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Jacques Jonghelinck

Associated Names
Jacques Jonghelinck

Artist, Flemish, 1530 - 1606

This is a photograph of an antique coin with an intricate design. The coin features a depiction of a classical altar with a stele, a book, and possibly a small urn. There are engravings in Latin script that read "VITA MORTALIUM VIGILIA." The border of the coin is decorated with a beaded edge surrounding the central motif. The material appears to be metal with signs of age and patina. The artistry suggests a classical or neoclassical design, showcasing traditional craftsmanship.

Media Options

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Artwork overview

  • Medium

    lead

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall (diameter): 2.44 cm (15/16 in.)
    gross weight: 7.42 gr (0.016 lb.)
    axis: 12:00

  • Accession Number

    1957.14.1230.b

Associated Artworks

The sculpture is a profile portrait of a bearded man facing to the right. The man is bald on top with wavy hair around the sides and a full, curly beard. The sculpture is a coin, specifically a medallion, with raised and detailed engravings. The color of the sculpture is metallic, ranging from a silvery-grey to a darker grey, indicative of its metallic material. Around the portrait's edge, there is an engraved inscription saying "VIGLIVS ZVICHEMVS PRAESES," and the perimeter of the coin features a raised dotted border. The sculpture is small in scale, typical of a coin.

Viglius van Aytta of Zuichem, 1507-1577, Lawyer and Humanist [obverse]

Jacques Jonghelinck

1530


Artwork history & notes

Provenance

Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York;[1] gift 1957 to NGA.
[1] The Duveen Brothers Records document the firm’s sixteen year pursuit and eventual acquisition of the Dreyfus collection, which included paintings, sculptures, small bronzes, medals, and plaquettes. Bequeathed as part of his estate to Dreyfus’ widow and five children (a son and four daughters), who had differing opinions about its disposition, the collection was not sold until after his widow’s death in April 1929. Duveen did not wish to separate Dreyfus’ collection of small bronzes, medals, and plaquettes, and it was sold intact to the Kress Foundation for a price that was met by installment payments every three months. (Duveen Brothers Records, accession number 960015, Research Library, The Getty Research Institute, Los Angeles: reel 301, box 446, folders 3 and 4; reel 302, box 447, folders 1-6; reel 303, box 448, folders 1 and 2; reel 330, box 475, folder 4.) See also George Francis Hill’s discussion "A Note on Pedigrees" in his catalogue, The Gustave Dreyfus Collection: Renaissance Medals, Oxford, 1931: xii, which was commissioned by Duveen Brothers.

Associated Names

Bibliography

2007

  • Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 2:no. 771, repro.

Inscriptions

around circumference: VITA MORTALIVM VIGLIA

Wikidata ID

Q63854676

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