Prudence Standing between Water and Fire [reverse]

c. 1480

Bartolommeo Melioli

Associated Names
Bartolommeo Melioli

Artist, Mantuan, 1448 - 1514

This is a photograph of an ancient coin. The coin features a relief sculpture of a figure wearing a toga and a laurel wreath, holding a musical instrument, possibly a lyre, and a staff. The design suggests influence from ancient Rome or Greece, with symbolic elements associated with mythology or leadership. Engraved text surrounds the figure, and there are intricate details such as wave-like patterns at the figure's feet and ornamental bushes. The coin has a bronze hue, indicating its metallic composition and potential age.

Media Options

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On View

West Building Ground Floor, Gallery G16


Artwork overview

  • Medium

    bronze

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 7.14 cm (2 13/16 in.)
    gross weight: 111.43 gr (0.246 lb.)
    axis: 12:00

  • Accession Number

    1957.14.661.b

Associated Artworks

The sculpture is a relief depicting a male figure in profile, with curly hair flowing beneath a helmet. He wears detailed armor and the piece is circular in shape. It is crafted from bronze, with a dark metallic hue and subtle highlights. The rim is inscribed with text, and there is a small hole at the top. The sculpture has a glossy and smooth finish.

Francesco II Gonzaga, 1466-1519, 4th Marquess of Mantua 1484 [obverse]

Bartolommeo Melioli

1480


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 107, repro.

Inscriptions

upper right on basket: CAVTIVS; around circumference: ADOLESCENTIAE AVGVSTAE; across bottom under groundline: MELIOLVS DICAVIT

Wikidata ID

Q63847448

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