  • Meixner, Laura L. French Realist Painting and the Critique of American Society 1865-1900. Cambridge, 1995: 197, repro.

  • Esterow, Milton. "Did You Ever See Anything More Beautiful?" Art News 94 (November 1995): 264.

1996

  • Galassi, Peter. Henri Cartier-Bresson:The Early Work. New York, 1996:repro.

  • Roos, Jane Mayo. Early Impressionism and the French State (1866-1874). Cambridge, 1996: 200-202.

  • Körner, Hans. Edouard Manet: Dandy, Flaneur, Maler. Munich, 1996: 157-158, 230, color fig. 127.

  • Rathbone, Eliza E., et al. Impressionists on the Seine: A Celebration of Renoir's Luncheon of the Boating Party. Washington, 1996: 25, repro. 49.

1997

  • Kelder, Diane. The Great Book of French Impressionism. New York, 1997: no. 90, repro.

  • Solana, Guillermo, ed. El Impresionismo: La visión original: Antologia de la critica de arte (1867-1895). Madrid, 1997: repro.

1998

  • Zuffi, Stefano and Francesca Castira. La peinture moderne des impressionnistes aux avant-gardes. Paris, 1998:repro. 104.

  • Lumpkin, Libby. The Bellagio Gallery of Fine Art: Impressionist and Modern Masters. Las Vegas, 1998: 35-37, repro.

  • Hobbs, Richard, ed. Impressions of French Modernity. Manchester and New York, 1998: 51-53, repro.

  • Coignard, Jérôme. "L'impressionnisme à tout vapeur." L'Oeil 493 (February 1998): 37ff., repro.

  • Galligan, Gregory. "The Self Picture: Manet, the Mirror, and the Occupation of Realist Painting." Art Bulletin 80, no. 1 (March 1998): 153-154, repro.

  • Roters, Eberhard. Malerei des 19.Jahrhunderts: Theme und Motive. 2 vols. Cologne, 1998:I:208, repro.

  • Manet, Monet, and the Gare Saint-Lazare. Exh. cat. Musée d'Orsay, Paris; National Gallery of Art, Washington, 1998: no. 21.

1999

  • Brettell, Richard R. Monet to Moore: The Millennium Gift of the Sarah Lee Corporation. New Haven, 1999: 137, repro.

  • Loughery, John. "Urban Drama." The Hudson Review 51, no. 4 (Winter 1999): 727-729.

  • De Seta, Cesare. Il secolo della borghesia. Turin, 1999:167-169, repro.

  • Lumpkin, Libby, ed. The Bellagio Gallery of Fine Art: European and American Masters. Rev. ed. Las Vegas, 1999: 66, repro.

2000

  • Gallati, Barbara Dayer. "William Merritt Chase and the French Connection." Antiques (July 2000): 78, repro.

  • Duve, Thierry de. Voici, 100 ans d'art contemporain. Exh. cat., Palais des beaux-arts, Brussels, 2000: 131+, repro.

  • Fried, Michael. Le modernisme de Manet. Paris, 2000: 43, repro.

  • Simpson, Marc. "'Offenbarungen für das Auge': Winslow Homers Milkmaids." Belvedere (2000):56-57, repro.

2001

  • Southgate, M. Therese. The Art of JAMA II: Covers and Essays from The Journal of the American Medical Association. Chicago, 2001: 4-5, 206, color repro.

2004

  • Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 361-362, no. 297, color repro.

2006

  • Søndergaard, Sidsel Maria. Women in Impressionism: From Mythical Feminine to Modern Woman. Exh. cat. Ny Carlsberg Glyptotek, Copenhagen. Milan, 2006: 163 fig. 127.

2009

  • Hook, Philip. The Ultimate Trophy: How the Impressionist Painting Conquered the World. Munich, Berlin, London, New York, 2009: 76, repro.

2010

  • Locke, Nancy. "Manet and his London Critics." The Burlington Magazine CLII (December 2010): 780-782, repro.

2011

  • Bell, Julian. "Manet: Sudden Sensuous Dazzle." Review of Manet: Inventeur du Moderne. Exh. Musée d'Orsay, Paris, 2011. New York Review of Books 58, no. 12 (July 14, 2011): 19.

2012

  • Rosenberg, Karen. "The Week Ahead: Art." New York Times 162, no. 55,924 (October 14, 2012): AR-4, color repro.

  • Jack, Belinda. The Woman Reader. New Haven, 2012: 251, fig. 50.

2013

  • Bell, Julian. "At the Royal Academy." London Review of Books 35, no. 4 (21 February 2013): 28.

  • Wecker, Menachem. "Is Jewish Girl Star of Edouard Manet's Famed Painting 'The Railway'?" The Jewish Daily Forward 16 August 2013.

  • Khan, Sarah. “Madame, Sie dürfen mich Eddy nennen.” Weltkunst 69 (February 2013): 62-63, color fig.

  • The Editors. "Vorschau: Manet's Gesichter." Weltkunst 68 (Januar 2013): 113, color repro.

  • Prodger, Michael. “Blank Faces.” Apollo 177, no. 607 (March 2013): 174, color repro.

2014

  • Fried, Michael Another Light: Jacques-Louis David to Thomas Demand. New Haven, 2014: 170, color fig. 128.

  • Duve, Thierry de. “The Invention of Non-Art: A History.” Artforum 52, no. 6 (February 2014): 198, 199, color fig.

2020

  • Dombrowski, André. "Impressionism and the Standardization of Time: Glaude Monet at the Gare Saint-Lazare." Art Bulletin 102, no. 2 (June 2020): 100, color fig. 5.

2023

  • Dombrowski, André. Manet's Minutes: Impressionism and the Industrialization of Time. New Haven, 2023: 52, 123, color fig. 70.

2025

  • Rosenberg, Karen, "Artistic Soul Mates on Modernity's Edge." The New York Times 175, no. 60,682 (October 24, 2025): C10, color repro.

Inscriptions

lower right: Manet / 1873

Wikidata ID

Q1212098

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