Saint John the Baptist

c. 1475/1485

Francesco di Giorgio Martini

Artist, Sienese, 1439 - 1501

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On View

West Building Ground Floor, Gallery G15


Artwork overview

  • Medium

    bronze//Black laquer (abraded locally)

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 19.8 cm (7 13/16 in.)
    gross weight: 1807.6 gr (3.985 lb.)
    framed (diameter x depth): 6.35 cm (13 3/4 × 2 1/2 in.)

  • Accession

    1957.14.248


Artwork history & notes

Provenance

Art market, Italy, 1850s/1860s; Louis-Charles Timbal [1821–1880], Florence and Paris; sold 29 November 1872 to Gustave Dreyfus [1837–1914], Paris; (sale, Hôtel Drouot, Paris, 21–22 February 1873, no. 15 [with NGA 1957.14.247], bought in);[1] his heirs; purchased 1930 with the entire Dreyfus collection by (Duveen Brothers, Inc., London, New York, and Paris); sold 1944 to the Samuel H. Kress Foundation, New York.
[1] This information was kindly supplied by Marie-Amélie Carlier (e-mail of 12 October 2007 to NGA curator Nicholas Penny, in NGA curatorial files).

Associated Names

Exhibition History

1937

  • The Art of the Renaissance Craftsman, Fogg Art Museum, Cambridge, Massachusetts, 1937, no. 55, as by Bertoldo.

1985

  • Italian Renaissance Sculpture in the Time of Donatello, Detroit Institute of Arts; Kimbell Art Museum, Fort Worth, Texas; Forte Belvedere, Florence, Italy, 1985-1986, no. 80 (shown only in Detroit and Fort Worth).

Bibliography

1886

  • Molinier, Émile. Les Bronzes de la Renaissance. Les Plaquettes; Catalogue Raisonné. 2 vols. Paris, 1886: 1:59, no. 88, as by Bertoldo.

1908

  • Migeon, Gaston. "La collection de M. Gustave Dreyfus, V: Les plaquettes." Les Arts 80 (August 1908): 22, repro. in wooden frame, as by Riccio.

1931

  • Ricci, Seymour de. The Gustave Dreyfus Collection. Reliefs and Plaquettes. Oxford, 1931: 90, no. 124, pl. 37, as by Bertoldo, and with mounting flange shown still intact.

1938

  • Ragghianti, Carlo. "La Mostra di scultura italiana antica a Detroit (U.S.A.)." Critica d'Arte 3:4–6 (fasc. 16–18) (August–December 1938): 182, as by Francesco di Giorgio (earliest current attribution).

1943

  • Weller, Allen Stuart. Francesco di Giorgio 1439-1501. Chicago, 1943: 165-168.

1949

  • Seymour, Charles. Masterpieces of Sculpture from the National Gallery of Art. Washington and New York, 1949: 178, note 32.

1951

  • Renaissance Bronzes: Statuettes, Reliefs and Plaquettes, Medals and Coins from the Kress Collection. Introduction by Perry B. Cott. National Gallery of Art, Washington, 1951: 142, repro. 62.

1965

  • Pope-Hennessy, John W. Renaissance Bronzes from the Samuel H. Kress Collection: Reliefs, Plaquettes, Statuettes, Utensils and Mortars. London, 1965: 25-26, no. 72, fig. 16.

1966

  • Montagu, Jennifer. "Plaquettes Revealed." Apollo 83 (March 1966): 229.

1968

  • Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:142.

1975

  • Walker, John. National Gallery of Art, Washington. New York, 1975: 629, fig. 969.

1983

  • Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 35, no. 2.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 629, no. 976, repro.

1987

  • Toledano, Ralph. Francesco di Giorgio Martini. Pittore e scultore. Milan, 1987: 137-138, no. 55, repro.

1993

  • Fumi Cambi Gado, Francesca. “Sant’Antonio Abate, San Girolamo.” In Bellosi, Luciano, ed. Francesco di Giorgio e il Rinascimento a Siena, 1450-1500. Exh. cat. Chiesa di Sant'Agostino, Siena 1993: 200–201, fig. 1.

1994

  • Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 91, repro.

Markings

Reverse bears former inventory numbers 88 in white or cream-colored paint (Molinier), canceled by red paint, as well as 59 in red paint (Dreyfus), and earlier-style NGA accession number in red paint.

Wikidata ID

Q63814979


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