The Agony in the Garden
probably 1491
Artist, Sienese, 1436 - before 1517


West Building Main Floor, Gallery 8
Artwork overview
-
Medium
tempera on panel
-
Credit Line
-
Dimensions
painted surface: 42 × 46.7 cm (16 9/16 × 18 3/8 in.)
overall size: 43.3 × 48 cm (17 1/16 × 18 7/8 in.)
framed (with four other paintings): 59.69 × 283.21 × 5.4 cm (23 1/2 × 111 1/2 × 2 1/8 in.) -
Accession
1939.1.318
Artwork history & notes
Provenance
(Count Alessandro Contini Bonacossi, Florence), by May 1938;[1] purchased 1938 by the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA.
[1] Two of the expertises relative to NGA 1939.1.318 in the files of the Kress Foundation (copies in NGA curatorial files), by Wilhelm Suida and Giuseppe Fiocco, are dated May 1938.
[2] See Fern Rusk Shapley, Catalogue of the Italian Paintings, 2 vols., Washington, D.C., 1979: 1:65. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2055.
Associated Names
Exhibition History
1940
Night Scenes, Wadsworth Atheneum, Hartford, 1940, no. 9, repro., as Christ in the Garden.
1988
Painting in Renaissance Siena, 1420-1500, The Metropolitan Museum of Art, New York, 1988-1989, no. 62a, repro. (cat. by Keith Christiansen, Laurence B. Kanter, and Carl Brandon Strehlke).
Bibliography
1824
De Angelis, Luigi. “Notizie delle opere di Benvenuto di Giovanni, pittore senese del secolo XV.” In “Miscellanee manoscritte.” Archives of the Gallerie Fiorentine at the Gallerie degli Uffizi, Florence, ms. 60: 2(1824): no. 18, fol. 337r.
1897
Berenson, Bernard. The Central Italian Painters of the Renaissance. New York, 1897: 134.
1903
Cook, Francis. Abridged Catalogue of the Pictures at Doughty House, Richmond. London, 1903: 9, no. 55.
Destrée, Jules. Notes sur les primitifs italiens: Sur quelques peintures de Sienne. Brussels and Florence, 1903: 79.
Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. A History of Painting in Italy. 6 vols. Ed. Robert Langton Douglas (vols. 1-4) and Tancred Borenius (vols. 5-6). London, 1903-1914: 5(1915):164 n. 1.
1904
Frizzoni, Gustavo. "L’esposizione d’arte senese al Burlington Fine Arts Club." L’Arte 7 (1904): 269.
Fry, Roger. "La mostra d’arte senese al Burlington Club di Londra." Rassegna d’Arte 4 (1904) 118.
Pératé, André. “Les Expositions d’art siennois à Sienne et à Londres.” Les Arts 34 (October 1904): 12.
Perkins, Frederick Mason. “The Sienese Exhibition of Ancient Art.” The Burlington Magazine 5 (1904): 583.
1908
Jacobsen, Emil. Das Quattrocento in Siena. Strasbourg, 1908: 72.
Crowe, Joseph Archer, and Giovanni Battista Cavalcaselle. A New History of Painting in Italy from the Second to the Sixteenth Century. 3 vols. Ed. Edward Hutton. London and New York, 1908-1909: 3(1909):118 n. 3.
1909
Berenson, Bernard. The Central Italian Painters of the Renaissance. 2nd ed. New York, 1909: 148.
1913
Borenius, Tancred. A Catalogue of the Paintings at Doughty House, Richmond, and Elsewhere in the Collection of Sir Frederick Cook Bt. Italian Schools. Vol. I, Pt. 2. Edited by Herbert Cook. London, 1913: 7-8, no. 6, repro.
1923
Marle, Raimond van. The Development of the Italian Schools of Painting. 19 vols. The Hague, 1923-1938: 16(1937):416-417.
1925
Hutton, Edward. The Sienese School in the National Gallery. London, 1925: 85.
1930
Berenson, Bernard. “Quadri senza casa: Il Quattrocento senese – parte 1.” Dedalo 11, no. 10 (March 1930): 643.
1932
Berenson, Bernard. Italian Pictures of the Renaissance. Oxford, 1932: 77.
Brockwell, Maurice W. Abridged Catalogue of the Pictures at Doughty House, Richmond, Surrey, in the Collection of Sir Herbert Cook. London, 1932: 27.
1936
Berenson, Bernard. Pitture italiane del rinascimento. Milan, 1936: 66.
1941
Preliminary Catalogue of Paintings and Sculpture. National Gallery of Art, Washington, 1941: 24, no. 429.
1942
Book of Illustrations. National Gallery of Art, Washington, 1942: 248, repro. 72.
1951
Paintings and Sculpture from the Kress Collection Acquired by the Samuel H. Kress Foundation 1945-1951. Introduction by John Walker, text by William E. Suida. National Gallery of Art, Washington, 1951: 62, no. 20, repro.
1954
Bologna, Ferdinando. "Miniature di Benvenuto di Giovanni." Paragone 5, no. 51 (1954): 17, 19 n. 3.
Ferguson, George. Signs and Symbols in Christian Art. New York, 1954: 77.
1956
Laclotte, Michel. De Giotto à Bellini: les primitifs italiens dans les musées de France. Exh. cat. Musée de l’Orangerie, Paris, 1956: 35.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 84, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 14.
1966
Shapley, Fern Rusk. Paintings from the Samuel H. Kress Collection: Italian Schools, XIII-XV Century. London, 1966: 158, fig. 428.
Fredericksen, Burton B., and Darrell Davisson. Benvenuto di Giovanni, Girolamo di Benvenuto, their altarpieces in the J. Paul Getty Museum. Malibu, CA, 1966: 29, figs. 19-23.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 7, repro.
Berenson, Bernard. Italian Pictures of the Renaissance. Central Italian and North Italian Schools. 3 vols. London, 1968: 1:42.
1972
Fredericksen, Burton B., and Federico Zeri. Census of Pre-Nineteenth Century Italian Paintings in North American Public Collections. Cambridge, MA, 1972: 26, 646-647.
1974
Bandera, Maria Cristina. “Qualche osservazione su Benvenuto di Giovanni.” Antichità Viva 13, no. 1 (1974): 13-14, 17 nn. 40, 41.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 26, repro.
1977
Bandera, Maria Cristina. “Variazioni ai cataloghi berensoniani di Benvenuto di Giovanni.” In Maria Grazia Ciardi Duprè Dal Poggetto and Paolo Dal Poggetto, eds. Scritti di storia dell’arte in onore di Ugo Procacci. 2 vols. Milan, 1977: 1:314.
1978
Rotili, Mario. La miniature nella Badia di Cava. 2. La raccolta di miniature italiane e straniere. Cava dei Tirreni and Naples, 1978: 95, 169, fig. 39.
1979
Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:65; 2:pl. 40.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 46, repro.
Riedl, Peter Anselm, and Max Seidel, eds. Die Kirchen von Siena. 3 vols. Munich, 1985-2006: 2(1992):644.
1986
Angelini, Alessandro. “Benvenuto di Giovanni.” In Federico Zeri, ed. La pittura in Italia. Il Quattrocento. 2 vols. Milan, 1986: 2:582.
1987
Laclotte, Michel, and Elisabeth Mognetti. Avignon, Musée du Petit Palais: peinture italienne. 3rd ed. Paris, 1987: nos. 28, 29.
1988
Wheeler, Marion, ed. His Face--Images of Christ in Art, New York, 1988: 127, no. 70, color repro.
1989
Hood, William. "Sienese Quattrocento Painting. Metropolitan Museum of Art, New York." The Burlington Magazine 131 (1989): 243.
1990
Carli, Enzo. "Risurrezioni a Siena." Antichità Viva 29, no. 5 (1990): 12-13, fig. 16.
1992
Ladis, Andrew. "Benvenuto di Giovanni at Sixteen." Rivista d'Arte 44 (1992): 307-308.
1993
Alessi, Cecilia. “Benvenuto di Giovanni.” In Luciano Bellosi, ed. Francesco di Giorgio e il Rinascimento a Siena 1450-1500. Exh. cat. Chiesa di Sant’Agostino, Siena, 1993: 519.
Gagliardi, Jacques. La conquête de la peinture: L’Europe des ateliers du XIIIe au XVe siècle. Paris, 1993: 549.
1994
Kanter, Laurence. Italian Paintings in the Museum of Fine Arts, Boston. I. 13th-15th Century. Boston, 1994: 201, 203 n. 1.
1995
_Finarte. Dipinti Antichi. Asta 534. Sale cat. Finarte, Milan, 4 April 1995: 48.
1999
Bandera, Maria Cristina. Benvenuto di Giovanni. Milan, 1999: 104, 148, 154, 158-163, 238-239, 240, 241, cat. 68.
2003
Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 115, 120-124, color repro.
Alessi, Cecilia. La Confraternita ritrovata: Benvenuto di Giovanni e Girolamo di Benvenuto nello Spedale Vecchio di Siena. Asciano (Siena), 2003: 81, 104.
2004
Hiller von Gaertringen, Rudolf. Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien. Kataloge der Gemälde im Städelschen Kunstinstitut Frankfurt am Main. Mainz, 2004: 400.
2015
Sallay, Dóra. Corpus of Sienese Paintings in Hungary 1420-1510. Florence, 2015: 194.
Wikidata ID
Q20174567