America
c. 1700
Designer, Flemish, 1666 - 1726
Designer, Flemish, 1635 - 1711
Weaver, Flemish, active 1657/1680
Artwork overview
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Medium
tapestry: undyed wool warp; dyed wool, silk, and silver-wrapped silk weft
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Credit Line
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Dimensions
overall: 386 x 589.3 cm (151 15/16 x 232 in.)
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Accession
1959.5.1
Artwork history & notes
Provenance
Purchased before 1914 at a private sale in France by James Hazen Hyde [1876-1959], Paris;[1] bequest 1959 to NGA.
[1] Letter, 30 August 1924, James Hazen Hyde to Lewis Einstein, in which Hazen writes: "I bought it at a private sale before the war." (James Hazen Hyde Papers, The New-York Historical Society, New York, correspondence folder: Lewis Einstein). See also James Hazen Hyde, "L'Iconographie des Quatre Parties due Monde dans les tapisseries," Gazette des Beaux-Arts 10 (November 1924): 260.
Associated Names
Exhibition History
1931
Quatre Siècles de Colonisation Française, Bibliothèque Nationale, Paris, 1931, no. 419.
1971
Extended loan for use by the Ambassador, U.S. Department of State, Paris, France, 1971-1975.
1975
The European Vision of America, National Gallery of Art, Washington, D.C.; Cleveland Museum of Art; Grand Palais, Paris, 1976-1977, no. 123, repro. (shown only in Washington).
Bibliography
1924
Hyde, James Hazen. "L'Iconographie des quatre parties du monde dans les tapisseries." Gazette des Beaux-Arts per. 5, vol. 10 (1924): 260.
2013
Arizzoli, Louise. "James Hazen Hyde and the Allegory of the Four Continents: A research collection for an amateur art historian." Journal of the History of Collections 25, no. 2 (2013): 277-286, esp. 277, 284.
Inscriptions
on central sphere of upper border: AMERICA; on foremost ingot at lower right: L. VAN SCHOOR. IN. & PINX.; in the lower galloon, left of center, the Brussels city mark: B [shield] B; in the lower galloon, right of center: A.AVWERCX.
Wikidata ID
Q62758738