The Railway

1873

Edouard Manet

Artist, French, 1832 - 1883

To our left, a young woman sits facing us on a low stone wall at the base of the vertical, black bars of an iron fence and a young girl stands facing away from us to our right in this horizontal painting. Both have pale skin. The woman looks directly at us with dark eyes as she holds an open book, a closed red fan, and a sleeping brown and white puppy in her lap. Her long auburn hair falls down over her shoulders. Her navy-blue dress is accented with white piping on the skirt, collar, and sleeves, and has three large, white buttons down the front and her black hat is adorned with two red poppies and a daisy. The girl wears a sleeveless white, knee-length dress belted with a marine-blue sash tied in a large bow at her back. The girl’s blond hair is pulled up and tied with a black ribbon. She raises her left hand to grasp the bar of the fence she faces. A bunch of green grapes lies on the low wall to our right. A plume of steam fills much of the space beyond the black fence, which spans the width of the painting and extends off the top edge. A few details can be made out beyond the fence, including a stone-gray building with two wooden doors to our left and a bridge along the right edge.

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Edouard Manet offers an intriguing study in contrasts and ambiguity in The Railway, starting with the relationship between the two figures. Are they mother and daughter? A nanny with a child? The girl gazes through the iron fence, where steam billows up from the tracks below. Wearing a white dress with an enormous blue bow, she is the visual opposite of the seated woman, who wears a blue ensemble with white trim topped by a fashionable black hat. The girl’s locks are held up by a thin black ribbon, while the other figure’s long hair is down. The child keeps her back to us; the woman looks us in the eye.

On View

West Building Main Floor, Gallery 89

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Artwork history & notes

Provenance

From the artist to Jean-Baptiste Faure [1830-1914], Paris; sold c. 1881 to (Durand-Ruel et Cie, Paris and New York); sold 1898 to Henry Osborne Havemeyer [1847-1907] and his wife, née Louisine Waldron Elder [1865-1929], New York; by inheritance to their son, Horace Havemeyer [1886-1956], New York; bequest 1956 to NGA.

Associated Names

Exhibition History

1874

  • Salon of 1874, Paris, no. 1260.

1883

  • Berlin, 1883.

1884

  • Exposition des Oeuvres de Edouard Manet, Ecole Nationale des Beaux-Arts, Paris, 1884, no. 68, as Le chemin de fer.

1895

  • Exposition of Paintings by Edouard Manet, Durand-Ruel Galleries, New York, 1895, no. 25.

1913

  • Loan Exhibition: paintings by Edouard Manet, Durand-Ruel Galleries, New York, 26 November - 13 December 1913, no. 12 as Gare St. Lazare.

1933

  • A Century of Progress Exhibition of Paintings and Sculpture, The Art Institute of Chicago, 1933, no. 333, repro.

1935

  • Independent Painters of Nineteenth Century Paris, Museum of Fine Arts, Paris, 1935, no. 29, repro.

1936

  • A Survey of French Painting, Carnegie Institute, Pittsburgh, 1936, no. 6, repro.

  • The Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition, Cleveland Museum of Art, 1936, no. 288, repro.

1938

  • The Precursors of Modern Art, Rochester Memorial Art Gallery, 1938, no. 16, repro.

1940

  • Masterpieces of Art. European & American Paintings 1500-1900, New York World's Fair, May-October 1940, no. 280, repro.

  • An Exhibition of Great Paintings in Aid of the Canadian Red Cross and of Small Pictures by Members of the Ontario Society of Artists, Art Gallery of Toronto, 1940, no. 95.

  • Exhibition of Paintings for the Benefit of The American Friends of France: The Four Great Impressionists: Cezanne, Degas, Renoir, Manet, Durand-Ruel Galleries, New York, 1940, no. 15, repro.

1951

  • Diamond Jubilee Exhibition, Philadelphia Museum of Art, 1951, no. 67, repro.

1982

  • Manet and Modern Paris, National Gallery of Art, Washington, D.C., 1982-1983, no. 10, repro.

1983

  • Manet, Grand Palais, Paris; The Metropolitan Museum of Art, New York, 1983, no. 133, repro.

1986

  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, Washington, State Hermitage Museum, Leningrad; State Pushkin Museum of Fine Arts, Moscow, 1986, no. 14, repro.

1991

  • Loan for display with permanent collection, Museu Nacional de Arte Antiga, Lisbon, 1991.

1993

  • Splendid Legacy: The Havemeyer Collection, The Metropolitan Museum of Art, New York, 1993, no. 356, pl. 29.

1994

  • Paris in 1874: The Year of Impressionism, National Museum of Western Art, Tokyo, 1994, no. 78, repro., as Le Chemin de fer.

1998

  • Manet, Monet, and the Gare Saint-Lazare, Musée d'Orsay, Paris; National Gallery of Art, Washington, D.C., 1998, no. 21, fig. 1.

2003

  • Manet en el Prado, Museo Nacional del Prado, Madrid, 2003-2004, no. 91, repro.

2008

  • The Railway: Art in the Age of Steam, Walker Art Gallery, Liverpool; The Nelson-Atkins Museum of Art, Kansas City, 2008-2009, no. 57, repro.

2010

  • Bilder einer Metropole: Die Impressionisten in Paris [Images of a Capital - The Impressionists in Paris], Museum Folkwang, Essen, 2010-2011, no. 44, repro.

2011

  • Impressionist and Post-Impressionist Masterpieces from the National Gallery of Art, The Museum of Fine Arts, Houston; The National Art Center, Tokyo; Kyoto Municipal Museum of Art, 2011, no. 27, repro.

2012

  • Manet: Portraying Life, Toledo (Ohio) Museum of Art; Royal Academy of Arts, London, 2012-2013, no. 53, repro.

  • Impressionism, Fashion, and Modernity, Musée d'Orsay, Paris; The Metropolitan Museum of Art, New York; Art Institute of Chicago, 2012-2013, no. 82, repro. (shown only in Chicago).

2014

  • Loan to display with permanent collection, Norton Simon Museum, Pasadena, 2014-2015.

Bibliography

1874

  • Journal Amusant no. 927 (6 June 1874):

  • L'Illustration 63 (23 May 1874): 341

1876

  • Claretie, Jules. L'Art et les artistes française contemporains. Paris, 1876: 259-260

1883

  • "Mistaken Impressions." Punch (May 1883): 208.

1884

  • Bazire, Edmond. Manet. Paris, 1884: 84

  • Péladan. "Le Procédé de Manet." L'Artiste I (February 1884): 115

  • Péladan, Joséphin. _Le procédé de Manet." L'Artiste I (1884):115.

  • Gonse, Louis. "Manet." Gazette des Beaux-Arts 2e period (February 1884): 146.

1892

  • Castagnary. Salons (1857-1879). 2 vols. Paris, 1892: 118.

1897

  • Proust, Antonin. "Edouard Manet. Souvenirs." La Revue blanche (February- May 1897): 179

1902

  • Duret, Theodore. Histoire d'Édouard Manet et de son oeuvre. Paris, 1902:no. 152, repro.

1908

  • Masters in Art: Edouard Manet. Boston, 1908: 27, 40-41, repro.

  • Duret, Theordore. "Edouard Manet et les impressionnistes." In Histoire du paysage en France. Paris, 1908: 308-309.

  • Duret, Theodore. "Eduoard Manet et les impressionistes." In_Histoire de paysage en France_. Benoit, Françoi, et.. al. Paris, 1908: 308-309.

1910

  • Duret, Théodore. Manet and the French Impressionists. Translated by J.E. Crawford Flitch. London and Philadelphia, 1910: 69-70, 76, 233, no. 152.

1912

  • Hourticq, Louis, Jean Laran and Georges Le Bas. French Artists of Our Day: Edouard Manet. Philadelphia, 1912: 65-66, repro.

1913

  • Proust, Antonin. Edouard Manet. Paris, 1913: 73, repro.

1919

  • Duret, Theodore. Historie de Edouard Manet et de son oeuvre. Paris, 1919: 112-115, 136-138, 141-142, 167, 256.

1923

  • Waldmann, Emil. Edouard Manet. Berlin, 1923: 78, repro.

1925

  • Blanche, Jacques-Emile. Manet. New York, 1925: 30, 46-52.

1926

  • Moreau-Nélaton, Etienne. Manet reconté par lui-même. 2 vols. Paris, 1926: II:11-13, 36-37, 114.

1927

  • Jamot, Paul. "Manet, 'Le fifre' et Victorine Meurend." La Revue de l'art ancien et moderne LI, no. 282 (January 1927): 36

1930

  • Tabarant, A. "Les Manet de la Collection Havemeyers." (La Renaissance_ (Feruary 1930_: 72, repro.

1932

  • Colin, Paul. Edouard Manet. Paris, 1932: 40-41, 74, repro.

  • Huyghe, Rene. "Manet, peintre." L'Amour de l'art 13, no. 5 (May 1932): 184.

  • Jamot, Paul, and Georges Wildenstein. Manet. 2 vols. Paris, 1932: 1:37, 91-93, 121, 146-147, no. 231.

1933

  • Rich, Daniel Catton. "The Exhibition of French Art "Art Institute" of Chicago." Formes 33 (1933): 382

  • Bulliet, C.J. Art Masterpieces of a Century of Progress, Fine Arts Exhibition at the Art Institute of Chicago. 2 vols. Chicago, 1933: no. 115, repro.

  • Century of Progress International Exposition (1933-1934 Chicago). The Official Guide Book of the Fair, Chicago, 1933: 111, repro.

1937

  • Lewisohn, Samuel. Painters and Personality: A Collector's View of Modern Art. New York, 1937:238, repro.

1940

  • Frankfurter, Alfred M. "The Four Great Impressionists." Art News XXXVIII, no. 25 (23 March 1940): 6-7, 17, repro.

1941

  • Jedlicka, Gotthard. Edouard Manet. Zurich, 1941: 299

1945

  • Malarme, Stephen. "Le jury de peinture pour 1874 et Manet." In L'oeuvres completes. Paris, 1945: 695+

1946

  • Rewald, John. The History of Impressionism. New York, 1946: 263, repro.

1947

  • Florisoone, Michel. Manet. Monoco, 1947: xiv, xvi, 115, 120, repro.

  • Tabarant, A. Manet et ses oeuvres. Paris, 1947: 221-2, 244-5, 317, 491

1948

  • Bex, Maurice. Manet. Columbia series. New York, 1948: repro

  • Lewisohn, Sam. Painters and Personality: A Collector's View of Modern Art. New york, 1948: 238, repro.

1949

  • Blanche, Jacques-Emile. La Pêche aux souvenirs. Paris, 1949:142-143.

1954

  • Chan, Georges. "Les peintres impressionnistes et le chemin de fer." La Vie du rail no. 476 (1954):19+, repro.

  • Hamilton, George Heard. Manet and His Critics. New Haven, 1954: 162, 176, 178-182, 187, 195, 208, 211, 265, repro.

1955

  • Bataille, Georges. Manet. Translated by Austryn Wainhouse and James Emmons. Lausanne, 1955: 12.

  • Vaudoyer, J.-L. É. Manet. Paris, 1955, no. 36, repro.

1956

  • Frankfurter, Alfred. "Fifty-five years of U.S. Museums." Art News 56, no. 4 (Summer 1956): 50-51, repro.

1957

  • Comstock, Helen. "A Great Manet for the National Gallery." The Coinnoisseur 139, no. 561 (May 1957): 202-203, repro.

1958

  • Richardson, John. Edouard Manet: paintings and drawings. London, 1958: no. 43, repro.

1959

  • Evans, Grose. French Painting of the 19th Century in the National Gallery of Art. Washington, D.C., 1959 (Booklet Number Two in Ten Schools of Painting in the National Gallery of Art, Washington, D.C.): 26, color repro.

  • Frankfurter, Alfred M. "Midas on Parnassus." Art News Annual XXVIII (1959): 38, repro.

1961

  • Havemeyer, Louisine W. Sixteen to Sixty: Memoires of a Collector. New York, 1961:220, 236-240.

1962

  • Cairns, Huntington, and John Walker, eds. Treasures from the National Gallery of Art. New York, 1962: 158, color repro.

1963

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 256, repro.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 81.

1966

  • Hamilton, George Heard. "Is Manet Still Modern?" Art News Annual XXXI (1966): 120-121, 160, 162, repro.

  • Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:426, color repro.

  • Gimpel, René. Diary of an Art Dealer. Translated by John Rosenberg. New York, 1966: 121.

  • Michener, James A. “Four Miracles—And A Masterpiece.” Reader’s Digest 89 (November 1966): 160, repro.

1968

  • Berhaut, Marie. Caillbotte l'Impressioniste. Lausanne, 1968:34-35

  • Schneider, Pierre. The World of Manet, 1832-1883. New York, 1968: 132-133, 136, 140, repro.

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 71, repro.

  • Liebman, Kurt. Edouard Manet. Dresden, 1968: 67, repro.

  • Gandolfo, Giampaolo et al. National Gallery of Art, Washington. Great Museums of the World. New York, 1968: 15, 80-81, color repro.

1969

  • Jaffé, Ludwig G. The World of Impressionism. Maplewood, N.J., 1969: 39, repro.

1970

  • Orienti, Sandra. The Complete Paintings of Manet. London, 1970: no. 180, repro.

  • Orienti, Sandra and Denis Rouart. Edouard Manet. Paris, 1970: no. 181, repro.

1971

  • Nochlin, Linda. Realism. Baltimore, 1971: 162, 264, repro.

1972

  • Bazin, Germain. Edouard Manet. Milan, 1972: 9, 42

  • Hanson, Anne Coffin. "Popular Imagery and the Work of Edouard Manet" in French Nineteenth Century Paintings and Literature, Ulrich Finke, ed. New York, 1972:135-138

1973

  • Rewald, John. The History of Impressionism. New York, 1973: 326-7, 482, repro.

  • Fischel, Lilli. "Von der Bildform der französischen Impressionisten." Jahrbuch der Berliner Museen 15 (1973):94.

1974

  • Callen, Anthea. "Faure and Manet." Gazette des Beaux-Arts 83 (March 1974): 157-178.

1975

  • Lipton, Eunice. "Manet: A Radicalized Female Imagery." Artforum XIII, no. 1 (March 1975):20, 52, repro.

  • Mauner, George. Manet: Peintre-Philosophe. University Park and London, 1975: 159

  • Weisberg, Gabriel P. "Aspects of Japanisme." Bulletin of the Cleveland Museum of Art 62 (April 1975):126-128, repro.

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 210, repro.

  • Rouart, Denis and Daniel Wildenstein. Edouard Manet: catalogue raisonné. 2 vols. Lausanne, Paris, 1975: I: 6, 176-177, no. 207, repro.

1976

  • Richardson, John. Manet. Oxford, 1976:plate. 27

  • Dorival, Bernard. "Ukiyo-e and European Painting." in Dialogue in Art: Japan and the West. ed. Chisaburo F. Yanada. Tokyo and New York, 1976: 36, repro.

  • Bellony-Rewald, Alice. The Lost World of the Impressionists. London, 1976:188, 191, 193, repro.

1977

  • Hanson, Anne Coffin. Manet and the Modern Tradition. New Haven and London, 1977:77,190, repro. 120

1978

  • Cogniat, Raymond and Antoine Terrasse. Le impressionistes. Geneva, 1978: 127-128, repro.

1979

  • Walter, Rudolphe. "Saint Lazare l'impressioniste." L'Oeil 292 (November 1979): 48-55, repro.

  • Watson, Ross. The National Gallery of Art, Washington. New York, 1979: 110, pl. 96.

1980

  • Kelder, Diane. The Great Book of French Impressionism. New York, 1980: 79, 127, 102, repro.

1981

  • Farwell, Beatrice. "Manet and the Nude: A Study in Iconography in the Second Empire." Ph.D. dissertation, University of California, Los Angeles, 1973. New York, 1981: 160-163, repro.

1982

  • Isaacson, Joel. "Impressionism and Journalistic Illustration." Arts Magazine 56, no. 10 (June 1982): 107, repro.

  • Tucker, Paul Hayes. Monet at Argenteuil. New Haven, 1982: 149, repro.

  • Weitzenhoffer, Frances. "The Creation of the Havemeyer Collection, 1875-1900." Ph.D. dissertation, The City University of New York, 1982: 296-297, no. 107.

1983

  • Feaver, William. "What Makes Manet Modern?" Art News (December 1983) :55ff, repro.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 454, no. 658, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 243, repro.

1986

  • Gay, Peter. Art and Act: On Causes in History - Manet, Gropius, Mondrian. New York, 1986:104-110, repro.

  • The New Painting: Impressionism 1874-1886. Exh. cat. The Fine Arts Museums of San Francisco; National Gallery of Art, Washington. San Francisco, 1986: 20-21, repro.

  • Weitzenhoffer, Frances. The Havemeyers: Impressionism Comes to America. New York, 1986:102, 129, 212, repro.

1987

  • Rand, Harry. "To the Gare Saint-Lazare." Arts 61, no. 5 (January 1987): 52 ff., repro.

  • Rand, Harry. Manet's Contemplation at the Gare Saint-Lazare. Berkeley, 1987:11

  • Ten-Doesschate Chu, Petra. "Nineteenth-Century Visitors to the Frans Hals Museum." In The Documented Image: Visions in Art History. Edited by Gabriel P. Weisberg and Laurinda S. Dixon with the assistance of Antje Bultmann Lemke. Syracuse, 1987: 118, 120, fig. 7.5.

1988

  • Southgate, M. Therese. "The Cover: Edouard Manet, The Railway." Journal of the American Medical Association 259, no. 19 (20 May 1988): cover repro.

  • Reff, Theodore. "Manet and the Paris of his Time." In_Kunst um 1800 und die Folgen: Werner Hoffmann zu Ehren_ Christian Beutler, Peter-Klaus Schuster und Martin Warnke, eds. Munich, 1988: 247+, repro.

1989

  • Distel, Anne. Les collectionneurs des impressionnistes. Amateurs et marchands. Paris, 1989:81, repro.

1991

  • Darragon, Eric. Manet. Paris, 1991: 244-246, repro.

  • Coman, Florence E., and Elizabeth P. Streicher. Joie de Vivre: French Paintings from the National Gallery of Art. New York, 1991:10.

  • Cranshaw, Roger and Adrian Lewis. "Manet's 'Le Chemin de Fer; (1872-3): Producing the Art Historical Text." Issues (Journal of the Faculties of Architecture, Art and Design at Polytechnic of East London):2 (Winter 1991-1992):78+, repro.

  • Wilson-Bareau, Juliet, ed. Manet by Himself: Paintings, Pastels, Prints & Drawings. London, 1991: repro.

1992

  • Carr-Gomm, Sarah. Manet. London, 1992: 100, repro.

  • Stevenson, Lesley. Manet. New York, 1992: 155, repro.

  • Weisberg, Gabriel P. Beyond Impressionism: The Naturalist Impulse. New York, 1992: 13, repro.

  • National Gallery of Art, Washington. National Gallery of Art, Washington, 1992: 192, repro.

  • Feist, Peter H. Malerei des Impressionismus 1860-1920. 2 vols. Cologne, 1992: 1:95, repro.

1993

  • Manoeuvre, Laurent. Manet-Paris. Paris, 1993:56, repro.

  • Perutz, Vivien. Edouard Manet. London, 1993: repro. plate 42.

  • Silver, Larry. Art in History. New York, 1993: 335, color fig. 8.12.

1994

  • Lemaire, Gerard-Georges. Manet. Milan, 1994:repro. 25.

  • Kranzfelder, Ivo. Edward Hopper, 1882-1967: Vision der Wirklichkeit. Cologne, 1994: 67, repro.

  • Rubin, James H. Manet's Silence and the Poetics of Bouquets. Cambridge, 1994: 79, repro.

1995

  • Esterow, Milton. "Did You Ever See Anything More Beautiful?" Art News 94 (November 1995): 264.

  • Meixner, Laura L. French Realist Painting and the Critique of American Society 1865-1900. Cambridge, 1995: 197, repro.

1996

  • Galassi, Peter. Henri Cartier-Bresson:The Early Work. New York, 1996:repro.

  • Rathbone, Eliza E., et al. Impressionists on the Seine: A Celebration of Renoir's Luncheon of the Boating Party. Washington, 1996: 25, repro. 49.

  • Körner, Hans. Edouard Manet: Dandy, Flaneur, Maler. Munich, 1996: 157-158, 230, color fig. 127.

  • Roos, Jane Mayo. Early Impressionism and the French State (1866-1874). Cambridge, 1996: 200-202.

1997

  • Solana, Guillermo, ed. El Impresionismo: La visión original: Antologia de la critica de arte (1867-1895). Madrid, 1997: repro.

  • Kelder, Diane. The Great Book of French Impressionism. New York, 1997: no. 90, repro.

1998

  • Coignard, Jérôme. "L'impressionnisme à tout vapeur." L'Oeil 493 (February 1998): 37ff., repro.

  • Lumpkin, Libby. The Bellagio Gallery of Fine Art: Impressionist and Modern Masters. Las Vegas, 1998: 35-37, repro.

  • Roters, Eberhard. Malerei des 19.Jahrhunderts: Theme und Motive. 2 vols. Cologne, 1998:I:208, repro.

  • Zuffi, Stefano and Francesca Castira. La peinture moderne des impressionnistes aux avant-gardes. Paris, 1998:repro. 104.

  • Galligan, Gregory. "The Self Picture: Manet, the Mirror, and the Occupation of Realist Painting." Art Bulletin 80, no. 1 (March 1998): 153-154, repro.

  • Hobbs, Richard, ed. Impressions of French Modernity. Manchester and New York, 1998: 51-53, repro.

  • Manet, Monet, and the Gare Saint-Lazare. Exh. cat. Musée d'Orsay, Paris; National Gallery of Art, Washington, 1998: no. 21.

1999

  • Brettell, Richard R. Monet to Moore: The Millennium Gift of the Sarah Lee Corporation. New Haven, 1999: 137, repro.

  • De Seta, Cesare. Il secolo della borghesia. Turin, 1999:167-169, repro.

  • Loughery, John. "Urban Drama." The Hudson Review 51, no. 4 (Winter 1999): 727-729.

  • Lumpkin, Libby, ed. The Bellagio Gallery of Fine Art: European and American Masters. Rev. ed. Las Vegas, 1999: 66, repro.

2000

  • Duve, Thierry de. Voici, 100 ans d'art contemporain. Exh. cat., Palais des beaux-arts, Brussels, 2000: 131+, repro.

  • Fried, Michael. Le modernisme de Manet. Paris, 2000: 43, repro.

  • Gallati, Barbara Dayer. "William Merritt Chase and the French Connection." Antiques (July 2000): 78, repro.

  • Simpson, Marc. "'Offenbarungen für das Auge': Winslow Homers Milkmaids." Belvedere (2000):56-57, repro.

2001

  • Southgate, M. Therese. The Art of JAMA II: Covers and Essays from The Journal of the American Medical Association. Chicago, 2001: 4-5, 206, color repro.

2004

  • Hand, John Oliver. National Gallery of Art: Master Paintings from the Collection. Washington and New York, 2004: 361-362, no. 297, color repro.

2006

  • Søndergaard, Sidsel Maria. Women in Impressionism: From Mythical Feminine to Modern Woman. Exh. cat. Ny Carlsberg Glyptotek, Copenhagen. Milan, 2006: 163 fig. 127.

2009

  • Hook, Philip. The Ultimate Trophy: How the Impressionist Painting Conquered the World. Munich, Berlin, London, New York, 2009: 76, repro.

2010

  • Locke, Nancy. "Manet and his London Critics." The Burlington Magazine CLII (December 2010): 780-782, repro.

2011

  • Bell, Julian. "Manet: Sudden Sensuous Dazzle." Review of Manet: Inventeur du Moderne. Exh. Musée d'Orsay, Paris, 2011. New York Review of Books 58, no. 12 (July 14, 2011): 19.

2012

  • Jack, Belinda. The Woman Reader. New Haven, 2012: 251, fig. 50.

  • Rosenberg, Karen. "The Week Ahead: Art." New York Times 162, no. 55,924 (October 14, 2012): AR-4, color repro.

2013

  • The Editors. "Vorschau: Manet's Gesichter." Weltkunst 68 (Januar 2013): 113, color repro.

  • Khan, Sarah. “Madame, Sie dürfen mich Eddy nennen.” Weltkunst 69 (February 2013): 62-63, color fig.

  • Bell, Julian. "At the Royal Academy." London Review of Books 35, no. 4 (21 February 2013): 28.

  • Prodger, Michael. “Blank Faces.” Apollo 177, no. 607 (March 2013): 174, color repro.

  • Wecker, Menachem. "Is Jewish Girl Star of Edouard Manet's Famed Painting 'The Railway'?" The Jewish Daily Forward 16 August 2013.

2014

  • Duve, Thierry de. “The Invention of Non-Art: A History.” Artforum 52, no. 6 (February 2014): 198, 199, color fig.

  • Fried, Michael Another Light: Jacques-Louis David to Thomas Demand. New Haven, 2014: 170, color fig. 128.

2020

  • Dombrowski, André. "Impressionism and the Standardization of Time: Glaude Monet at the Gare Saint-Lazare." Art Bulletin 102, no. 2 (June 2020): 100, color fig. 5.

2023

  • Dombrowski, André. Manet's Minutes: Impressionism and the Industrialization of Time. New Haven, 2023: 52, 123, color fig. 70.

Inscriptions

lower right: Manet / 1873

Wikidata ID

Q1212098

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