Madonna and Child with Two Angels

1321

A woman sitting on a throne with a child on her lap and two angels are carved from white marble and decorated with a few areas of gold in this freestanding sculpture. All four people face us in this photograph, and they have round cheeks, square jawlines, and closed lips. Black dots are painted for pupils but without irises or other paint on their faces, they all look startled or intense. The woman wears a gold crown over a cloth that drapes over her head, shoulders, and across her lap. Her knees are apart, and pointed shoes peek out under the rippling hem of her dress. She braces the child’s torso with her left hand, to our right, and touches his upper leg with the other hand. The child’s adult-like face is framed by gold hair. He holds up one hand, though the fingers have been broken off, and holds an open book facing out propped on his leg with his other hand. Writing on the pages has been painted. Two child-like, wingless angels stand on the arms of the throne behind the woman’s shoulders and hold a cloth up behind her head. On all four people, their hair and the necklines, hems, and cuffs of their garments have been painted with gold geometric designs. The Latin text on the book reads, "CONTINET IN GERMIO CELV TERRA Q REGENTE VIRGO DEI GENETRIX MCCCXXI.”

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On View

West Building Main Floor, Gallery 1


Artwork overview

  • Medium

    marble

  • Credit Line

    Samuel H. Kress Collection

  • Dimensions

    overall: 89.5 x 46.4 x 38.8 cm (35 1/4 x 18 1/4 x 15 1/4 in.)

  • Accession

    1961.9.95


Artwork history & notes

Provenance

Palazzo Lazara, Padua. (Paul Drey, New York) by 1935 until at least 1938.[1] (Duveen Brothers, Inc., New York) by 1940.[2] Acquired 1944 by the Samuel H. Kress Foundation, New York; gift 1961 to NGA.[3]
[1]This work was exhibited at Sculpture of the Italian Renaissance, A.S.Drey Galleries, 2-20 March 1935, p.7n.1. It was also exhibited at Italian Gothic and Early Renaissance Sculpture, Detroit Institute of the Arts, Jan.7-Feb.20 1938, as lent by Paul Drey.
[2]Kress files say the work was exhibited at Arts of the Middle Ages, Feb.17-March 24, 1940 as lent by Duveen Brothers Inc, New York.
[3]Provenance according to Ulrich Middeldorf, Complete Catalogue of the Samuel H. Kress Collection: European Sculptures XIV-XIX Century, 1976, p. 12.

Associated Names

Exhibition History

1935

  • Exhibition of Sculpture of the Italian Renaissance, A.S. Drey Galleries, New York, 1935, no. 1, as by The Comacini.

1938

  • Eighteenth Loan Exhibition of Old Masters: Italian Gothic and Early Renaissance Sculptures [cover title: Italian Sculpture 1250-1500], Detroit Institute of Arts, 1938, no. 6, repro., as North Italian.

Bibliography

1946

  • Frankfurter, Alfred M. Supplement to the Kress Collection in the National Gallery. New York, 1946: 18, repro., as North Italian

1976

  • Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 12.

1994

  • Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 232, repro.

1999

  • Norman Herz, Katherine A. Holbrow and Shelley G. Sturman. "Marble Sculture in the National Gallery of Art: a Provenance Study." In Max Schvoerer, ed. Archéomatériaux: marbres et autres roches: ASMOSIA IV, Bordeaux, France 9-13 october 1995: actes de la IVème Conférence international de l’Association pour l’étude des marbres et autres roches utilizes dans le passé. Talence, 1999: 101-110.

2008

  • Penny, Nicholas. "The Evolution of the Plinth, Pedestal, and Socle." In Collecting Sculpture in Early Modern Europe. Nicholas Penny and Eike D. Schmidt, eds. Studies in the History of Art 70, Symposium Papers 47 (2008): 467, 468 fig. 12.

Inscriptions

on book: CONTINET IN GERMIO CELV[M] TERRA[M] Q[UE]REGENTE[M] VIRGO DEI GENETRIX MCCCXXI

Wikidata ID

Q63854432


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