Hexogonal Font in a Landscape [reverse]

1460

Petrecino

Associated Names
Petrecino

Artist, Ferrarese, active 1460

The image displays a circular medallion showcasing a scene with a central architectural structure surrounded by rocky landscapes. The structure is a hexagonal pavilion with a pointed roof situated among jagged mountains. Above the pavilion, a celestial body is illustrated. The sculpture is made of metal with a monochrome finish, possibly grey or bronze. Inscriptions are present around the medallion's edge, including the text "OPVS PETREINI" and a Roman numeral at the bottom. The design emphasizes the structure, natural elements, and detailed engraving.

Media Options

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Artwork overview

  • Medium

    lead

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 9.67 cm (3 13/16 in.)
    gross weight: 322.57 gr (0.711 lb.)
    axis: 12:00

  • Accession Number

    1957.14.628.b

Associated Artworks

The sculpture is a circular medallion with a profile view of a man in noble attire. The man wears a cap with a decorative band and a flower emblem, along with a robe with ornate details. The material appears to be stone or cast metal, evident from its texture and color. The figure's facial features are detailed, surrounded by inscriptions along the border of the medallion, combining decorative elements with scripted text. It seems to depict an individual in a formal and decorative style.

Borso d'Este, 1413-1471, Marquess of Ferrara 1450, Duke of Modena and Reggio 1452 [obverse]

Petrecino

1460


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 55, repro.

Inscriptions

around circumference: OPVS PETRECINI DE FLORETIA MCCCCLX

Wikidata ID

Q63847757

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