Odalisque
1870
Artist, French, 1841 - 1919


West Building Main Floor, Gallery 81
Artwork overview
-
Medium
oil on canvas
-
Credit Line
-
Dimensions
overall: 69.2 x 122.6 cm (27 1/4 x 48 1/4 in.)
framed: 99 x 153.7 cm (39 x 60 1/2 in.) -
Accession
1963.10.207
Artwork history & notes
Provenance
Anonymous collection, Paris.[1] (Galerie Heinemann, Munich) from 1913; sold 1916 to Hans Wendland [b. 1880]. [2] (Dr. Gottlieb Friedrich Reber [1880-1959], Basel); sold to (Paul Rosenberg & Co., London, New York, and Paris); [3] sold 1928 to (Hugo Perls, New York); [4] from 1931 with (Paul Rosenberg & Co., London, New York and Paris); sold 1933 to Chester Dale [1882-1963], New York; bequest 1963 to NGA.
[1] Letter from Paul Rosenberg to Chester Dale, dated 31 March 1942, in which Rosenberg described having seen the picture in an apartment in Paris before 1914 (copy NGA curatorial files).
[2] Galerie Heinemann records, no. 12082 (copies NGA curatorial files).
[3] Letter from Paul Rosenberg to Chester Dale, dated 31 March 1942, in which Rosenberg explains that Reber was an intermediary for a German private collection. This is likely Wendland, who bought the painting in 1916. The painting is included in the list of Reber's collection compiled by Peter Kropmanns and Uwe Fleckner, "Von Kontinentaler Bedeutung: Gottlieb Freidrich Reber und seine Sammlungen," in Die Moderne und ihre Sammler (Berlin, 2001), p 392, but was not lent by Reber to any known exhibitions of his collection.
[4] See letter from Hugo Perls dated 25 November 1968, in NGA curatorial files.
Associated Names
Exhibition History
1870
Salon of 1870, Paris, no. 2406 as Femme d'Alger.
1888
Exposition, Galeries Durand-Ruel, Paris, 1888, no. 14 as Femme d'Alger
1892
Exposition A. Renoir, Galeries Durand-Ruel, Paris, 1892, no. 27 as Femme d'Alger
1900
Possibly Exposition A. Renoir, Galeries Bernheim Jeune et Fils, Paris, 1900, no. 49 as Femme algérienne.
1904
Possibly Universal Exposition, St. Louis, 1904, no. 463a.
1913
L'Art français du XIXe siècle, Munich, 1913, repro. no. 190
1931
Probably Exposition coloniale internationale, Grand Palais, Paris, 1931.
1965
The Chester Dale Bequest, National Gallery of Art, Washington, D.C., 1965, unnumbered checklist.
1984
The Orientalists: Delacroix to Matisse, The Allure of North Africa and the Near East, National Gallery of Art, Washington, 1984, no. 106, repro.
2010
From Impressionism to Modernism: The Chester Dale Collection, National Gallery of Art, Washington, January 2010-January 2012, unnumbered catalogue, repro.
Bibliography
1870
Houssaye, Arsène. "Le Salon de 1870." L'Artiste 9e série, XIII (June 1870): 319-320 [cited in John Rewald, The History of Impressionism, New York, 1973: 246, 268 n.14].
Cham, pseud. Le Charivari (29 June 1870): 3.
1873
Chaumelin, Marius. L'Art contemporain. Paris, 1873:417.
1908
Meier-Graefe, Julius. Modern Art. 5 vols. London, 1908:II:290.
1909
Geffroy, Gustave. "Renoir, peintre de la femme." L'Art et les artistes X, no. 57 (December 1909): 110 repro.
1919
Duret, Théodore. Histoire des peintres impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cezanne, Guillaumin. 2nd ed. Paris, 1919: 84, 94.
1920
Vollard, Ambroise. Auguste Renoir. Paris, 1920: repro. opposite 228.
1923
Fosca, François. Renoir. Paris, 1923: 23-24.
1924
Duret, Théodore. Renoir. Paris, 1924:33-34.
1926
Hertz, Henri. "Renoir." Art in America XIV, no. 2 (February 1926):52.
1929
Meier-Graefe, Julius. Renoir. Leipzig, 1929: 38-40, 44, repro. p. 39, no. 22.
1931
M. F. "La Section des Beaux-Arts et les Petites Expositions à l'Exposition Coloniale." L'Art et des artistes N.S. 22, no. 199 (July 1931): 348.
"Le Palais permanent des colonies." Beaux-Arts. 9 (35 July 1931):3.
1933
Roger-Marx, Claude. Renoir. Paris, 1933: 19.
1934
Vollard, Ambroise. Renoir: An Intimate Record. New York, 1934:236.
1935
Barnes, Albert C. and Violette de Mazia. The Art of Renoir. New York, 1935: 50n, 51n, 80n, 200n. 443, no. 17.
Tietze, Hans. Meisterwerke europäischer Malerei in Amerika. Vienna, 1935: 296, repro. (English ed., Masterpieces of European Painting in America. New York, 1939: 296, repro.).
1937
McBride, Henry. "The Renoirs in America: In Appreciation of the Metropolitan Museum's Exhibition," Art News 35, no. 31 (1 May 1937):60.
1938
Florisoone, Michel. Renior. Paris, 1938: 12.
1940
Wilenski, R.H. Modern French Painters. New York, 1940: 22, 61, 337, repro. pl. 6B.
"Chester Dale Loans to the National Gallery." Art Digest 16 (15 November 1940):9
1941
Catalogue of French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1941: 12, repro. pl. XXIII
"The Chester Dale Pictures on loan to the National Gallery of Art." Magazine of Art 34 no. 9 (November 1941): 476+, repro.
1942
French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1942: 64, repro.
1943
Graber, Hans. Auguste Renoir nach eigenen und fremden Zeugnissen. Basel, 1943:11, 12, 39, 39-40 n. 2.
1944
Cairns, Huntington, and John Walker, eds. Masterpieces of Painting from the National Gallery of Art. New York, 1944: 168, color repro.
French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1944: 64, repro.
Wilenski, R.H. Modern French Painters. London, 1944: 22, 61, 337, repro. pl. 6B
Drucker, Michel. Renoir. Paris, 1944: 182.
Jewell, Edward Alden. French Impressionists and their Contemporaries Represented in American Collections. New York, 1944: repro. 67.
Frost, Rosamund. Pierre Auguste Renoir. New York, 1944:7.
1946
Rewald, John. The History of Impressionism. New York, 1946:199, repro.
1947
Gowling, Lawrence, Intro. Renoir. London and Paris, 1947: 5.
1948
Loan Exhibition of Masterpieces by Delacroix and Renoir for the beneit of the New York Heart Association. Exh. cat. Paul Rosenberg & Co., New York, 1948:15.
1949
Wilenski, Reginald H. Modern French Painters. New York, 1949: xiii, repro. 6A.
1950
A Loan Exhibition of Renoir for the Benefit of the New York Infirmary. Exh. cat. Wildenstein, New York, 1950: 25.
1953
French Paintings from the Chester Dale Collection. National Gallery of Art, Washington, 1953: 74, repro.
1954
Rouart, Denis. Renoir. Geneva, 1954:5, 22, 27, repro.
1957
Fox, Milton. A Gallery of Portraits by Renoir. New York, 1957: 2.
1959
Cooper, Douglas. "Renoir, Lise and the Le Coeur Family: A Study of Renoir's Early Development - I: Lise." The Burlington Magazine 101 (1959):168, repro.
1961
Fosca, François. Renoir, His Life and Work. London, 1961:21.
Giudice, Piero Del. Gli Impressionisti. Milan, 1961: 45.
1963
Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 325, repro.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 113.
Eighteenth and Nineteenth Century Paintings & Sculpture of the French School in the Chester Dale Collection, National Gallery of Art, Washington, 1965: 108, repro.
Frankfurter, Alfred. "How Great is the Dale Collection?" Art News 64 (May 1965):53.
1966
Cairns, Huntington, and John Walker, eds. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966: 2:442, color repro.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 100, repro.
Hanson, Lawrence. Renoir: The Man, The Painter, and his World. New York, 1968: 96, 98, 110.
1970
Renior. Paris, Réalités Hachette, 1970:14, 233.
1971
Daulte, Francois. Auguste Renoir, catalogue raisonne de l'oeuvre peint. Vol.I. Figures 1860-1890. Lausanne, 1971: no. 48
Richter, Antje. Auguste Renoir. Berlin, 1971:12.
Daulte, François. August Renoir. Milan, 1971: 20, repro. 21.
1972
Fezzi, Elda. L'opera completa di Renoir nel period impressionista 1869-1883. Milan, 1972: no. 52, repro.
Fox, Milton S. Pierre-Auguste Renoir: A Gallery of Portraits. New York, 1972:4
1973
Champa, Kermit S. Studies in Early Impressionism. New Haven and London, 1973: 40, 90, repro. 88.
Rewald, John. The History of Impressionism. New York, 1973: 239-240, repro.
1974
Fouchet, Max-Pol. Les Nus de Renoir. Paris and Lausanne, 1974:100-101, repro. 103.
1975
European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 296, repro.
Whelden, Keith. Renoir and his art. London and New York, 1975:43, repro.
1976
Gaunt, William. Renoir. Oxford, 1976: 7, repro.
1978
Martini, Alberto. Renoir. New York, 1978: repro. plate XIII.
De Poli, Franco. Renoir. Munich, 1978:14, 31, 88.
1980
Kelder, Diane. The Great Book of French Impressionism. New York, 1980:229, 242, 438, repro.
Monneret, Sophie (intro). Guida alla pittura di Renoir. Milan, 1980:7, 18, 40, 42, 128, 162, no. 47.
1982
Gaunt, William. Renoir. 3rd. ed. Oxford, 1982: repro. 8.
Rosenthal, Donald. Orientalism: The Near East in French Painting, 1800-1880. Exh. cat., Memorial Art Gallery of the University of Rochester, 1982: 143, repro.
1984
Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 469, no. 688, color repro.
White, Barbara Ehrlich. Renoir: His Life, Art, and Letters. New York, 1984: 33+, repro.
1985
European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 340, repro.
Rouart, Denis. Renoir. Rev. ed., New York, 1985: 22, repro. 23.
Arts Council of Great Britain. Renoir. Exh. cat., Hayward Gallery , London, Galleries nationales du Grand Palais, Paris, and Museum of Fine Arts, Boston, 1985-1986:194, repro.
1992
Marandel, Jean-Patrice. "Frédéric Baziille: The Lure of Exoticsim." In Frédéric Bazille Prophet of Impressionism. Exh. cat. Musée Fabre, Montpellier, Brooklyn Museum of Art, and Dixon Gallery and Gardens, Memphis, 1992: 73, repro. fig. 33.
1993
Bajou, Valérie. Frédéric Bazille 1841-1870. Aix-en-Provence, 1993:172-173, repro. 164
Gost, Roswitha. Der Harem. Cologne, 1993: 41 repro.
1994
Beaudan, Colette Juillard. L'imaginaire de la femme enfermée: le regard des peintres et des écrivans du XIXe siècle Français sur la femme orientale. 2 vols. Ph.D. dissertation, City University of New York, 1994: II: 2, repro.
Tinterow, Gary and Henri Loyrette. Origins of Impressionism. Exh. cat. Galeries Nationales du Grand Palais, Paris, and Metropolitan Museum of Art, New York, 1994:337, under no. 13.
1995
Distel, Anne. Renoir A Sensuous Vision. New York, 1995: 31, repro.
1996
Adriani, Götz. Renoir. Exh. cat., Kunsthalle Tübingen, 1996: 83, repro.
Roos, Jane Mayo. Early Impressionism and the French State (1866-1874). Cambridge, 1996: 144, 259 nt. 49.
1997
Matisse: La révélation m'est venue de l'Orient, Exh. cat., Musei capitolini, Rome, 1997: 86, repro.
Bailey, Colin B._ Renoir's Portraits: Impressions of an age_.Yale University Press New Haven and London, in association with National Gallery of Canada Ottawa, 1997,no.117,repro.
Kelder, Diane. The Great Book of French Impressionism, 1997, no. 213, repro.
1998
Rayfield, Susan. Pierre-Auguste Renoir. Harry N. Abrams, Inc., 1998: 51-54, repro. 52.
2000
Lemaire, Gérard-Georges. L'univers des orientalistes. Pairs, 2000: 260, repro.
2001
Kropmanns, Peter, and Uwe Fleckner. "Von Kontinentaler Bedeutung: Gottlieb Freidrich Reber und seine Sammlungen." In Die Moderne und ihre Sammler. Andrea Pophanken and Felix Billeter, eds. Berlin, 2001: 392.
2003
Benjamin, Roger. Renoir and Algeria. Exh. cat., Sterling and Francine Clark Art Institute, Williamstown, 2003: 18, repro.
2006
Brettell, Richard R., and Stephen F. Eisenman. Nineteenth-Century Art in the Norton Simon Museum. New Haven and London, 2006: 330 fig. 87a.
2007
Dauberville, Guy-Patrice, and Michel Dauberville. Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles. 5 vols. Paris, 2007: 1:no. 293.
2015
Noon, Patrick, and Christopher Riopelle. Delacroix and the Rise of Modern Art. Exh. cat. Minneapolis Institute of Art; National Gallery, London. London, 2015: 145 fig. 36.
Inscriptions
lower left: A. Renoir. 70.
Wikidata ID
Q20188732