Agostino Barbarigo
possibly 17th century
Painter

The Venetian admiral Agostino Barbarigo was killed at the naval battle of Lepanto in October 1571, when he was shot in the left eye by a Turkish arrow. He was immediately proclaimed to be a heroic martyr who had played a central role in achieving victory for the allied Christian fleet. In a posthumous portrait of the admiral, Veronese accordingly showed him in armor, displaying the instrument of his death like a saint with an attribute.
It is easy to imagine that in the years and decades following the battle there was considerable demand among Barbarigo’s family and admirers for replicas of the portrait. This work is believed to be one of those replicas based upon stylistic differences from Veronese and an underdrawing uncharacteristic of the master. The painting was probably executed by a later follower, possibly in the 17th century.
Artwork overview
-
Medium
oil on canvas
-
Credit Line
-
Dimensions
overall: 102.8 x 102.4 cm (40 1/2 x 40 5/16 in.)
framed: 125.1 x 125.4 x 8.9 cm (49 1/4 x 49 3/8 x 3 1/2 in.) -
Accession
1957.8.1
More About this Artwork
Artwork history & notes
Provenance
Henry Doetsch [1839-1894], London; (his estate sale, Christie, Manson & Woods, London, 22 and 24-25 June 1895, no. 43, as by Tintoretto); David L. Einstein [1839-1909], London;[1] his son, Lewis D. Einstein [1877-1967]; gift 1957 to NGA.
[1] Ellis Waterhouse supplied the information about the elder Einstein's purchase of the painting at the Doetsch sale in a note dated 22 July 1980, in NGA curatorial files. A red wax seal on the reverse of the painting has not yet been identified; the seal has an unmarked shield surmounted with the profile head of an antlered deer and to the left of the shield, the impressed numbers "129."
Associated Names
Bibliography
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 136, as School of Veronese.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 123, repro., as School of Veronese.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972: 40, 510, 647.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 364, repro., as School of Veronese.
1976
Pignatti, Terisio. Veronese. 2 vols. Venice, 1976: 1:135.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:531; 2:pl. 369, as Veronese Studio.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 424, repro.
1988
Rearick, W. R. The Art of Paolo Veronese, 1528-1588. Exh. cat. National Gallery of Art, Washington. Cambridge, 1988: 108.
1991
Pignatti, Terisio, and Filippo Pedrocco. Veronese: Catalogo completo dei dipinti. Florence, 1991: 92.
1995
Pignatti, Terisio, and Filippo Pedrocco. Veronese. 2 vols. Milan, 1995: 1:284.
2008
Garton, John. Grace and Grandeur: The Portraiture of Paolo Veronese. London and Turnhout, 2008: 99, 204.
2009
Ilchman, Frederick, et al. Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Exh. cat. Museum of Fine Arts, Boston; Musée du Louvre, Paris. Boston, 2009: 284 n. 72.
Wikidata ID
Q20175932