Madonna of Humility

c. 1400

Jacopo della Quercia

Artist, Sienese, 1371/1374 - 1438

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On View

West Building Main Floor, Gallery 5


Artwork overview

  • Medium

    marble with traces of gilding

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall: 58.4 x 48.8 x 28.3 cm (23 x 19 3/16 x 11 1/8 in.)

  • Accession

    1960.5.2


Artwork history & notes

Provenance

Prince Ercolani, Bologna. Art market, Vienna. (Jacques Seligmann, Paris and New York, stock nos. 1190/7782); sold February1920 to Henry Goldman [1857-1937], New York;[1] Goldman family, until at least 1938.[2] (Duveen Brothers, Inc., London and New York); sold 1944 to the Samuel H. Kress Foundation, New York; gift 1960 to NGA.
[1] Seligmann Papers, Archives of American Art, boxes 186 and 279 (copies, NGA curatorial files). See also Germain Seligman, Merchants of Art: 1880-1960, Eighty Years of Professional Collecting, New York, 1961, pl. 27.
[2] Lent from Goldman family to exhibition in Detroit in 1938.

Associated Names

Exhibition History

1920

  • Fiftieth Anniversary Exhibition, The Metropolitan Museum of Art, New York, 1920, unnumbered catalogue.

1938

  • Eighteenth Loan Exhibition of Old Masters: Italian Gothic and Early Renaissance Sculptures [cover title: Italian Sculpture 1250-1500], Detroit Institute of Arts, 1938, no. 72, repro.

1946

  • Recent Additions to the Kress Collection, National Gallery of Art, Washington, D.C., 1946, no. A-157.

2010

  • Da Jacopo della Quercia a Donatello. Le Arti a Siena nel Primo Rinascimento, Complesso Museale Santa Maria della Scala, Siena, 2010, no. A4, repro.

Bibliography

1945

  • Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 177, repro., as Madonna and Child.

1946

  • Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 28, repro., as Madonna and Child.

1949

  • Seymour, Charles. Masterpieces of Sculpture from the National Gallery of Art. Washington and New York, 1949: 173-174, note 13, repro. 53-56.

  • L. J. Roggeveen. "De National Gallery of Art te Washington." Phoenix 4, no. 12 (December 1949): 336-337.

1951

  • Pope-Hennessy, John. 'Review: Masterpieces of Sculpture from the National Gallery of Art by Charles Seymour." The Burlington Magazine 93, no. 576 (March 1951): 98.

1959

  • Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 397, repro.

1961

  • Walker, John, Guy Emerson, and Charles Seymour. Art Treasures for America: An Anthology of Paintings & Sculpture in the Samuel H. Kress Collection. London, 1961: 12, repro.

  • Seligman, Germain. Merchants of Art: 1880-1960, Eighty Years of Professional Collecting. New York, 1961: repro. pl. 27.

1964

  • Eisler, Colin. Review of Seligman, Germain. Merchants of Art. New York, 1961. In Art Bulletin 46 (1964): 117.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 165.

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 145, repro.

1976

  • Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 65.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 622, no. 959, repro.

1994

  • Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 179, repro.

1999

  • Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.

Wikidata ID

Q63854668


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